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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Keim Avantgarde - Nr.0070 it is the complementary color Keim Avantgarde - Nr.9021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Keim Avantgarde - Nr.0070. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Keim Avantgarde - Nr.0070: Keim Avantgarde - Nr.0072, Keim Avantgarde - Nr.0042, Keim Avantgarde - Nr.0041, Keim Avantgarde - Nr.0040 and Keim Avantgarde - Nr.0040

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Keim Avantgarde - Nr.0070. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Keim Avantgarde - Nr.0070: Keim Avantgarde - Nr.0070, Keim Avantgarde - Nr.0096, Keim Avantgarde - Nr.0104, Keim Avantgarde - Nr.0124 and Keim Avantgarde - Nr.9003 OxidrotKEIM Soldalit Monochromton

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

Complementary color

CMYK 0 / 4 / 5 / 71

HEX #494645

RGB 73 70 69

HSL 15, 0.03%, 0.28%

LAB 29.98, 1.04, 1.04

Keim Avantgarde
Nr.9021

CMYK 0 / 19 / 39 / 11

HEX #E2B88A

RGB 226 184 138 1

HSL 31.36, 0.6%, 0.71%

LAB 77.45, 8.98, 29.07

Keim Avantgarde
Nr.0072

CMYK 0 / 11 / 38 / 7

HEX #EED594

RGB 238 213 148 1

HSL 43.33, 0.73%, 0.76%

LAB 85.96, -0.32, 35.31

Keim Avantgarde
Nr.0042

CMYK 0 / 10 / 29 / 6

HEX #EFD6A9

RGB 239 214 169 1

HSL 38.57, 0.69%, 0.8%

LAB 86.66, 2.07, 25.42

Keim Avantgarde
Nr.0041

CMYK 0 / 4 / 19 / 5

HEX #F2E8C5

RGB 242 232 197 1

HSL 46.67, 0.63%, 0.86%

LAB 91.96, -2.19, 18.26

Keim Avantgarde
Nr.0040

CMYK 0 / 4 / 19 / 5

HEX #F2E8C5

RGB 242 232 197 1

HSL 46.67, 0.63%, 0.86%

LAB 91.96, -2.19, 18.26

Keim Avantgarde
Nr.0040

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 0 / 21 / 46 / 19

HEX #CFA370

RGB 207 163 112 1

HSL 32.21, 0.5%, 0.63%

LAB 69.92, 9.77, 32.63

Keim Avantgarde
Nr.0096

CMYK 0 / 22 / 35 / 29

HEX #B58E76

RGB 181 142 118 1

HSL 22.86, 0.3%, 0.59%

LAB 62.06, 11.35, 18.43

Keim Avantgarde
Nr.0104

CMYK 0 / 30 / 51 / 30

HEX #B27D57

RGB 178 125 87 1

HSL 25.05, 0.37%, 0.52%

LAB 56.9, 16.13, 28.84

Keim Avantgarde
Nr.0124

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 0 / 11 / 38 / 7

HEX #EED594

RGB 238 213 148 1

HSL 43.33, 0.73%, 0.76%

LAB 85.96, -0.32, 35.31

Keim Avantgarde
Nr.0042

CMYK 3 / 0 / 22 / 17

HEX #CCD3A5

RGB 204 211 165 1

HSL 69.13, 0.34%, 0.74%

LAB 82.99, -10.05, 22.03

Keim Avantgarde
Nr.0248

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 9 / 0 / 38 / 27

HEX #AABA73

RGB 170 186 115 1

HSL 73.52, 0.34%, 0.59%

LAB 72.83, -17.03, 34.17

Keim Avantgarde
Nr.0168

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 26 / 6 / 0 / 29

HEX #86A9B4

RGB 134 169 180 1

HSL 194.35, 0.23%, 0.62%

LAB 67.08, -9.34, -9.57

Keim Avantgarde
Nr.0079

CMYK 14 / 9 / 0 / 15

HEX #BAC4D8

RGB 186 196 216 1

HSL 220, 0.28%, 0.79%

LAB 78.97, 0.59, -11.14

Keim Avantgarde
Nr.0231

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 9 / 0 / 38 / 27

HEX #AABA73

RGB 170 186 115 1

HSL 73.52, 0.34%, 0.59%

LAB 72.83, -17.03, 34.17

Keim Avantgarde
Nr.0168

CMYK 21 / 12 / 0 / 24

HEX #99A9C1

RGB 153 169 193 1

HSL 216, 0.24%, 0.68%

LAB 68.75, -0.38, -14.15

Keim Avantgarde
Nr.0235

CMYK 14 / 9 / 0 / 15

HEX #BAC4D8

RGB 186 196 216 1

HSL 220, 0.28%, 0.79%

LAB 78.97, 0.59, -11.14

Keim Avantgarde
Nr.0231

CMYK 0 / 16 / 36 / 14

HEX #DCB98C

RGB 220 185 140 1

HSL 33.75, 0.53%, 0.71%

LAB 77.17, 6.31, 27.53

Keim Avantgarde
Nr.0070

CMYK 21 / 12 / 0 / 24

HEX #99A9C1

RGB 153 169 193 1

HSL 216, 0.24%, 0.68%

LAB 68.75, -0.38, -14.15

Keim Avantgarde
Nr.0235

CMYK 0 / 10 / 12 / 15

HEX #D9C4BF

RGB 217 196 191 1

HSL 11.54, 0.25%, 0.8%

LAB 80.73, 6.55, 5.18

Keim Avantgarde
Nr.0064

Description

Color code: Keim Avantgarde - Nr.0070 | qconv.com Color code: Keim Avantgarde - Nr.0070 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 185 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 185 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 36 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 36% 14% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

16% - A Santa Sé
Link: https://w2.vatican.va

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

Let's go

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