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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FEB336 it is the complementary color #014CC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FEB336. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FEB336: #FFB331, #FFC544, #FFD757, #FFE96A and #FFFB7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FEB336. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FEB336: #FEB336, #EDA123, #DC8F10, #CB7D00 and #BA6B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

Complementary color

CMYK 100 / 62 / 0 / 21

HEX #014CC9

RGB 1 76 201

HSL 217.5, 0.99%, 0.4%

LAB 36.73, 31.25, -69.69

 

CMYK 0 / 30 / 81 / 0

HEX #FFB331

RGB 255 179 49

HSL 37.86, 1%, 0.6%

LAB 78.3, 17.43, 71.68

 

CMYK 0 / 23 / 73 / 0

HEX #FFC544

RGB 255 197 68

HSL 41.39, 1%, 0.63%

LAB 82.71, 8.76, 69.05

 

CMYK 0 / 16 / 66 / 0

HEX #FFD757

RGB 255 215 87

HSL 45.71, 1%, 0.67%

LAB 87.27, 0.46, 66.11

 

CMYK 0 / 9 / 58 / 0

HEX #FFE96A

RGB 255 233 106

HSL 51.14, 1%, 0.71%

LAB 91.94, -7.42, 63.09

 

CMYK 0 / 2 / 51 / 0

HEX #FFFB7D

RGB 255 251 125

HSL 58.15, 1%, 0.75%

LAB 96.71, -14.85, 60.09

 

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

CMYK 0 / 32 / 85 / 7

HEX #EDA123

RGB 237 161 35

HSL 37.43, 0.85%, 0.53%

LAB 71.97, 18.91, 69.76

 

CMYK 0 / 35 / 93 / 14

HEX #DC8F10

RGB 220 143 16

HSL 37.35, 0.86%, 0.46%

LAB 65.67, 20.89, 68.49

 

CMYK 0 / 38 / 100 / 20

HEX #CB7D00

RGB 203 125 0

HSL 36.95, 1%, 0.4%

LAB 59.31, 23.09, 65.67

 

CMYK 0 / 42 / 100 / 27

HEX #BA6B00

RGB 186 107 0

HSL 34.52, 1%, 0.36%

LAB 52.9, 25.53, 60.47

 

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

CMYK 0 / 17 / 79 / 1

HEX #FDD234

RGB 253 210 52

HSL 47.16, 0.98%, 0.6%

LAB 85.62, 0.64, 77.12

 

CMYK 0 / 4 / 79 / 1

HEX #FDF334

RGB 253 243 52

HSL 57.01, 0.98%, 0.6%

LAB 93.98, -15.8, 84.43

 

CMYK 9 / 0 / 79 / 1

HEX #E6FD34

RGB 230 253 52

HSL 66.87, 0.98%, 0.6%

LAB 94.87, -29.89, 84.54

 

CMYK 23 / 0 / 79 / 1

HEX #C4FD34

RGB 196 253 52

HSL 77.01, 0.98%, 0.6%

LAB 92.68, -43.1, 81.75

 

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

CMYK 0 / 30 / 78 / 80

HEX #32230B

RGB 50 35 11

HSL 36.92, 0.64%, 0.12%

LAB 14.98, 3.98, 17.53

 

CMYK 0 / 30 / 79 / 60

HEX #654715

RGB 101 71 21

HSL 37.5, 0.66%, 0.24%

LAB 32.54, 7.64, 33.56

 

CMYK 0 / 30 / 79 / 40

HEX #986B20

RGB 152 107 32

HSL 37.5, 0.65%, 0.36%

LAB 48.63, 11.02, 46.47

 

CMYK 0 / 30 / 79 / 20

HEX #CB8F2B

RGB 203 143 43

HSL 37.5, 0.65%, 0.48%

LAB 63.77, 14.17, 58.48

 

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

CMYK 65 / 0 / 79 / 1

HEX #59FD34

RGB 89 253 52

HSL 108.96, 0.98%, 0.6%

LAB 88.27, -75.16, 76.1

 

CMYK 62 / 79 / 0 / 1

HEX #5F34FD

RGB 95 52 253

HSL 252.84, 0.98%, 0.6%

LAB 41.19, 68.12, -91.84

 

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

CMYK 79 / 0 / 30 / 1

HEX #34FDB0

RGB 52 253 176

HSL 157.01, 0.98%, 0.6%

LAB 88.98, -64.59, 23.63

 

CMYK 30 / 79 / 0 / 1

HEX #B034FD

RGB 176 52 253

HSL 277.01, 0.98%, 0.6%

LAB 50.43, 78.31, -76.32

 

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

CMYK 65 / 0 / 79 / 1

HEX #59FD34

RGB 89 253 52

HSL 108.96, 0.98%, 0.6%

LAB 88.27, -75.16, 76.1

 

CMYK 79 / 49 / 0 / 1

HEX #3481FD

RGB 52 129 253

HSL 217.01, 0.98%, 0.6%

LAB 55.61, 20.02, -68.35

 

CMYK 15 / 79 / 0 / 1

HEX #D834FD

RGB 216 52 253

HSL 288.96, 0.98%, 0.6%

LAB 56.23, 84.81, -66.63

 

CMYK 0 / 30 / 79 / 0

HEX #FEB336

RGB 254 179 54

HSL 37.5, 0.99%, 0.6%

LAB 78.21, 17.17, 69.88

 

CMYK 79 / 0 / 70 / 1

HEX #34FD4B

RGB 52 253 75

HSL 126.87, 0.98%, 0.6%

LAB 87.72, -79.34, 68.13

 

CMYK 79 / 49 / 0 / 1

HEX #3481FD

RGB 52 129 253

HSL 217.01, 0.98%, 0.6%

LAB 55.61, 20.02, -68.35

 

CMYK 0 / 79 / 9 / 1

HEX #FD34E6

RGB 253 52 230

HSL 306.87, 0.98%, 0.6%

LAB 60.83, 88.06, -46.12

 

Description

Color code: HEX #FEB336 | qconv.com Color code: HEX #FEB336 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 179 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 179 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 79 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 79% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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