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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone Hexis Suptac S5000 - S.5348B it is the complementary color Hexis Suptac S5000 - S.5251B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color Hexis Suptac S5000 - S.5348B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone Hexis Suptac S5000 - S.5348B: Hexis Suptac S5000 - S.5348B, Hexis Suptac S5000 - S.5340B, Hexis Suptac S5000 - S.5340B, Hexis Suptac S5000 - S.5360B and Hexis Suptac S5000 - S.5360B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color Hexis Suptac S5000 - S.5348B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone Hexis Suptac S5000 - S.5348B: Hexis Suptac S5000 - S.5348B, Hexis Suptac S5000 - S.5336B, Hexis Suptac S5000 - S.5336B, Hexis Suptac S5000 - S.5336B and Hexis Suptac S5000 - S.5889B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

Complementary color

CMYK 1 / 25 / 0 / 18

HEX #D09ED2

RGB 208 158 210

HSL 297.69, 0.37%, 0.72%

LAB 71.23, 27.31, -19.34

Hexis Suptac S5000
S.5251B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 100 / 0 / 40 / 44

HEX #008E55

RGB 0 142 85 1

HSL 155.92, 1%, 0.28%

LAB 51.84, -46.46, 21.45

Hexis Suptac S5000
S.5340B

CMYK 100 / 0 / 40 / 44

HEX #008E55

RGB 0 142 85 1

HSL 155.92, 1%, 0.28%

LAB 51.84, -46.46, 21.45

Hexis Suptac S5000
S.5340B

CMYK 61 / 0 / 71 / 31

HEX #45B134

RGB 69 177 52 1

HSL 111.84, 0.55%, 0.45%

LAB 64.13, -54.07, 52.27

Hexis Suptac S5000
S.5360B

CMYK 61 / 0 / 71 / 31

HEX #45B134

RGB 69 177 52 1

HSL 111.84, 0.55%, 0.45%

LAB 64.13, -54.07, 52.27

Hexis Suptac S5000
S.5360B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 100 / 0 / 44 / 69

HEX #004E2C

RGB 0 78 44 1

HSL 153.85, 1%, 0.15%

LAB 28.46, -30.54, 14.29

Hexis Suptac S5000
S.5336B

CMYK 100 / 0 / 44 / 69

HEX #004E2C

RGB 0 78 44 1

HSL 153.85, 1%, 0.15%

LAB 28.46, -30.54, 14.29

Hexis Suptac S5000
S.5336B

CMYK 100 / 0 / 44 / 69

HEX #004E2C

RGB 0 78 44 1

HSL 153.85, 1%, 0.15%

LAB 28.46, -30.54, 14.29

Hexis Suptac S5000
S.5336B

CMYK 24 / 12 / 0 / 93

HEX #0D0F11

RGB 13 15 17 1

HSL 210, 0.13%, 0.06%

LAB 4.22, -0.27, -1.26

Hexis Suptac S5000
S.5889B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 100 / 0 / 40 / 44

HEX #008E55

RGB 0 142 85 1

HSL 155.92, 1%, 0.28%

LAB 51.84, -46.46, 21.45

Hexis Suptac S5000
S.5340B

CMYK 100 / 0 / 40 / 44

HEX #008E55

RGB 0 142 85 1

HSL 155.92, 1%, 0.28%

LAB 51.84, -46.46, 21.45

Hexis Suptac S5000
S.5340B

CMYK 100 / 45 / 0 / 51

HEX #00457D

RGB 0 69 125 1

HSL 206.88, 1%, 0.25%

LAB 28.74, 4.35, -36.94

Hexis Suptac S5000
S.5294B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 100 / 0 / 40 / 44

HEX #008E55

RGB 0 142 85 1

HSL 155.92, 1%, 0.28%

LAB 51.84, -46.46, 21.45

Hexis Suptac S5000
S.5340B

CMYK 100 / 0 / 22 / 32

HEX #00AE87

RGB 0 174 135 1

HSL 166.55, 1%, 0.34%

LAB 63.36, -47.13, 9.53

Hexis Suptac S5000
S.5268B

CMYK 24 / 12 / 0 / 93

HEX #0D0F11

RGB 13 15 17 1

HSL 210, 0.13%, 0.06%

LAB 4.22, -0.27, -1.26

Hexis Suptac S5000
S.5889B

CMYK 100 / 0 / 44 / 69

HEX #004E2C

RGB 0 78 44 1

HSL 153.85, 1%, 0.15%

LAB 28.46, -30.54, 14.29

Hexis Suptac S5000
S.5336B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 81 / 56 / 0 / 54

HEX #163476

RGB 22 52 118 1

HSL 221.25, 0.69%, 0.27%

LAB 23.45, 15.13, -41.01

Hexis Suptac S5000
S.5280B

CMYK 0 / 99 / 91 / 41

HEX #96010E

RGB 150 1 14 1

HSL 354.77, 0.99%, 0.3%

LAB 30.73, 53.98, 38.55

Hexis Suptac S5000
S.5200B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 69 / 76 / 0 / 50

HEX #271E7F

RGB 39 30 127 1

HSL 245.57, 0.62%, 0.31%

LAB 19.61, 35.5, -52.99

Hexis Suptac S5000
S.5NORB

CMYK 0 / 30 / 72 / 60

HEX #67481D

RGB 103 72 29 1

HSL 34.86, 0.56%, 0.26%

LAB 33.15, 8.47, 30.25

Hexis Suptac S5000
S.5405B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 81 / 56 / 0 / 54

HEX #163476

RGB 22 52 118 1

HSL 221.25, 0.69%, 0.27%

LAB 23.45, 15.13, -41.01

Hexis Suptac S5000
S.5280B

CMYK 0 / 76 / 61 / 62

HEX #601725

RGB 96 23 37 1

HSL 348.49, 0.61%, 0.23%

LAB 20.95, 33.69, 10.2

Hexis Suptac S5000
S.5505B

CMYK 0 / 30 / 72 / 60

HEX #67481D

RGB 103 72 29 1

HSL 34.86, 0.56%, 0.26%

LAB 33.15, 8.47, 30.25

Hexis Suptac S5000
S.5405B

CMYK 100 / 0 / 52 / 55

HEX #007237

RGB 0 114 55 1

HSL 148.95, 1%, 0.22%

LAB 41.71, -42.11, 24.95

Hexis Suptac S5000
S.5348B

CMYK 81 / 56 / 0 / 54

HEX #163476

RGB 22 52 118 1

HSL 221.25, 0.69%, 0.27%

LAB 23.45, 15.13, -41.01

Hexis Suptac S5000
S.5280B

CMYK 0 / 76 / 61 / 62

HEX #601725

RGB 96 23 37 1

HSL 348.49, 0.61%, 0.23%

LAB 20.95, 33.69, 10.2

Hexis Suptac S5000
S.5505B

CMYK 0 / 4 / 96 / 45

HEX #8B8605

RGB 139 134 5 1

HSL 57.76, 0.93%, 0.28%

LAB 54.61, -10.96, 58.24

Hexis Suptac S5000
S.5392B

Description

Color code: Hexis Suptac S5000 - S.5348B | qconv.com Color code: Hexis Suptac S5000 - S.5348B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 114 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 114 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 52 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 52% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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HKS® to Sherwin Williams®

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

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