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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone MP Colorplus - 2400 NA it is the complementary color MP Colorplus - 59 nero. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color MP Colorplus - 2400 NA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone MP Colorplus - 2400 NA: MP Colorplus - 2400 NA, MP Colorplus - 2539 TT, MP Colorplus - 2541 TT

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color MP Colorplus - 2400 NA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone MP Colorplus - 2400 NA: MP Colorplus - 2400 NA, MP Colorplus - 2625 FS, MP Colorplus - 2629 FS, MP Colorplus - 2534 NA and MP Colorplus - 2527 NA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

Complementary color

CMYK 2 / 3 / 0 / 75

HEX #3E3D3F

RGB 62 61 63

HSL 270, 0.02%, 0.24%

LAB 25.92, 0.88, -1.08

MP Colorplus
59 nero

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 0 / 0 / 7 / 5

HEX #F1F1E1

RGB 241 241 225 1

HSL 60, 0.36%, 0.91%

LAB 94.76, -2.74, 7.72

MP Colorplus
2539 TT

CMYK 0 / 1 / 6 / 5

HEX #F2EFE4

RGB 242 239 228 1

HSL 47.14, 0.35%, 0.92%

LAB 94.4, -0.88, 5.66

MP Colorplus
2541 TT

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 0 / 5 / 15 / 9

HEX #E7DCC4

RGB 231 220 196 1

HSL 41.14, 0.42%, 0.84%

LAB 88.05, -0.16, 13.14

MP Colorplus
2625 FS

CMYK 0 / 7 / 22 / 13

HEX #DECFAE

RGB 222 207 174 1

HSL 41.25, 0.42%, 0.78%

LAB 83.55, -0.01, 18.3

MP Colorplus
2629 FS

CMYK 4 / 0 / 18 / 23

HEX #BDC4A0

RGB 189 196 160 1

HSL 71.67, 0.23%, 0.7%

LAB 77.78, -8.63, 17.29

MP Colorplus
2534 NA

CMYK 7 / 0 / 19 / 28

HEX #ABB895

RGB 171 184 149 1

HSL 82.29, 0.2%, 0.65%

LAB 72.96, -10.78, 16.3

MP Colorplus
2527 NA

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 2 / 3 / 0 / 75

HEX #3E3D3F

RGB 62 61 63 1

HSL 270, 0.02%, 0.24%

LAB 25.92, 0.88, -1.08

MP Colorplus
59 nero

CMYK 0 / 24 / 34 / 56

HEX #6F5449

RGB 111 84 73 1

HSL 17.37, 0.21%, 0.36%

LAB 38.2, 9.51, 10.76

MP Colorplus
51 marrone

CMYK 0 / 2 / 7 / 44

HEX #8F8C85

RGB 143 140 133 1

HSL 42, 0.04%, 0.54%

LAB 58.31, -0.2, 4.12

MP Colorplus
2635 FS

CMYK 0 / 5 / 14 / 21

HEX #C9BEAD

RGB 201 190 173 1

HSL 36.43, 0.21%, 0.73%

LAB 77.44, 1, 9.96

MP Colorplus
2630 FS

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 5 / 0 / 10 / 9

HEX #DBE7CF

RGB 219 231 207 1

HSL 90, 0.33%, 0.86%

LAB 90.19, -8.24, 10.31

MP Colorplus
54-0025

CMYK 0 / 3 / 3 / 9

HEX #E8E1E0

RGB 232 225 224 1

HSL 7.5, 0.15%, 0.89%

LAB 90.04, 2.2, 1.32

MP Colorplus
2546 TT

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 11 / 4 / 0 / 9

HEX #CEDEE8

RGB 206 222 232 1

HSL 203.08, 0.36%, 0.86%

LAB 87.58, -3.38, -6.72

MP Colorplus
2491 NA

CMYK 0 / 2 / 5 / 5

HEX #F1ECE4

RGB 241 236 228 1

HSL 36.92, 0.32%, 0.92%

LAB 93.58, 0.31, 4.46

MP Colorplus
2544 TT

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 5 / 0 / 10 / 9

HEX #DBE7CF

RGB 219 231 207 1

HSL 90, 0.33%, 0.86%

LAB 90.19, -8.24, 10.31

MP Colorplus
54-0025

CMYK 11 / 4 / 0 / 9

HEX #CEDEE8

RGB 206 222 232 1

HSL 203.08, 0.36%, 0.86%

LAB 87.58, -3.38, -6.72

MP Colorplus
2491 NA

CMYK 0 / 3 / 8 / 4

HEX #F5EDE2

RGB 245 237 226 1

HSL 34.74, 0.49%, 0.92%

LAB 94.09, 0.83, 6.27

MP Colorplus
2548 TT

CMYK 0 / 2 / 15 / 2

HEX #F9F5D3

RGB 249 245 211 1

HSL 53.68, 0.76%, 0.9%

LAB 96.06, -4.18, 16.87

MP Colorplus
2400 NA

CMYK 6 / 0 / 6 / 7

HEX #DDECDF

RGB 221 236 223 1

HSL 128, 0.28%, 0.9%

LAB 91.99, -7.32, 4.58

MP Colorplus
2523 NA

CMYK 11 / 4 / 0 / 9

HEX #CEDEE8

RGB 206 222 232 1

HSL 203.08, 0.36%, 0.86%

LAB 87.58, -3.38, -6.72

MP Colorplus
2491 NA

CMYK 0 / 3 / 8 / 4

HEX #F5EDE2

RGB 245 237 226 1

HSL 34.74, 0.49%, 0.92%

LAB 94.09, 0.83, 6.27

MP Colorplus
2548 TT

Description

Color code: MP Colorplus - 2400 NA | qconv.com Color code: MP Colorplus - 2400 NA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 245 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 245 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 15 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 15% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HEX to RAL®

convert from #RRGGBB to RAL®-number (RAL 0000)

HEX to HKS®

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to CMYK

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Sherwin Williams® to HKS®

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NCS® to CMYK

convert from NCS-number (S0000-X00X) to CMYK cyan / magenta / yellow / black

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NCS® to HEX

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

convert from NCS-number (S0000-X00X) to HKS®-number (HKS 00)

NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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