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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Mixol - MIXOL LW-20 · 2% it is the complementary color Mixol - MIXOL LW-1 · 10%. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Mixol - MIXOL LW-20 · 2%. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Mixol - MIXOL LW-20 · 2%: Mixol - MIXOL LW-20 · 2%, Mixol - MIXOL LW-20 · 1%, Mixol - MIXOL L-18 · 0, 2%, Mixol - MIXOL L-18 · 0, 2% and Mixol - MIXOL LW-26 · 0, 2%

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Mixol - MIXOL LW-20 · 2%. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Mixol - MIXOL LW-20 · 2%: Mixol - MIXOL LW-20 · 2%, Mixol - MIXOL LW-20 · 4%, Mixol - MIXOL LW-21 · 10%, Mixol - MIXOL LW-4 · 10% and Mixol - MIXOL LW-4 · 10%

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

Complementary color

CMYK 10 / 6 / 0 / 66

HEX #4E5257

RGB 78 82 87

HSL 213.33, 0.05%, 0.32%

LAB 34.69, -0.46, -3.48

Mixol
MIXOL LW-1 · 10%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 0 / 17 / 24 / 11

HEX #E2BBAC

RGB 226 187 172 1

HSL 16.67, 0.48%, 0.78%

LAB 78.86, 11.73, 12.83

Mixol
MIXOL LW-20 · 1%

CMYK 0 / 12 / 20 / 2

HEX #FADCC7

RGB 250 220 199 1

HSL 24.71, 0.84%, 0.88%

LAB 89.69, 7.15, 14.11

Mixol
MIXOL L-18 · 0, 2%

CMYK 0 / 12 / 20 / 2

HEX #FADCC7

RGB 250 220 199 1

HSL 24.71, 0.84%, 0.88%

LAB 89.69, 7.15, 14.11

Mixol
MIXOL L-18 · 0, 2%

CMYK 0 / 3 / 18 / 1

HEX #FCF4CE

RGB 252 244 206 1

HSL 49.57, 0.88%, 0.9%

LAB 95.94, -3.35, 19.29

Mixol
MIXOL LW-26 · 0, 2%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 0 / 25 / 34 / 22

HEX #C69483

RGB 198 148 131 1

HSL 15.22, 0.37%, 0.65%

LAB 65.61, 16.49, 16.32

Mixol
MIXOL LW-20 · 4%

CMYK 0 / 26 / 43 / 29

HEX #B48666

RGB 180 134 102 1

HSL 24.62, 0.34%, 0.55%

LAB 59.63, 13.48, 24.09

Mixol
MIXOL LW-21 · 10%

CMYK 0 / 39 / 41 / 35

HEX #A56562

RGB 165 101 98 1

HSL 2.69, 0.27%, 0.52%

LAB 49.72, 25.44, 12.64

Mixol
MIXOL LW-4 · 10%

CMYK 0 / 39 / 41 / 35

HEX #A56562

RGB 165 101 98 1

HSL 2.69, 0.27%, 0.52%

LAB 49.72, 25.44, 12.64

Mixol
MIXOL LW-4 · 10%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 0 / 6 / 31 / 15

HEX #D9CB96

RGB 217 203 150 1

HSL 47.46, 0.47%, 0.72%

LAB 81.66, -3.08, 28.25

Mixol
MIXOL LW-16 · 2%

CMYK 0 / 6 / 31 / 15

HEX #D9CB96

RGB 217 203 150 1

HSL 47.46, 0.47%, 0.72%

LAB 81.66, -3.08, 28.25

Mixol
MIXOL LW-16 · 2%

CMYK 0 / 6 / 31 / 15

HEX #D9CB96

RGB 217 203 150 1

HSL 47.46, 0.47%, 0.72%

LAB 81.66, -3.08, 28.25

Mixol
MIXOL LW-16 · 2%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 10 / 6 / 0 / 66

HEX #4E5257

RGB 78 82 87 1

HSL 213.33, 0.05%, 0.32%

LAB 34.69, -0.46, -3.48

Mixol
MIXOL LW-1 · 10%

CMYK 10 / 6 / 0 / 66

HEX #4E5257

RGB 78 82 87 1

HSL 213.33, 0.05%, 0.32%

LAB 34.69, -0.46, -3.48

Mixol
MIXOL LW-1 · 10%

CMYK 10 / 6 / 0 / 66

HEX #4E5257

RGB 78 82 87 1

HSL 213.33, 0.05%, 0.32%

LAB 34.69, -0.46, -3.48

Mixol
MIXOL LW-1 · 10%

CMYK 0 / 19 / 32 / 40

HEX #9A7D69

RGB 154 125 105 1

HSL 24.49, 0.2%, 0.51%

LAB 54.61, 8.16, 15.13

Mixol
MIXOL LW-3 · 10%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 0 / 1 / 21 / 25

HEX #BFBD97

RGB 191 189 151 1

HSL 57, 0.24%, 0.67%

LAB 75.89, -5.6, 19.51

Mixol
MIXOL LW-15 · 2%

CMYK 20 / 26 / 0 / 16

HEX #AA9ED5

RGB 170 158 213 1

HSL 253.09, 0.4%, 0.73%

LAB 67.88, 15.69, -26.42

Mixol
MIXOL LW-11 · 2%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 25 / 0 / 16 / 21

HEX #97CAA9

RGB 151 202 169 1

HSL 141.18, 0.32%, 0.69%

LAB 77.09, -23.33, 11.14

Mixol
MIXOL LW-31 · 4%

CMYK 20 / 26 / 0 / 16

HEX #AA9ED5

RGB 170 158 213 1

HSL 253.09, 0.4%, 0.73%

LAB 67.88, 15.69, -26.42

Mixol
MIXOL LW-11 · 2%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 0 / 1 / 21 / 25

HEX #BFBD97

RGB 191 189 151 1

HSL 57, 0.24%, 0.67%

LAB 75.89, -5.6, 19.51

Mixol
MIXOL LW-15 · 2%

CMYK 39 / 18 / 0 / 9

HEX #8CBEE7

RGB 140 190 231 1

HSL 207.03, 0.65%, 0.73%

LAB 74.93, -6.18, -25.62

Mixol
MIXOL LW-32 · 4%

CMYK 20 / 26 / 0 / 16

HEX #AA9ED5

RGB 170 158 213 1

HSL 253.09, 0.4%, 0.73%

LAB 67.88, 15.69, -26.42

Mixol
MIXOL LW-11 · 2%

CMYK 0 / 21 / 29 / 16

HEX #D6A998

RGB 214 169 152 1

HSL 16.45, 0.43%, 0.72%

LAB 72.85, 14.05, 15.06

Mixol
MIXOL LW-20 · 2%

CMYK 24 / 0 / 16 / 15

HEX #A5DAB7

RGB 165 218 183 1

HSL 140.38, 0.42%, 0.75%

LAB 82.68, -24.05, 11.74

Mixol
MIXOL LW-13 · 1%

CMYK 39 / 18 / 0 / 9

HEX #8CBEE7

RGB 140 190 231 1

HSL 207.03, 0.65%, 0.73%

LAB 74.93, -6.18, -25.62

Mixol
MIXOL LW-32 · 4%

CMYK 20 / 26 / 0 / 16

HEX #AA9ED5

RGB 170 158 213 1

HSL 253.09, 0.4%, 0.73%

LAB 67.88, 15.69, -26.42

Mixol
MIXOL LW-11 · 2%

Description

Color code: Mixol - MIXOL LW-20 · 2% | qconv.com Color code: Mixol - MIXOL LW-20 · 2% | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 169 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 169 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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RAL® to NCS®

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nsc-logo

HKS® to RGB

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HKS® to CMYK

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HKS® to HEX

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HKS® to RAL®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

nsc-logo

PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

convert from Pantone®-number (Pantone 0000) to RGBA red green blue transparency

PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

Icons

PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

nsc-logo

Sherwin Williams® to RGB

convert from Sherwin Williams®-number (SW 0000) to RGB red green blue

Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

Icons

Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

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Sherwin Williams® to NCS®

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NCS® to RGB

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NCS® to RGBA

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NCS® to CMYK

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Icons

NCS® to HEX

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NCS® to RAL®

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NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

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