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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF6608 it is the complementary color #0099F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF6608. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FF6608: #FF6603, #FF7816, #FF8A29, #FF9C3C and #FFAE4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF6608. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FF6608: #FF6608, #EE5400, #DD4200, #CC3000 and #BB1E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

Complementary color

CMYK 100 / 38 / 0 / 3

HEX #0099F7

RGB 0 153 247

HSL 202.83, 1%, 0.48%

LAB 61.22, 0.56, -56.08

 

CMYK 0 / 60 / 99 / 0

HEX #FF6603

RGB 255 102 3

HSL 23.57, 1%, 0.51%

LAB 62.31, 55.03, 70.83

 

CMYK 0 / 53 / 91 / 0

HEX #FF7816

RGB 255 120 22

HSL 25.24, 1%, 0.54%

LAB 65.55, 46.93, 69.32

 

CMYK 0 / 46 / 84 / 0

HEX #FF8A29

RGB 255 138 41

HSL 27.2, 1%, 0.58%

LAB 69.18, 38.42, 66.49

 

CMYK 0 / 39 / 76 / 0

HEX #FF9C3C

RGB 255 156 60

HSL 29.54, 1%, 0.62%

LAB 73.13, 29.79, 62.88

 

CMYK 0 / 32 / 69 / 0

HEX #FFAE4F

RGB 255 174 79

HSL 32.39, 1%, 0.65%

LAB 77.34, 21.26, 59.01

 

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

CMYK 0 / 65 / 100 / 7

HEX #EE5400

RGB 238 84 0

HSL 21.18, 1%, 0.47%

LAB 56.6, 56.79, 66.81

 

CMYK 0 / 70 / 100 / 13

HEX #DD4200

RGB 221 66 0

HSL 17.92, 1%, 0.43%

LAB 51, 58.2, 62.36

 

CMYK 0 / 76 / 100 / 20

HEX #CC3000

RGB 204 48 0

HSL 14.12, 1%, 0.4%

LAB 45.57, 59.03, 58.02

 

CMYK 0 / 84 / 100 / 27

HEX #BB1E00

RGB 187 30 0

HSL 9.63, 1%, 0.37%

LAB 40.4, 58.97, 53.82

 

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

CMYK 0 / 45 / 96 / 0

HEX #FF8C0A

RGB 255 140 10

HSL 31.84, 1%, 0.52%

LAB 69.5, 36.91, 74.18

 

CMYK 0 / 29 / 96 / 0

HEX #FFB50A

RGB 255 181 10

HSL 41.88, 1%, 0.52%

LAB 78.65, 15.67, 80.39

 

CMYK 0 / 13 / 96 / 0

HEX #FFDE0A

RGB 255 222 10

HSL 51.92, 1%, 0.52%

LAB 88.7, -5.37, 87.57

 

CMYK 4 / 0 / 96 / 0

HEX #F6FF0A

RGB 246 255 10

HSL 62.2, 1%, 0.52%

LAB 96.47, -25.16, 92.99

 

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

CMYK 0 / 61 / 96 / 80

HEX #331402

RGB 51 20 2

HSL 22.04, 0.92%, 0.1%

LAB 10.62, 14.1, 15.38

 

CMYK 0 / 60 / 97 / 60

HEX #662903

RGB 102 41 3

HSL 23.03, 0.94%, 0.21%

LAB 25.01, 25.48, 34.43

 

CMYK 0 / 60 / 97 / 40

HEX #993D05

RGB 153 61 5

HSL 22.7, 0.94%, 0.31%

LAB 38.06, 36.19, 47.31

 

CMYK 0 / 60 / 97 / 20

HEX #CC5206

RGB 204 82 6

HSL 23.03, 0.94%, 0.41%

LAB 50.55, 45.64, 59.11

 

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

CMYK 55 / 0 / 96 / 0

HEX #74FF0A

RGB 116 255 10

HSL 94.04, 1%, 0.52%

LAB 89.51, -70.91, 84.6

 

CMYK 96 / 93 / 0 / 0

HEX #0A12FF

RGB 10 18 255

HSL 238.04, 1%, 0.52%

LAB 33.39, 76.32, -106.05

 

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

CMYK 96 / 0 / 61 / 0

HEX #0AFF63

RGB 10 255 99

HSL 141.8, 1%, 0.52%

LAB 88.2, -80.36, 59.21

 

CMYK 61 / 96 / 0 / 0

HEX #630AFF

RGB 99 10 255

HSL 261.8, 1%, 0.52%

LAB 38, 80.17, -98.22

 

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

CMYK 55 / 0 / 96 / 0

HEX #74FF0A

RGB 116 255 10

HSL 94.04, 1%, 0.52%

LAB 89.51, -70.91, 84.6

 

CMYK 96 / 35 / 0 / 0

HEX #0AA5FF

RGB 10 165 255

HSL 202.04, 1%, 0.52%

LAB 65.12, -3.15, -54.25

 

CMYK 42 / 96 / 0 / 0

HEX #940AFF

RGB 148 10 255

HSL 273.8, 1%, 0.52%

LAB 43.85, 83.87, -88.37

 

CMYK 0 / 60 / 97 / 0

HEX #FF6608

RGB 255 102 8

HSL 22.83, 1%, 0.52%

LAB 62.32, 55.07, 70

 

CMYK 84 / 0 / 96 / 0

HEX #2AFF0A

RGB 42 255 10

HSL 112.16, 1%, 0.52%

LAB 87.99, -83.89, 82.73

 

CMYK 96 / 35 / 0 / 0

HEX #0AA5FF

RGB 10 165 255

HSL 202.04, 1%, 0.52%

LAB 65.12, -3.15, -54.25

 

CMYK 13 / 96 / 0 / 0

HEX #DE0AFF

RGB 222 10 255

HSL 291.92, 1%, 0.52%

LAB 55.04, 92.75, -69.63

 

Description

Color code: HEX #FF6608 | qconv.com Color code: HEX #FF6608 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 102 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 102 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 97 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 97% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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