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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE390B it is the complementary color #01C6F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE390B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FE390B: #FF3906, #FF4B19, #FF5D2C, #FF6F3F and #FF8152

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE390B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FE390B: #FE390B, #ED2700, #DC1500, #CB0300 and #BA0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

Complementary color

CMYK 100 / 19 / 0 / 4

HEX #01C6F4

RGB 1 198 244

HSL 191.36, 0.99%, 0.48%

LAB 74.14, -25, -34.15

 

CMYK 0 / 78 / 98 / 0

HEX #FF3906

RGB 255 57 6

HSL 12.29, 1%, 0.51%

LAB 56.29, 71.47, 67.11

 

CMYK 0 / 71 / 90 / 0

HEX #FF4B19

RGB 255 75 25

HSL 13.04, 1%, 0.55%

LAB 58.38, 65.99, 63.5

 

CMYK 0 / 64 / 83 / 0

HEX #FF5D2C

RGB 255 93 44

HSL 13.93, 1%, 0.59%

LAB 61.02, 59.47, 58.29

 

CMYK 0 / 56 / 75 / 0

HEX #FF6F3F

RGB 255 111 63

HSL 15, 1%, 0.62%

LAB 64.15, 52.2, 52.55

 

CMYK 0 / 49 / 68 / 0

HEX #FF8152

RGB 255 129 82

HSL 16.3, 1%, 0.66%

LAB 67.7, 44.49, 46.94

 

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

CMYK 0 / 84 / 100 / 7

HEX #ED2700

RGB 237 39 0

HSL 9.87, 1%, 0.46%

LAB 51.22, 70.87, 64.23

 

CMYK 0 / 90 / 100 / 14

HEX #DC1500

RGB 220 21 0

HSL 5.73, 1%, 0.43%

LAB 46.65, 69.58, 60.38

 

CMYK 0 / 99 / 100 / 20

HEX #CB0300

RGB 203 3 0

HSL 0.89, 1%, 0.4%

LAB 42.4, 67.17, 56.64

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

CMYK 0 / 62 / 96 / 1

HEX #FD600B

RGB 253 96 11

HSL 21.07, 0.98%, 0.52%

LAB 61.02, 56.99, 68.56

 

CMYK 0 / 46 / 96 / 1

HEX #FD880B

RGB 253 136 11

HSL 30.99, 0.98%, 0.52%

LAB 68.4, 38.14, 73.19

 

CMYK 0 / 30 / 96 / 1

HEX #FDB10B

RGB 253 177 11

HSL 41.16, 0.98%, 0.52%

LAB 77.49, 16.91, 79.37

 

CMYK 0 / 14 / 96 / 1

HEX #FDD90B

RGB 253 217 11

HSL 51.07, 0.98%, 0.52%

LAB 87.26, -3.7, 86.36

 

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

CMYK 0 / 78 / 96 / 80

HEX #320B02

RGB 50 11 2

HSL 11.25, 0.92%, 0.1%

LAB 8.32, 19.05, 12.07

 

CMYK 0 / 77 / 96 / 60

HEX #651704

RGB 101 23 4

HSL 11.75, 0.92%, 0.21%

LAB 21.54, 33.86, 30.43

 

CMYK 0 / 78 / 95 / 40

HEX #982207

RGB 152 34 7

HSL 11.17, 0.91%, 0.31%

LAB 33.64, 47.31, 43.72

 

CMYK 0 / 77 / 96 / 20

HEX #CB2E09

RGB 203 46 9

HSL 11.44, 0.92%, 0.42%

LAB 45.18, 59.43, 55.13

 

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

CMYK 37 / 0 / 96 / 1

HEX #A0FD0B

RGB 160 253 11

HSL 83.06, 0.98%, 0.52%

LAB 90.66, -56.99, 86.17

 

CMYK 96 / 75 / 0 / 1

HEX #0B3FFD

RGB 11 63 253

HSL 227.11, 0.98%, 0.52%

LAB 39.1, 58.12, -95.41

 

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

CMYK 96 / 0 / 78 / 1

HEX #0BFD37

RGB 11 253 55

HSL 130.91, 0.98%, 0.52%

LAB 87.29, -83.61, 74

 

CMYK 78 / 96 / 0 / 1

HEX #370BFD

RGB 55 11 253

HSL 250.91, 0.98%, 0.52%

LAB 34.28, 77.79, -103.39

 

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

CMYK 37 / 0 / 96 / 1

HEX #A0FD0B

RGB 160 253 11

HSL 83.06, 0.98%, 0.52%

LAB 90.66, -56.99, 86.17

 

CMYK 96 / 17 / 0 / 1

HEX #0BD1FD

RGB 11 209 253

HSL 190.91, 0.98%, 0.52%

LAB 77.74, -27.26, -33.42

 

CMYK 59 / 96 / 0 / 1

HEX #680BFD

RGB 104 11 253

HSL 263.06, 0.98%, 0.52%

LAB 38.33, 79.9, -96.54

 

CMYK 0 / 78 / 96 / 0

HEX #FE390B

RGB 254 57 11

HSL 11.36, 0.99%, 0.52%

LAB 56.11, 71.22, 65.87

 

CMYK 65 / 0 / 96 / 1

HEX #58FD0B

RGB 88 253 11

HSL 100.91, 0.98%, 0.52%

LAB 88.14, -76.65, 83.09

 

CMYK 96 / 17 / 0 / 1

HEX #0BD1FD

RGB 11 209 253

HSL 190.91, 0.98%, 0.52%

LAB 77.74, -27.26, -33.42

 

CMYK 30 / 96 / 0 / 1

HEX #B10BFD

RGB 177 11 253

HSL 281.16, 0.98%, 0.52%

LAB 47.85, 86.47, -80.52

 

Description

Color code: HEX #FE390B | qconv.com Color code: HEX #FE390B | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 57 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 57 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 96 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 96% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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