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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FFF2E3 it is the complementary color #000D1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FFF2E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FFF2E3: #FFF2DE, #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FFF2E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FFF2E3: #FFF2E3, #EEE0D0, #DDCEBD, #CCBCAA and #BBAA97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

Complementary color

CMYK 100 / 54 / 0 / 89

HEX #000D1C

RGB 0 13 28

HSL 212.14, 1%, 0.05%

LAB 3.36, 0.01, -10.53

 

CMYK 0 / 5 / 13 / 0

HEX #FFF2DE

RGB 255 242 222

HSL 36.36, 1%, 0.94%

LAB 96.01, 1.12, 11.2

NCS® S0505-Y40R

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

CMYK 0 / 6 / 13 / 7

HEX #EEE0D0

RGB 238 224 208

HSL 32, 0.47%, 0.87%

LAB 89.88, 2.15, 9.54

 

CMYK 0 / 7 / 14 / 13

HEX #DDCEBD

RGB 221 206 189

HSL 31.88, 0.32%, 0.8%

LAB 83.54, 2.41, 10.32

 

CMYK 0 / 8 / 17 / 20

HEX #CCBCAA

RGB 204 188 170

HSL 31.76, 0.25%, 0.73%

LAB 77.1, 2.69, 11.15

 

CMYK 0 / 9 / 19 / 27

HEX #BBAA97

RGB 187 170 151

HSL 31.67, 0.21%, 0.66%

LAB 70.56, 3.01, 12.02

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

CMYK 0 / 3 / 10 / 0

HEX #FFF7E5

RGB 255 247 229

HSL 41.54, 1%, 0.95%

LAB 97.41, -0.31, 9.59

 

CMYK 0 / 2 / 10 / 0

HEX #FFFBE5

RGB 255 251 229

HSL 50.77, 1%, 0.95%

LAB 98.4, -2.32, 11.01

 

CMYK 0 / 0 / 10 / 0

HEX #FEFFE5

RGB 254 255 229

HSL 62.31, 1%, 0.95%

LAB 99.32, -4.67, 12.31

 

CMYK 2 / 0 / 10 / 0

HEX #F9FFE5

RGB 249 255 229

HSL 73.85, 1%, 0.95%

LAB 98.95, -6.38, 11.74

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

CMYK 0 / 6 / 12 / 80

HEX #33302D

RGB 51 48 45

HSL 30, 0.06%, 0.19%

LAB 20.07, 0.68, 2.39

 

CMYK 0 / 5 / 11 / 60

HEX #66615B

RGB 102 97 91

HSL 32.73, 0.06%, 0.38%

LAB 41.42, 0.81, 4.12

 

CMYK 0 / 5 / 11 / 40

HEX #999188

RGB 153 145 136

HSL 31.76, 0.08%, 0.57%

LAB 60.61, 1.33, 5.82

 

CMYK 0 / 5 / 11 / 20

HEX #CCC2B6

RGB 204 194 182

HSL 32.73, 0.18%, 0.76%

LAB 78.92, 1.44, 7.27

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

CMYK 7 / 0 / 10 / 0

HEX #ECFFE5

RGB 236 255 229

HSL 103.85, 1%, 0.95%

LAB 98.04, -10.77, 10.31

 

CMYK 9 / 10 / 0 / 0

HEX #E8E5FF

RGB 232 229 255

HSL 246.92, 1%, 0.95%

LAB 91.87, 5.84, -12.2

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

CMYK 10 / 0 / 5 / 0

HEX #E5FFF3

RGB 229 255 243

HSL 152.31, 1%, 0.95%

LAB 97.89, -10.61, 2.86

 

CMYK 5 / 10 / 0 / 0

HEX #F3E5FF

RGB 243 229 255

HSL 272.31, 1%, 0.95%

LAB 92.71, 9.38, -10.86

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

CMYK 7 / 0 / 10 / 0

HEX #ECFFE5

RGB 236 255 229

HSL 103.85, 1%, 0.95%

LAB 98.04, -10.77, 10.31

 

CMYK 10 / 5 / 0 / 0

HEX #E5F1FF

RGB 229 241 255

HSL 212.31, 1%, 0.95%

LAB 94.65, -1.3, -8.1

 

CMYK 3 / 10 / 0 / 0

HEX #F8E5FF

RGB 248 229 255

HSL 283.85, 1%, 0.95%

LAB 93.11, 11.01, -10.23

 

CMYK 0 / 5 / 11 / 0

HEX #FFF2E3

RGB 255 242 227

HSL 32.14, 1%, 0.95%

LAB 96.13, 1.91, 8.79

 

CMYK 10 / 0 / 10 / 0

HEX #E5FFE6

RGB 229 255 230

HSL 122.31, 1%, 0.95%

LAB 97.59, -12.93, 9.09

 

CMYK 10 / 5 / 0 / 0

HEX #E5F1FF

RGB 229 241 255

HSL 212.31, 1%, 0.95%

LAB 94.65, -1.3, -8.1

 

CMYK 0 / 10 / 0 / 0

HEX #FFE5FE

RGB 255 229 254

HSL 302.31, 1%, 0.95%

LAB 93.65, 13.13, -8.84

 

Description

Color code: HEX #FFF2E3 | qconv.com Color code: HEX #FFF2E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 242 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 242 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 11 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 11% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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