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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone ispo 2001 - ispo 2001 230/01 it is the complementary color ispo 2001 - ispo 2001 320/00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color ispo 2001 - ispo 2001 230/01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone ispo 2001 - ispo 2001 230/01: ispo 2001 - ispo 2001 230/01, ispo 2001 - ispo 2001 220/01, ispo 2001 - ispo 2001 230/02, ispo 2001 - ispo 2001 220/02 and ispo 2001 - ispo 2001 210/03

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color ispo 2001 - ispo 2001 230/01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone ispo 2001 - ispo 2001 230/01: ispo 2001 - ispo 2001 230/01, ispo 2001 - ispo 2001 230/00, ispo 2001 - ispo 2001 230/10, ispo 2001 - ispo 2001 240/10 and ispo 2001 - ispo 2001 250/10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

Complementary color

CMYK 70 / 20 / 0 / 38

HEX #2F7D9D

RGB 47 125 157

HSL 197.45, 0.54%, 0.4%

LAB 49.14, -13.04, -24.1

ispo 2001
ispo 2001 320/00

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 0 / 13 / 49 / 9

HEX #E9CA76

RGB 233 202 118 1

HSL 43.83, 0.72%, 0.69%

LAB 82.31, 0.33, 45.69

ispo 2001
ispo 2001 220/01

CMYK 0 / 18 / 46 / 6

HEX #EFC582

RGB 239 197 130 1

HSL 36.88, 0.77%, 0.72%

LAB 81.78, 6.47, 39.12

ispo 2001
ispo 2001 230/02

CMYK 0 / 9 / 38 / 5

HEX #F3DD96

RGB 243 221 150 1

HSL 45.81, 0.79%, 0.77%

LAB 88.43, -2.24, 37.61

ispo 2001
ispo 2001 220/02

CMYK 0 / 1 / 28 / 4

HEX #F4F1B0

RGB 244 241 176 1

HSL 57.35, 0.76%, 0.82%

LAB 94, -8.85, 31.84

ispo 2001
ispo 2001 210/03

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 0 / 29 / 71 / 16

HEX #D6983D

RGB 214 152 61 1

HSL 35.69, 0.65%, 0.54%

LAB 67.34, 14.83, 55.07

ispo 2001
ispo 2001 230/00

CMYK 0 / 24 / 64 / 25

HEX #BE9144

RGB 190 145 68 1

HSL 37.87, 0.48%, 0.51%

LAB 63.02, 8.67, 46.43

ispo 2001
ispo 2001 230/10

CMYK 0 / 29 / 63 / 31

HEX #B17D42

RGB 177 125 66 1

HSL 31.89, 0.46%, 0.48%

LAB 56.49, 13.96, 39.61

ispo 2001
ispo 2001 240/10

CMYK 0 / 37 / 62 / 34

HEX #A96A41

RGB 169 106 65 1

HSL 23.65, 0.44%, 0.46%

LAB 50.83, 21.09, 33.22

ispo 2001
ispo 2001 250/10

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 0 / 6 / 56 / 8

HEX #EADB66

RGB 234 219 102 1

HSL 53.18, 0.76%, 0.66%

LAB 86.56, -9.23, 58.31

ispo 2001
ispo 2001 210/00

CMYK 0 / 6 / 56 / 8

HEX #EADB66

RGB 234 219 102 1

HSL 53.18, 0.76%, 0.66%

LAB 86.56, -9.23, 58.31

ispo 2001
ispo 2001 210/00

CMYK 0 / 1 / 43 / 24

HEX #C2C06F

RGB 194 192 111 1

HSL 58.55, 0.4%, 0.6%

LAB 76.26, -10.99, 40.95

ispo 2001
ispo 2001 210/10

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 0 / 40 / 55 / 51

HEX #7C4B38

RGB 124 75 56 1

HSL 16.76, 0.38%, 0.35%

LAB 37.12, 18.64, 20.03

ispo 2001
ispo 2001 260/20

CMYK 0 / 17 / 54 / 36

HEX #A3874B

RGB 163 135 75 1

HSL 40.91, 0.37%, 0.47%

LAB 57.68, 2.95, 35.95

ispo 2001
ispo 2001 230/20

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 17 / 0 / 39 / 41

HEX #7C965C

RGB 124 150 92 1

HSL 86.9, 0.24%, 0.47%

LAB 58.85, -19.66, 27.64

ispo 2001
ispo 2001 360/00

CMYK 45 / 22 / 0 / 22

HEX #6E9CC7

RGB 110 156 199 1

HSL 208.99, 0.44%, 0.61%

LAB 62.69, -4.02, -26.97

ispo 2001
ispo 2001 310/01

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 45 / 16 / 0 / 25

HEX #68A0BE

RGB 104 160 190 1

HSL 200.93, 0.4%, 0.58%

LAB 63.18, -10.29, -21.21

ispo 2001
ispo 2001 320/01

CMYK 21 / 9 / 0 / 10

HEX #B5D0E5

RGB 181 208 229 1

HSL 206.25, 0.48%, 0.8%

LAB 82.16, -4.55, -13.37

ispo 2001
ispo 2001 310/03

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 17 / 0 / 39 / 41

HEX #7C965C

RGB 124 150 92 1

HSL 86.9, 0.24%, 0.47%

LAB 58.85, -19.66, 27.64

ispo 2001
ispo 2001 360/00

CMYK 45 / 22 / 0 / 22

HEX #6E9CC7

RGB 110 156 199 1

HSL 208.99, 0.44%, 0.61%

LAB 62.69, -4.02, -26.97

ispo 2001
ispo 2001 310/01

CMYK 5 / 3 / 0 / 18

HEX #C6CAD1

RGB 198 202 209 1

HSL 218.18, 0.11%, 0.8%

LAB 81.21, -0.04, -3.96

ispo 2001
ispo 2001 300/23

CMYK 0 / 23 / 57 / 11

HEX #E2AF62

RGB 226 175 98 1

HSL 36.09, 0.69%, 0.64%

LAB 74.64, 9.94, 46.13

ispo 2001
ispo 2001 230/01

CMYK 16 / 0 / 22 / 40

HEX #829A78

RGB 130 154 120 1

HSL 102.35, 0.14%, 0.54%

LAB 60.97, -15.07, 15.11

ispo 2001
ispo 2001 350/01

CMYK 45 / 22 / 0 / 22

HEX #6E9CC7

RGB 110 156 199 1

HSL 208.99, 0.44%, 0.61%

LAB 62.69, -4.02, -26.97

ispo 2001
ispo 2001 310/01

CMYK 0 / 5 / 6 / 12

HEX #E1D5D3

RGB 225 213 211 1

HSL 8.57, 0.19%, 0.85%

LAB 86.16, 3.78, 2.45

ispo 2001
ispo 2001 280/34

Description

Color code: ispo 2001 - ispo 2001 230/01 | qconv.com Color code: ispo 2001 - ispo 2001 230/01 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 175 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 175 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 57 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 57% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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