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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6E39 it is the complementary color #0091C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6E39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF6E39: #FF6E34, #FF8047, #FF925A, #FFA46D and #FFB680

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6E39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF6E39: #FF6E39, #EE5C26, #DD4A13, #CC3800 and #BB2600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

Complementary color

CMYK 100 / 27 / 0 / 22

HEX #0091C6

RGB 0 145 198

HSL 196.06, 1%, 0.39%

LAB 56.41, -13.17, -36.38

 

CMYK 0 / 57 / 80 / 0

HEX #FF6E34

RGB 255 110 52

HSL 17.14, 1%, 0.6%

LAB 63.88, 52.28, 57.41

 

CMYK 0 / 50 / 72 / 0

HEX #FF8047

RGB 255 128 71

HSL 18.59, 1%, 0.64%

LAB 67.39, 44.44, 52.09

 

CMYK 0 / 43 / 65 / 0

HEX #FF925A

RGB 255 146 90

HSL 20.36, 1%, 0.68%

LAB 71.25, 36.4, 46.97

 

CMYK 0 / 36 / 57 / 0

HEX #FFA46D

RGB 255 164 109

HSL 22.6, 1%, 0.71%

LAB 75.4, 28.37, 42.23

 

CMYK 0 / 29 / 50 / 0

HEX #FFB680

RGB 255 182 128

HSL 25.51, 1%, 0.75%

LAB 79.77, 20.51, 37.9

 

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

CMYK 0 / 61 / 84 / 7

HEX #EE5C26

RGB 238 92 38

HSL 16.2, 0.85%, 0.54%

LAB 58.01, 53.92, 57.11

 

CMYK 0 / 67 / 91 / 13

HEX #DD4A13

RGB 221 74 19

HSL 16.34, 0.84%, 0.47%

LAB 52.19, 55.29, 58.33

 

CMYK 0 / 73 / 100 / 20

HEX #CC3800

RGB 204 56 0

HSL 16.47, 1%, 0.4%

LAB 46.53, 56.35, 58.46

 

CMYK 0 / 80 / 100 / 27

HEX #BB2600

RGB 187 38 0

HSL 12.19, 1%, 0.37%

LAB 41.14, 56.88, 54.13

 

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

CMYK 0 / 44 / 78 / 0

HEX #FF8E38

RGB 255 142 56

HSL 25.93, 1%, 0.61%

LAB 70.1, 36.84, 61.61

 

CMYK 0 / 31 / 78 / 0

HEX #FFAF38

RGB 255 175 56

HSL 35.88, 1%, 0.61%

LAB 77.4, 19.74, 68.46

 

CMYK 0 / 18 / 78 / 0

HEX #FFD038

RGB 255 208 56

HSL 45.83, 1%, 0.61%

LAB 85.33, 2.64, 75.7

 

CMYK 0 / 5 / 78 / 0

HEX #FFF138

RGB 255 241 56

HSL 55.78, 1%, 0.61%

LAB 93.65, -13.87, 83.13

 

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

CMYK 0 / 57 / 78 / 80

HEX #33160B

RGB 51 22 11

HSL 16.5, 0.65%, 0.12%

LAB 11.29, 13.46, 12.63

 

CMYK 0 / 57 / 77 / 60

HEX #662C17

RGB 102 44 23

HSL 15.95, 0.63%, 0.25%

LAB 25.83, 24.55, 25.59

 

CMYK 0 / 57 / 78 / 40

HEX #994222

RGB 153 66 34

HSL 16.13, 0.64%, 0.37%

LAB 39.21, 34.43, 36.27

 

CMYK 0 / 57 / 77 / 20

HEX #CC582E

RGB 204 88 46

HSL 15.95, 0.63%, 0.49%

LAB 51.85, 43.69, 45.73

 

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

CMYK 36 / 0 / 78 / 0

HEX #A2FF38

RGB 162 255 56

HSL 88.04, 1%, 0.61%

LAB 91.45, -55.87, 78.91

 

CMYK 78 / 68 / 0 / 0

HEX #3852FF

RGB 56 82 255

HSL 232.16, 1%, 0.61%

LAB 44.37, 50, -87.78

 

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

CMYK 78 / 0 / 57 / 0

HEX #38FF6D

RGB 56 255 109

HSL 135.98, 1%, 0.61%

LAB 88.67, -75.99, 55.54

 

CMYK 57 / 78 / 0 / 0

HEX #6D38FF

RGB 109 56 255

HSL 255.98, 1%, 0.61%

LAB 43.21, 68.4, -89.57

 

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

CMYK 36 / 0 / 78 / 0

HEX #A2FF38

RGB 162 255 56

HSL 88.04, 1%, 0.61%

LAB 91.45, -55.87, 78.91

 

CMYK 78 / 21 / 0 / 0

HEX #38C9FF

RGB 56 201 255

HSL 196.28, 1%, 0.61%

LAB 75.97, -19.95, -37.19

 

CMYK 42 / 78 / 0 / 0

HEX #9438FF

RGB 148 56 255

HSL 267.74, 1%, 0.61%

LAB 47.42, 73.29, -82.49

 

CMYK 0 / 57 / 78 / 0

HEX #FF6E39

RGB 255 110 57

HSL 16.06, 1%, 0.61%

LAB 63.92, 52.44, 55.17

 

CMYK 60 / 0 / 78 / 0

HEX #66FF38

RGB 102 255 56

HSL 106.13, 1%, 0.61%

LAB 89.22, -72.84, 76.02

 

CMYK 78 / 21 / 0 / 0

HEX #38C9FF

RGB 56 201 255

HSL 196.28, 1%, 0.61%

LAB 75.97, -19.95, -37.19

 

CMYK 18 / 78 / 0 / 0

HEX #D038FF

RGB 208 56 255

HSL 285.83, 1%, 0.61%

LAB 55.54, 82.7, -68.92

 

Description

Color code: HEX #FF6E39 | qconv.com Color code: HEX #FF6E39 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 110 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 110 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 78 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 78% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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