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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Kilz - LC280-01 - Brown Bag it is the complementary color Kilz - TB-58 - Dusty Turquoise. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Kilz - LC280-01 - Brown Bag. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Kilz - LC280-01 - Brown Bag: Kilz - LC280-01 - Brown Bag, Kilz - LB230-02 - Spiced Apricot, Kilz - LC140-02 - Spiced Nectarine, Kilz - LB150-02 - Orange Ginger and Kilz - LC150-02 - Petite Peach

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Kilz - LC280-01 - Brown Bag. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Kilz - LC280-01 - Brown Bag: Kilz - LC280-01 - Brown Bag, Kilz - LB270-02 - Spiced Tea, Kilz - LC100-02 - Autumn Abundance, Kilz - LM170 - Ancient Spice and Kilz - TB-99 - Bookmarker

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

Complementary color

CMYK 42 / 16 / 0 / 38

HEX #5C859F

RGB 92 133 159

HSL 203.28, 0.27%, 0.49%

LAB 53.55, -7.13, -18.33

Kilz
TB-58 - Dusty Turquoise

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 0 / 20 / 34 / 5

HEX #F2C1A0

RGB 242 193 160 1

HSL 24.15, 0.76%, 0.79%

LAB 81.6, 13.04, 23.28

Kilz
LC150-02 - Petite Peach

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 0 / 34 / 48 / 39

HEX #9B6751

RGB 155 103 81 1

HSL 17.84, 0.31%, 0.46%

LAB 48.59, 18.26, 20.92

Kilz
LB270-02 - Spiced Tea

CMYK 0 / 30 / 46 / 59

HEX #694A39

RGB 105 74 57 1

HSL 21.25, 0.3%, 0.32%

LAB 34.39, 10.82, 15.36

Kilz
LM170 - Ancient Spice

CMYK 0 / 43 / 38 / 66

HEX #563135

RGB 86 49 53 1

HSL 353.51, 0.27%, 0.26%

LAB 25.05, 17.37, 4.68

Kilz
TB-99 - Bookmarker

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 3 / 0 / 34 / 38

HEX #989D67

RGB 152 157 103 1

HSL 65.56, 0.22%, 0.51%

LAB 63.15, -10.65, 27.69

Kilz
LG140-01 - Retro Lime

CMYK 9 / 0 / 41 / 37

HEX #92A15F

RGB 146 161 95 1

HSL 73.64, 0.26%, 0.5%

LAB 63.69, -16.19, 32.57

Kilz
LG250-02 - Vitality

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 0 / 3 / 6 / 86

HEX #242322

RGB 36 35 34 1

HSL 30, 0.03%, 0.14%

LAB 13.78, 0.23, 0.83

Kilz
TB-40 - Deep Onyx

CMYK 0 / 15 / 16 / 78

HEX #372F2E

RGB 55 47 46 1

HSL 6.67, 0.09%, 0.2%

LAB 20.21, 3.4, 1.97

Kilz
TB-30 - Spice Brown

CMYK 0 / 31 / 48 / 51

HEX #7C5641

RGB 124 86 65 1

HSL 21.36, 0.31%, 0.37%

LAB 40.12, 13.02, 18.5

Kilz
LC290-02 - Yule Log

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 9 / 0 / 41 / 37

HEX #92A15F

RGB 146 161 95 1

HSL 73.64, 0.26%, 0.5%

LAB 63.69, -16.19, 32.57

Kilz
LG250-02 - Vitality

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 40 / 0 / 14 / 38

HEX #5F9E88

RGB 95 158 136 1

HSL 159.05, 0.25%, 0.5%

LAB 60.48, -25.54, 5.15

Kilz
RG120-02 - Emerald Stream

CMYK 23 / 32 / 0 / 38

HEX #796A9D

RGB 121 106 157 1

HSL 257.65, 0.21%, 0.52%

LAB 48.02, 17.06, -25.49

Kilz
RH260 - Mystical Purple

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 9 / 0 / 41 / 37

HEX #92A15F

RGB 146 161 95 1

HSL 73.64, 0.26%, 0.5%

LAB 63.69, -16.19, 32.57

Kilz
LG250-02 - Vitality

CMYK 42 / 16 / 0 / 38

HEX #5C859F

RGB 92 133 159 1

HSL 203.28, 0.27%, 0.49%

LAB 53.55, -7.13, -18.33

Kilz
TB-58 - Dusty Turquoise

CMYK 8 / 30 / 0 / 43

HEX #856691

RGB 133 102 145 1

HSL 283.26, 0.17%, 0.48%

LAB 47.67, 20.65, -18.83

Kilz
RA120-01 - Poets Purple

CMYK 0 / 26 / 45 / 36

HEX #A47A5A

RGB 164 122 90 1

HSL 25.95, 0.29%, 0.5%

LAB 54.61, 12.2, 23.88

Kilz
LC280-01 - Brown Bag

CMYK 51 / 0 / 55 / 34

HEX #52A84C

RGB 82 168 76 1

HSL 116.09, 0.38%, 0.48%

LAB 61.93, -44.65, 39.28

Kilz
RH100 - Vivid Lime

CMYK 42 / 16 / 0 / 38

HEX #5C859F

RGB 92 133 159 1

HSL 203.28, 0.27%, 0.49%

LAB 53.55, -7.13, -18.33

Kilz
TB-58 - Dusty Turquoise

CMYK 4 / 22 / 0 / 35

HEX #9F80A5

RGB 159 128 165 1

HSL 290.27, 0.17%, 0.57%

LAB 57.58, 18.69, -15.17

Kilz
RA170-02 - Fruit Smoothie

Description

Color code: Kilz - LC280-01 - Brown Bag | qconv.com Color code: Kilz - LC280-01 - Brown Bag | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 122 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 122 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 45 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 45% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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