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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEB5FD it is the complementary color #014A02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEB5FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FEB5FD shade: #FFB5F8, #FFC7FF, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEB5FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FEB5FD shade: #FEB5FD, #EDA3EA, #DC91D7, #CB7FC4 and #BA6DB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FEB5FD shade: #FEB4FD, #FEB4E9, #FEB4D5, #FEB4C1 and #FEB4B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FEB5FD shade: #FEB4FD, #EBB4FE, #D7B4FE, #C3B4FE and #B4B4FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FEB5FD shade matches the following richer shades: #FEB4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FEB5FD shade: #FEB4FD, #F8BAF7, #F1C0F1, #EBC6EB and #E5CCE5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FEB5FD shade: #D6B4FE, #EAB4FE, #FEB4FE, #FEB4EA and #FEB4D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FEB5FD shade: #FD62FB, #FD8BFC, #FEB4FD, #FEDCFE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FEB5FD shade: #FEB5FD, #FEC2B4 and #B4FEE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FEB5FD shade: #FEB5FD, #FEFEB4 and #B4FEFE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FEB5FD shade: #FEB5FD, #FEC2B4, #B4FEB4 and #B4EFFE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FEB5FD shade: #FEB5FD, #FED9B4, #B4FEB4 and #B4D9FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 0 / 0

HEX #FEB5FD

RGB 254 181 253

HSL 300.82, 0.97%, 0.85%

LAB 82.49, 37.76, -25.1

 

Complementary color

CMYK 99 / 0 / 97 / 71

HEX #014A02

RGB 1 74 2

HSL 120.82, 0.97%, 0.15%

LAB 26.47, -34.92, 33.13

 

CMYK 0 / 29 / 3 / 0

HEX #FFB5F8

RGB 255 181 248

HSL 305.68, 1%, 0.85%

LAB 82.42, 37.19, -22.52

 

CMYK 0 / 22 / 0 / 0

HEX #FFC7FF

RGB 255 199 255

HSL 300, 1%, 0.89%

LAB 86.67, 29, -19.82

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 29 / 0 / 0

HEX #FEB5FD

RGB 254 181 253

HSL 300.82, 0.97%, 0.85%

LAB 82.49, 37.76, -25.1

 

CMYK 0 / 31 / 1 / 7

HEX #EDA3EA

RGB 237 163 234

HSL 302.43, 0.67%, 0.78%

LAB 76.15, 38.44, -24.69

 

CMYK 0 / 34 / 2 / 14

HEX #DC91D7

RGB 220 145 215

HSL 304, 0.52%, 0.72%

LAB 69.73, 39.15, -24.26

 

CMYK 0 / 37 / 3 / 20

HEX #CB7FC4

RGB 203 127 196

HSL 305.53, 0.42%, 0.65%

LAB 63.23, 39.89, -23.79

 

CMYK 0 / 41 / 5 / 27

HEX #BA6DB1

RGB 186 109 177

HSL 307.01, 0.36%, 0.58%

LAB 56.64, 40.65, -23.26

 

CMYK 0 / 29 / 0 / 0

HEX #FEB4FD

RGB 254 180 253

HSL 300.81, 0.97%, 0.85%

LAB 82.27, 38.29, -25.43

 

CMYK 0 / 29 / 8 / 0

HEX #FEB4E9

RGB 254 180 233

HSL 317.03, 0.97%, 0.85%

LAB 81.62, 34.82, -15.71

 

CMYK 0 / 29 / 16 / 0

HEX #FEB4D5

RGB 254 180 213

HSL 333.24, 0.97%, 0.85%

LAB 81.03, 31.6, -5.82

 

CMYK 0 / 29 / 24 / 0

HEX #FEB4C1

RGB 254 180 193

HSL 349.46, 0.97%, 0.85%

LAB 80.5, 28.66, 4.21

 

CMYK 0 / 29 / 29 / 0

HEX #FEB4B4

RGB 254 180 180

HSL 0, 0.97%, 0.85%

LAB 80.18, 26.9, 10.78

 

CMYK 0 / 29 / 0 / 0

HEX #FEB4FD

RGB 254 180 253

HSL 300.81, 0.97%, 0.85%

LAB 82.27, 38.29, -25.43

 

CMYK 7 / 29 / 0 / 0

HEX #EBB4FE

RGB 235 180 254

HSL 284.59, 0.97%, 0.85%

LAB 80.44, 32.54, -28.94

 

CMYK 15 / 29 / 0 / 0

HEX #D7B4FE

RGB 215 180 254

HSL 268.38, 0.97%, 0.85%

LAB 78.6, 26.4, -31.91

 

CMYK 23 / 29 / 0 / 0

HEX #C3B4FE

RGB 195 180 254

HSL 252.16, 0.97%, 0.85%

LAB 76.92, 20.43, -34.65

 

CMYK 29 / 29 / 0 / 0

HEX #B4B4FE

RGB 180 180 254

HSL 240, 0.97%, 0.85%

LAB 75.76, 16.1, -36.54

 

CMYK 0 / 29 / 0 / 0

HEX #FEB4FD

RGB 254 180 253

HSL 300.81, 0.97%, 0.85%

LAB 82.27, 38.29, -25.43

 

CMYK 0 / 29 / 0 / 0

HEX #FEB4FD

RGB 254 180 253

HSL 300.81, 0.97%, 0.85%

LAB 82.27, 38.29, -25.43

 

CMYK 0 / 25 / 0 / 3

HEX #F8BAF7

RGB 248 186 247

HSL 300.97, 0.82%, 0.85%

LAB 82.8, 32.15, -21.48

 

CMYK 0 / 20 / 0 / 5

HEX #F1C0F1

RGB 241 192 241

HSL 300, 0.64%, 0.85%

LAB 83.31, 25.61, -17.57

 

CMYK 0 / 16 / 0 / 8

HEX #EBC6EB

RGB 235 198 235

HSL 300, 0.48%, 0.85%

LAB 83.99, 19.35, -13.4

 

CMYK 0 / 11 / 0 / 10

HEX #E5CCE5

RGB 229 204 229

HSL 300, 0.32%, 0.85%

LAB 84.74, 13.07, -9.14

 

CMYK 16 / 29 / 0 / 0

HEX #D6B4FE

RGB 214 180 254

HSL 267.57, 0.97%, 0.85%

LAB 78.52, 26.1, -32.06

 

CMYK 8 / 29 / 0 / 0

HEX #EAB4FE

RGB 234 180 254

HSL 283.78, 0.97%, 0.85%

LAB 80.34, 32.23, -29.09

 

CMYK 0 / 29 / 0 / 0

HEX #FEB4FE

RGB 254 180 254

HSL 300, 0.97%, 0.85%

LAB 82.31, 38.47, -25.91

 

CMYK 0 / 29 / 8 / 0

HEX #FEB4EA

RGB 254 180 234

HSL 316.22, 0.97%, 0.85%

LAB 81.65, 34.99, -16.2

 

CMYK 0 / 29 / 16 / 0

HEX #FEB4D6

RGB 254 180 214

HSL 332.43, 0.97%, 0.85%

LAB 81.05, 31.76, -6.32

 

CMYK 0 / 61 / 1 / 1

HEX #FD62FB

RGB 253 98 251

HSL 300.77, 0.97%, 0.69%

LAB 66.96, 76.7, -48.1

 

CMYK 0 / 45 / 0 / 1

HEX #FD8BFC

RGB 253 139 252

HSL 300.53, 0.97%, 0.77%

LAB 73.79, 58.66, -37.96

 

CMYK 0 / 29 / 0 / 0

HEX #FEB4FD

RGB 254 180 253

HSL 300.81, 0.97%, 0.85%

LAB 82.27, 38.29, -25.43

 

CMYK 0 / 13 / 0 / 0

HEX #FEDCFE

RGB 254 220 254

HSL 300, 0.94%, 0.93%

LAB 91.42, 17.48, -12.16

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 29 / 0 / 0

HEX #FEB5FD

RGB 254 181 253

HSL 300.82, 0.97%, 0.85%

LAB 82.49, 37.76, -25.1

 

CMYK 0 / 24 / 29 / 0

HEX #FEC2B4

RGB 254 194 180

HSL 11.35, 0.97%, 0.85%

LAB 83.42, 19.56, 15.35

 

CMYK 29 / 0 / 12 / 0

HEX #B4FEE0

RGB 180 254 224

HSL 155.68, 0.97%, 0.85%

LAB 94.3, -28.85, 7.07

 

CMYK 0 / 29 / 0 / 0

HEX #FEB5FD

RGB 254 181 253

HSL 300.82, 0.97%, 0.85%

LAB 82.49, 37.76, -25.1

 

CMYK 0 / 0 / 29 / 0

HEX #FEFEB4

RGB 254 254 180

HSL 60, 0.97%, 0.85%

LAB 98.13, -11.08, 35.49

 

CMYK 29 / 0 / 0 / 0

HEX #B4FEFE

RGB 180 254 254

HSL 180, 0.97%, 0.85%

LAB 95.05, -22.56, -7.31

 

CMYK 0 / 29 / 0 / 0

HEX #FEB5FD

RGB 254 181 253

HSL 300.82, 0.97%, 0.85%

LAB 82.49, 37.76, -25.1

 

CMYK 0 / 24 / 29 / 0

HEX #FEC2B4

RGB 254 194 180

HSL 11.35, 0.97%, 0.85%

LAB 83.42, 19.56, 15.35

 

CMYK 29 / 0 / 29 / 0

HEX #B4FEB4

RGB 180 254 180

HSL 120, 0.97%, 0.85%

LAB 93.4, -36.75, 28.31

 

CMYK 29 / 6 / 0 / 0

HEX #B4EFFE

RGB 180 239 254

HSL 192.16, 0.97%, 0.85%

LAB 91.05, -15.15, -13.26

 

CMYK 0 / 29 / 0 / 0

HEX #FEB5FD

RGB 254 181 253

HSL 300.82, 0.97%, 0.85%

LAB 82.49, 37.76, -25.1

 

CMYK 0 / 15 / 29 / 0

HEX #FED9B4

RGB 254 217 180

HSL 30, 0.97%, 0.85%

LAB 88.92, 7.58, 23.01

 

CMYK 29 / 0 / 29 / 0

HEX #B4FEB4

RGB 180 254 180

HSL 120, 0.97%, 0.85%

LAB 93.4, -36.75, 28.31

 

CMYK 29 / 15 / 0 / 0

HEX #B4D9FE

RGB 180 217 254

HSL 210, 0.97%, 0.85%

LAB 85.24, -3.87, -22

 

Description

Color code: HEX #FEB5FD | qconv.com Color code: HEX #FEB5FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 181 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 181 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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