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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE2D19 it is the complementary color #01D2E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE2D19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FE2D19: #FF2D14, #FF3F27, #FF513A, #FF634D and #FF7560

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE2D19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FE2D19: #FE2D19, #ED1B06, #DC0900, #CB0000 and #BA0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

Complementary color

CMYK 100 / 9 / 0 / 10

HEX #01D2E6

RGB 1 210 230

HSL 185.24, 0.99%, 0.45%

LAB 77.17, -35.39, -21.99

 

CMYK 0 / 82 / 92 / 0

HEX #FF2D14

RGB 255 45 20

HSL 6.38, 1%, 0.54%

LAB 55.26, 74.58, 63.09

 

CMYK 0 / 75 / 85 / 0

HEX #FF3F27

RGB 255 63 39

HSL 6.67, 1%, 0.58%

LAB 57.04, 70.16, 57.03

 

CMYK 0 / 68 / 77 / 0

HEX #FF513A

RGB 255 81 58

HSL 7.01, 1%, 0.61%

LAB 59.39, 64.59, 50.12

 

CMYK 0 / 61 / 70 / 0

HEX #FF634D

RGB 255 99 77

HSL 7.42, 1%, 0.65%

LAB 62.27, 58.13, 43.32

 

CMYK 0 / 54 / 62 / 0

HEX #FF7560

RGB 255 117 96

HSL 7.92, 1%, 0.69%

LAB 65.61, 51.07, 37.03

 

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

CMYK 0 / 89 / 97 / 7

HEX #ED1B06

RGB 237 27 6

HSL 5.45, 0.95%, 0.48%

LAB 50.45, 73.13, 62.36

 

CMYK 0 / 96 / 100 / 14

HEX #DC0900

RGB 220 9 0

HSL 2.45, 1%, 0.43%

LAB 46.19, 70.89, 60.22

 

CMYK 0 / 100 / 100 / 20

HEX #CB0000

RGB 203 0 0

HSL 0, 1%, 0.4%

LAB 42.3, 67.46, 56.61

 

CMYK 0 / 100 / 100 / 27

HEX #BA0000

RGB 186 0 0

HSL 0, 1%, 0.36%

LAB 38.62, 63.2, 53.03

 

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

CMYK 0 / 67 / 90 / 1

HEX #FD531A

RGB 253 83 26

HSL 15.07, 0.98%, 0.55%

LAB 59.11, 62.43, 63.52

 

CMYK 0 / 52 / 90 / 1

HEX #FD791A

RGB 253 121 26

HSL 25.11, 0.98%, 0.55%

LAB 65.46, 45.75, 68.09

 

CMYK 0 / 37 / 90 / 1

HEX #FD9F1A

RGB 253 159 26

HSL 35.15, 0.98%, 0.55%

LAB 73.39, 26.5, 73.95

 

CMYK 0 / 22 / 90 / 1

HEX #FDC51A

RGB 253 197 26

HSL 45.2, 0.98%, 0.55%

LAB 82.32, 6.7, 80.71

 

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

CMYK 0 / 82 / 90 / 80

HEX #320905

RGB 50 9 5

HSL 5.33, 0.82%, 0.11%

LAB 7.99, 20.33, 10.36

 

CMYK 0 / 82 / 90 / 60

HEX #65120A

RGB 101 18 10

HSL 5.27, 0.82%, 0.22%

LAB 20.91, 35.91, 27.3

 

CMYK 0 / 82 / 90 / 40

HEX #981B0F

RGB 152 27 15

HSL 5.26, 0.82%, 0.33%

LAB 32.91, 49.61, 39.93

 

CMYK 0 / 82 / 90 / 20

HEX #CB2414

RGB 203 36 20

HSL 5.25, 0.82%, 0.44%

LAB 44.25, 62.32, 50.86

 

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

CMYK 25 / 0 / 90 / 1

HEX #BDFD1A

RGB 189 253 26

HSL 76.92, 0.98%, 0.55%

LAB 92.2, -46.45, 86.39

 

CMYK 90 / 61 / 0 / 1

HEX #1A62FD

RGB 26 98 253

HSL 220.97, 0.98%, 0.55%

LAB 47.04, 37.7, -82.32

 

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

CMYK 90 / 0 / 82 / 1

HEX #1AFD2D

RGB 26 253 45

HSL 125.02, 0.98%, 0.55%

LAB 87.32, -83.5, 76.66

 

CMYK 82 / 90 / 0 / 1

HEX #2D1AFD

RGB 45 26 253

HSL 245.02, 0.98%, 0.55%

LAB 34.78, 74.4, -102.57

 

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

CMYK 25 / 0 / 90 / 1

HEX #BDFD1A

RGB 189 253 26

HSL 76.92, 0.98%, 0.55%

LAB 92.2, -46.45, 86.39

 

CMYK 90 / 8 / 0 / 1

HEX #1AEAFD

RGB 26 234 253

HSL 185.02, 0.98%, 0.55%

LAB 85.08, -38.67, -22.18

 

CMYK 64 / 90 / 0 / 1

HEX #5B1AFD

RGB 91 26 253

HSL 257.18, 0.98%, 0.55%

LAB 37.94, 76.4, -97.23

 

CMYK 0 / 82 / 90 / 0

HEX #FE2D19

RGB 254 45 25

HSL 5.24, 0.99%, 0.55%

LAB 55.09, 74.37, 61.18

 

CMYK 52 / 0 / 90 / 1

HEX #79FD1A

RGB 121 253 26

HSL 94.89, 0.98%, 0.55%

LAB 89.11, -68.62, 82.59

 

CMYK 90 / 8 / 0 / 1

HEX #1AEAFD

RGB 26 234 253

HSL 185.02, 0.98%, 0.55%

LAB 85.08, -38.67, -22.18

 

CMYK 37 / 90 / 0 / 1

HEX #9F1AFD

RGB 159 26 253

HSL 275.15, 0.98%, 0.55%

LAB 45.91, 82.42, -83.8

 

Description

Color code: HEX #FE2D19 | qconv.com Color code: HEX #FE2D19 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 45 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 45 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 90 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 90% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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