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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Kilz - LB150-02 - Orange Ginger it is the complementary color Kilz - RF100-02 - Teal Treat. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Kilz - LB150-02 - Orange Ginger. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Kilz - LB150-02 - Orange Ginger: Kilz - LB150-02 - Orange Ginger, Kilz - LB140-01 - Mandarin Mimosa, Kilz - LB190-02 - Gentle Embrace, Kilz - LC200-01 - Discreet and Kilz - LD190-01 - Cupcake Frosting

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Kilz - LB150-02 - Orange Ginger. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Kilz - LB150-02 - Orange Ginger: Kilz - LB150-02 - Orange Ginger, Kilz - LB220-02 - Adobe Bricks, Kilz - LB110-01 - Brickwork, Kilz - LB280-02 - Spicy Twist and Kilz - LB100-01 - Autumn Ridge

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 35 / 15

HEX #DAA48E

RGB 218 164 142

HSL 17.37, 0.51%, 0.71%

LAB 71.83, 17, 19.17

Kilz
LB150-02 - Orange Ginger

Complementary color

CMYK 66 / 6 / 0 / 53

HEX #297077

RGB 41 112 119

HSL 185.38, 0.49%, 0.31%

LAB 43.35, -19.46, -10.43

Kilz
RF100-02 - Teal Treat

CMYK 0 / 12 / 24 / 2

HEX #F9DCBE

RGB 249 220 190 1

HSL 30.51, 0.83%, 0.86%

LAB 89.41, 5.51, 18.42

Kilz
LC200-01 - Discreet

CMYK 0 / 39 / 52 / 32

HEX #AD6A53

RGB 173 106 83 1

HSL 15.33, 0.35%, 0.5%

LAB 51.63, 24.3, 24.18

Kilz
LB280-02 - Spicy Twist

CMYK 0 / 46 / 56 / 38

HEX #9E5646

RGB 158 86 70 1

HSL 10.91, 0.39%, 0.45%

LAB 44.75, 28.07, 22.44

Kilz
LB100-01 - Autumn Ridge

CMYK 0 / 11 / 33 / 17

HEX #D4BC8E

RGB 212 188 142 1

HSL 39.43, 0.45%, 0.69%

LAB 77.23, 1.82, 26.43

Kilz
LE160-02 - Pale Ale

CMYK 2 / 0 / 36 / 11

HEX #E0E491

RGB 224 228 145 1

HSL 62.89, 0.61%, 0.73%

LAB 88.63, -13.66, 40.08

Kilz
LF240-02 - Sassy Lime

CMYK 0 / 3 / 6 / 86

HEX #242322

RGB 36 35 34 1

HSL 30, 0.03%, 0.14%

LAB 13.78, 0.23, 0.83

Kilz
TB-40 - Deep Onyx

CMYK 0 / 15 / 16 / 78

HEX #372F2E

RGB 55 47 46 1

HSL 6.67, 0.09%, 0.2%

LAB 20.21, 3.4, 1.97

Kilz
TB-30 - Spice Brown

CMYK 0 / 31 / 48 / 51

HEX #7C5641

RGB 124 86 65 1

HSL 21.36, 0.31%, 0.37%

LAB 40.12, 13.02, 18.5

Kilz
LC290-02 - Yule Log

CMYK 25 / 23 / 0 / 24

HEX #9094C1

RGB 144 148 193 1

HSL 235.1, 0.28%, 0.66%

LAB 62.47, 8.56, -23.75

Kilz
RB150-02 - Lavender Glow

CMYK 29 / 0 / 23 / 17

HEX #95D3A3

RGB 149 211 163 1

HSL 133.55, 0.41%, 0.71%

LAB 79.4, -29.46, 17.57

Kilz
RG220-02 - Iguana

CMYK 23 / 20 / 0 / 22

HEX #9A9FC7

RGB 154 159 199 1

HSL 233.33, 0.29%, 0.69%

LAB 66.36, 6.88, -21.09

Kilz
RB150-01 - Bedtime Story

CMYK 36 / 7 / 0 / 16

HEX #89C8D6

RGB 137 200 214 1

HSL 190.91, 0.48%, 0.69%

LAB 76.97, -16.57, -13.37

Kilz
RE230-02 - Thunder River

CMYK 8 / 21 / 0 / 24

HEX #B29AC2

RGB 178 154 194 1

HSL 276, 0.25%, 0.68%

LAB 66.88, 16.37, -17.34

Kilz
RA170-01 - Fruit Punch

CMYK 29 / 0 / 23 / 17

HEX #95D3A3

RGB 149 211 163 1

HSL 133.55, 0.41%, 0.71%

LAB 79.4, -29.46, 17.57

Kilz
RG220-02 - Iguana

CMYK 36 / 7 / 0 / 16

HEX #89C8D6

RGB 137 200 214 1

HSL 190.91, 0.48%, 0.69%

LAB 76.97, -16.57, -13.37

Kilz
RE230-02 - Thunder River

CMYK 2 / 17 / 0 / 18

HEX #CBACD0

RGB 203 172 208 1

HSL 291.67, 0.28%, 0.75%

LAB 74.03, 17.6, -14.05

Kilz
RA190-01 - Crush

Description

Color code: Kilz - LB150-02 - Orange Ginger | qconv.com Color code: Kilz - LB150-02 - Orange Ginger | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 164 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 164 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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