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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD5EE2 it is the complementary color #02A11D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD5EE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD5EE2 shade: #FF5EDD, #FF70F0, #FF82FF, #FF94FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD5EE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD5EE2 shade: #FD5EE2, #EC4CCF, #DB3ABC, #CA28A9 and #B91696

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD5EE2 shade: #FD5DE2, #FD5DB7, #FD5D8C, #FD5D61 and #FD5D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD5EE2 shade: #FD5DE2, #ED5DFD, #C25DFD, #975DFD and #6C5DFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD5EE2 shade matches the following richer shades: #FD5DE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD5EE2 shade: #FD5DE2, #F06BD9, #E378D1, #D685C8 and #C992BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD5EE2 shade: #C35DFD, #ED5DFD, #FD5DE3, #FD5DB8 and #FD5D8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD5EE2 shade: #FD0CD4, #FD35DB, #FD5DE2, #FE86E9 and #FEAFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD5EE2 shade: #FD5EE2, #FD985D and #5DFDD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD5EE2 shade: #FD5EE2, #E3FD5D and #5DE3FD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD5EE2 shade: #FD5EE2, #FD985D, #5DFD78 and #5DC3FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD5EE2 shade: #FD5EE2, #FDC85D, #5DFD78 and #5D93FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 11 / 1

HEX #FD5EE2

RGB 253 94 226

HSL 310.19, 0.98%, 0.68%

LAB 65.26, 74.41, -36.93

 

Complementary color

CMYK 99 / 0 / 82 / 37

HEX #02A11D

RGB 2 161 29

HSL 130.19, 0.98%, 0.32%

LAB 57.65, -59.88, 53.42

 

CMYK 0 / 63 / 13 / 0

HEX #FF5EDD

RGB 255 94 221

HSL 312.67, 1%, 0.68%

LAB 65.35, 74.18, -33.98

 

CMYK 0 / 56 / 6 / 0

HEX #FF70F0

RGB 255 112 240

HSL 306.29, 1%, 0.72%

LAB 68.85, 69.66, -39.07

 

CMYK 0 / 49 / 0 / 0

HEX #FF82FF

RGB 255 130 255

HSL 300, 1%, 0.75%

LAB 72.53, 64.02, -41.54

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 63 / 11 / 1

HEX #FD5EE2

RGB 253 94 226

HSL 310.19, 0.98%, 0.68%

LAB 65.26, 74.41, -36.93

 

CMYK 0 / 68 / 12 / 7

HEX #EC4CCF

RGB 236 76 207

HSL 310.88, 0.81%, 0.61%

LAB 59.44, 74.21, -35.51

 

CMYK 0 / 74 / 14 / 14

HEX #DB3ABC

RGB 219 58 188

HSL 311.55, 0.69%, 0.54%

LAB 53.73, 73.54, -33.74

 

CMYK 0 / 80 / 16 / 21

HEX #CA28A9

RGB 202 40 169

HSL 312.22, 0.67%, 0.47%

LAB 48.18, 72.19, -31.5

 

CMYK 0 / 88 / 19 / 27

HEX #B91696

RGB 185 22 150

HSL 312.88, 0.79%, 0.41%

LAB 42.9, 69.86, -28.62

 

CMYK 0 / 63 / 11 / 1

HEX #FD5DE2

RGB 253 93 226

HSL 310.13, 0.98%, 0.68%

LAB 65.12, 74.8, -37.15

 

CMYK 0 / 63 / 28 / 1

HEX #FD5DB7

RGB 253 93 183

HSL 326.25, 0.98%, 0.68%

LAB 63.45, 69.01, -15.45

 

CMYK 0 / 63 / 45 / 1

HEX #FD5D8C

RGB 253 93 140

HSL 342.38, 0.98%, 0.68%

LAB 62.17, 64.39, 7.4

 

CMYK 0 / 63 / 62 / 1

HEX #FD5D61

RGB 253 93 97

HSL 358.5, 0.98%, 0.68%

LAB 61.29, 61.08, 30.97

 

CMYK 0 / 63 / 63 / 1

HEX #FD5D5D

RGB 253 93 93

HSL 0, 0.98%, 0.68%

LAB 61.22, 60.84, 33.15

 

CMYK 0 / 63 / 11 / 1

HEX #FD5DE2

RGB 253 93 226

HSL 310.13, 0.98%, 0.68%

LAB 65.12, 74.8, -37.15

 

CMYK 6 / 63 / 0 / 1

HEX #ED5DFD

RGB 237 93 253

HSL 294, 0.98%, 0.68%

LAB 64.1, 75.32, -53.88

 

CMYK 23 / 63 / 0 / 1

HEX #C25DFD

RGB 194 93 253

HSL 277.88, 0.98%, 0.68%

LAB 58.41, 65.76, -63.3

 

CMYK 40 / 63 / 0 / 1

HEX #975DFD

RGB 151 93 253

HSL 261.75, 0.98%, 0.68%

LAB 53.49, 56.81, -71.47

 

CMYK 57 / 63 / 0 / 1

HEX #6C5DFD

RGB 108 93 253

HSL 245.63, 0.98%, 0.68%

LAB 49.63, 49.13, -77.93

 

CMYK 0 / 63 / 11 / 1

HEX #FD5DE2

RGB 253 93 226

HSL 310.13, 0.98%, 0.68%

LAB 65.12, 74.8, -37.15

 

CMYK 0 / 63 / 11 / 1

HEX #FD5DE2

RGB 253 93 226

HSL 310.13, 0.98%, 0.68%

LAB 65.12, 74.8, -37.15

 

CMYK 0 / 55 / 10 / 6

HEX #F06BD9

RGB 240 107 217

HSL 310.38, 0.82%, 0.68%

LAB 65, 64.24, -32.45

 

CMYK 0 / 47 / 8 / 11

HEX #E378D1

RGB 227 120 209

HSL 310.09, 0.66%, 0.68%

LAB 65.25, 53.14, -27.73

 

CMYK 0 / 38 / 7 / 16

HEX #D685C8

RGB 214 133 200

HSL 310.37, 0.5%, 0.68%

LAB 65.94, 40.93, -21.78

 

CMYK 0 / 27 / 5 / 21

HEX #C992BF

RGB 201 146 191

HSL 310.91, 0.34%, 0.68%

LAB 67.08, 28.02, -15.14

 

CMYK 23 / 63 / 0 / 1

HEX #C35DFD

RGB 195 93 253

HSL 278.25, 0.98%, 0.68%

LAB 58.53, 65.98, -63.09

 

CMYK 6 / 63 / 0 / 1

HEX #ED5DFD

RGB 237 93 253

HSL 294, 0.98%, 0.68%

LAB 64.1, 75.32, -53.88

 

CMYK 0 / 63 / 10 / 1

HEX #FD5DE3

RGB 253 93 227

HSL 309.75, 0.98%, 0.68%

LAB 65.17, 74.94, -37.64

 

CMYK 0 / 63 / 27 / 1

HEX #FD5DB8

RGB 253 93 184

HSL 325.88, 0.98%, 0.68%

LAB 63.48, 69.13, -15.97

 

CMYK 0 / 63 / 44 / 1

HEX #FD5D8D

RGB 253 93 141

HSL 342, 0.98%, 0.68%

LAB 62.2, 64.49, 6.86

 

CMYK 0 / 95 / 16 / 1

HEX #FD0CD4

RGB 253 12 212

HSL 310.21, 0.98%, 0.52%

LAB 57.94, 91.59, -40.5

 

CMYK 0 / 79 / 13 / 1

HEX #FD35DB

RGB 253 53 219

HSL 310.2, 0.98%, 0.6%

LAB 60.38, 86.35, -40.64

 

CMYK 0 / 63 / 11 / 1

HEX #FD5DE2

RGB 253 93 226

HSL 310.13, 0.98%, 0.68%

LAB 65.12, 74.8, -37.15

 

CMYK 0 / 47 / 8 / 0

HEX #FE86E9

RGB 254 134 233

HSL 310.5, 0.98%, 0.76%

LAB 72.23, 58.18, -29.99

 

CMYK 0 / 31 / 5 / 0

HEX #FEAFF1

RGB 254 175 241

HSL 309.87, 0.98%, 0.84%

LAB 80.78, 38.79, -21.27

 

CMYK 0 / 63 / 11 / 1

HEX #FD5EE2

RGB 253 94 226

HSL 310.19, 0.98%, 0.68%

LAB 65.26, 74.41, -36.93

 

CMYK 0 / 40 / 63 / 1

HEX #FD985D

RGB 253 152 93

HSL 22.13, 0.98%, 0.68%

LAB 72.31, 32.71, 46.63

 

CMYK 63 / 0 / 15 / 1

HEX #5DFDD8

RGB 93 253 216

HSL 166.13, 0.98%, 0.68%

LAB 90.57, -50.31, 5.41

 

CMYK 0 / 63 / 11 / 1

HEX #FD5EE2

RGB 253 94 226

HSL 310.19, 0.98%, 0.68%

LAB 65.26, 74.41, -36.93

 

CMYK 10 / 0 / 63 / 1

HEX #E3FD5D

RGB 227 253 93

HSL 69.75, 0.98%, 0.68%

LAB 94.9, -29.11, 71.07

 

CMYK 63 / 10 / 0 / 1

HEX #5DE3FD

RGB 93 227 253

HSL 189.75, 0.98%, 0.68%

LAB 84.15, -28.83, -23.48

 

CMYK 0 / 63 / 11 / 1

HEX #FD5EE2

RGB 253 94 226

HSL 310.19, 0.98%, 0.68%

LAB 65.26, 74.41, -36.93

 

CMYK 0 / 40 / 63 / 1

HEX #FD985D

RGB 253 152 93

HSL 22.13, 0.98%, 0.68%

LAB 72.31, 32.71, 46.63

 

CMYK 63 / 0 / 53 / 1

HEX #5DFD78

RGB 93 253 120

HSL 130.13, 0.98%, 0.68%

LAB 88.89, -68.19, 51.04

 

CMYK 63 / 23 / 0 / 1

HEX #5DC3FD

RGB 93 195 253

HSL 201.75, 0.98%, 0.68%

LAB 75.11, -12.6, -37.38

 

CMYK 0 / 63 / 11 / 1

HEX #FD5EE2

RGB 253 94 226

HSL 310.19, 0.98%, 0.68%

LAB 65.26, 74.41, -36.93

 

CMYK 0 / 21 / 63 / 1

HEX #FDC85D

RGB 253 200 93

HSL 40.13, 0.98%, 0.68%

LAB 83.43, 7.68, 59.31

 

CMYK 63 / 0 / 53 / 1

HEX #5DFD78

RGB 93 253 120

HSL 130.13, 0.98%, 0.68%

LAB 88.89, -68.19, 51.04

 

CMYK 63 / 42 / 0 / 1

HEX #5D93FD

RGB 93 147 253

HSL 219.75, 0.98%, 0.68%

LAB 61.9, 14.49, -58.17

 

Description

Color code: HEX #FD5EE2 | qconv.com Color code: HEX #FD5EE2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 94 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 94 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 11 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 11% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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