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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FD2BAB it is the complementary color #02D454. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FD2BAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FD2BAB shade: #FF2BA6, #FF3DB9, #FF4FCC, #FF61DF and #FF73F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FD2BAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FD2BAB shade: #FD2BAB, #EC1998, #DB0785, #CA0072 and #B9005F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FD2BAB shade: #FD2BAB, #FD2B72, #FD2B3A and #FD2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FD2BAB shade: #FD2BAB, #FD2BE3, #DE2BFD, #A52BFD and #6C2BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FD2BAB shade matches the following richer shades: #FD2BAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FD2BAB shade: #FD2BAB, #EC3CA7, #DA4EA3, #C95FA0 and #B8709C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FD2BAB shade: #DD2BFD, #FD2BE4, #FD2BAC, #FD2B74 and #FD2B3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FD2BAB shade: #D30282, #FC039B, #FD2BAB, #FD54BB and #FE7DCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FD2BAB shade: #FD2BAB, #FDA52B and #2BFDF9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FD2BAB shade: #FD2BAB, #ACFD2B and #2BACFD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FD2BAB shade: #FD2BAB, #FDA52B, #2BFD7B and #2B82FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FD2BAB shade: #FD2BAB, #FDE42B, #2BFD7B and #2B43FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

Complementary color

CMYK 99 / 0 / 60 / 17

HEX #02D454

RGB 2 212 84

HSL 143.43, 0.98%, 0.42%

LAB 74.66, -69.7, 50.17

 

CMYK 0 / 83 / 35 / 0

HEX #FF2BA6

RGB 255 43 166

HSL 325.19, 1%, 0.58%

LAB 57.79, 82.82, -14.16

 

CMYK 0 / 76 / 27 / 0

HEX #FF3DB9

RGB 255 61 185

HSL 321.65, 1%, 0.62%

LAB 59.98, 80.56, -21.85

 

CMYK 0 / 69 / 20 / 0

HEX #FF4FCC

RGB 255 79 204

HSL 317.39, 1%, 0.65%

LAB 62.69, 77.33, -28.54

 

CMYK 0 / 62 / 13 / 0

HEX #FF61DF

RGB 255 97 223

HSL 312.15, 1%, 0.69%

LAB 65.86, 73.3, -34.31

 

CMYK 0 / 55 / 5 / 0

HEX #FF73F2

RGB 255 115 242

HSL 305.57, 1%, 0.73%

LAB 69.42, 68.67, -39.28

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 89 / 36 / 7

HEX #EC1998

RGB 236 25 152

HSL 323.89, 0.85%, 0.51%

LAB 52.72, 80.35, -13.9

 

CMYK 0 / 97 / 39 / 14

HEX #DB0785

RGB 219 7 133

HSL 324.34, 0.94%, 0.44%

LAB 48.14, 76.8, -9.7

 

CMYK 0 / 100 / 44 / 21

HEX #CA0072

RGB 202 0 114

HSL 326.14, 1%, 0.4%

LAB 43.9, 72.07, -4.69

 

CMYK 0 / 100 / 49 / 27

HEX #B9005F

RGB 185 0 95

HSL 329.19, 1%, 0.36%

LAB 39.82, 66.75, 0.84

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 83 / 55 / 1

HEX #FD2B72

RGB 253 43 114

HSL 339.71, 0.98%, 0.58%

LAB 55.91, 78.02, 13.86

 

CMYK 0 / 83 / 77 / 1

HEX #FD2B3A

RGB 253 43 58

HSL 355.71, 0.98%, 0.58%

LAB 54.99, 75.28, 45.42

 

CMYK 0 / 83 / 83 / 1

HEX #FD2B2B

RGB 253 43 43

HSL 0, 0.98%, 0.58%

LAB 54.85, 74.87, 53.11

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 83 / 10 / 1

HEX #FD2BE3

RGB 253 43 227

HSL 307.43, 0.98%, 0.58%

LAB 60.03, 89.54, -45.7

 

CMYK 12 / 83 / 0 / 1

HEX #DE2BFD

RGB 222 43 253

HSL 291.14, 0.98%, 0.58%

LAB 56.44, 87.92, -66.26

 

CMYK 35 / 83 / 0 / 1

HEX #A52BFD

RGB 165 43 253

HSL 274.86, 0.98%, 0.58%

LAB 48.03, 79.32, -80.29

 

CMYK 57 / 83 / 0 / 1

HEX #6C2BFD

RGB 108 43 253

HSL 258.57, 0.98%, 0.58%

LAB 41.23, 72.73, -91.73

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 75 / 29 / 7

HEX #EC3CA7

RGB 236 60 167

HSL 323.52, 0.82%, 0.58%

LAB 55.94, 74.29, -17.86

 

CMYK 0 / 64 / 25 / 15

HEX #DA4EA3

RGB 218 78 163

HSL 323.57, 0.65%, 0.58%

LAB 55.07, 62.8, -17.12

 

CMYK 0 / 53 / 20 / 21

HEX #C95FA0

RGB 201 95 160

HSL 323.21, 0.5%, 0.58%

LAB 55.22, 49.79, -15.39

 

CMYK 0 / 39 / 15 / 28

HEX #B8709C

RGB 184 112 156

HSL 323.33, 0.34%, 0.58%

LAB 56.27, 34.75, -11.69

 

CMYK 13 / 83 / 0 / 1

HEX #DD2BFD

RGB 221 43 253

HSL 290.86, 0.98%, 0.58%

LAB 56.28, 87.76, -66.52

 

CMYK 0 / 83 / 10 / 1

HEX #FD2BE4

RGB 253 43 228

HSL 307.14, 0.98%, 0.58%

LAB 60.08, 89.67, -46.18

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAC

RGB 253 43 172

HSL 323.14, 0.98%, 0.58%

LAB 57.64, 82.99, -17.91

 

CMYK 0 / 83 / 54 / 1

HEX #FD2B74

RGB 253 43 116

HSL 339.14, 0.98%, 0.58%

LAB 55.96, 78.15, 12.73

 

CMYK 0 / 83 / 76 / 1

HEX #FD2B3C

RGB 253 43 60

HSL 355.14, 0.98%, 0.58%

LAB 55.01, 75.34, 44.35

 

CMYK 0 / 99 / 38 / 17

HEX #D30282

RGB 211 2 130

HSL 323.25, 0.98%, 0.42%

LAB 46.32, 75.25, -10.77

 

CMYK 0 / 99 / 38 / 1

HEX #FC039B

RGB 252 3 155

HSL 323.37, 0.98%, 0.5%

LAB 55.2, 85.92, -11.64

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 67 / 26 / 1

HEX #FD54BB

RGB 253 84 187

HSL 323.43, 0.98%, 0.66%

LAB 62.35, 72.92, -19.41

 

CMYK 0 / 51 / 20 / 0

HEX #FE7DCB

RGB 254 125 203

HSL 323.72, 0.98%, 0.74%

LAB 69.51, 57.93, -17.56

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 35 / 83 / 1

HEX #FDA52B

RGB 253 165 43

HSL 34.86, 0.98%, 0.58%

LAB 74.8, 23.74, 70.49

 

CMYK 83 / 0 / 2 / 1

HEX #2BFDF9

RGB 43 253 249

HSL 178.86, 0.98%, 0.58%

LAB 90.6, -47.36, -11.77

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 32 / 0 / 83 / 1

HEX #ACFD2B

RGB 172 253 43

HSL 83.14, 0.98%, 0.58%

LAB 91.32, -52.16, 82.2

 

CMYK 83 / 32 / 0 / 1

HEX #2BACFD

RGB 43 172 253

HSL 203.14, 0.98%, 0.58%

LAB 67.36, -6.2, -49.59

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 35 / 83 / 1

HEX #FDA52B

RGB 253 165 43

HSL 34.86, 0.98%, 0.58%

LAB 74.8, 23.74, 70.49

 

CMYK 83 / 0 / 51 / 1

HEX #2BFD7B

RGB 43 253 123

HSL 142.86, 0.98%, 0.58%

LAB 88.06, -74.8, 48.44

 

CMYK 83 / 49 / 0 / 1

HEX #2B82FD

RGB 43 130 253

HSL 215.14, 0.98%, 0.58%

LAB 55.66, 18.64, -68.28

 

CMYK 0 / 83 / 32 / 1

HEX #FD2BAB

RGB 253 43 171

HSL 323.43, 0.98%, 0.58%

LAB 57.61, 82.88, -17.39

 

CMYK 0 / 10 / 83 / 1

HEX #FDE42B

RGB 253 228 43

HSL 52.86, 0.98%, 0.58%

LAB 90.11, -8.68, 83.37

 

CMYK 83 / 0 / 51 / 1

HEX #2BFD7B

RGB 43 253 123

HSL 142.86, 0.98%, 0.58%

LAB 88.06, -74.8, 48.44

 

CMYK 83 / 74 / 0 / 1

HEX #2B43FD

RGB 43 67 253

HSL 233.14, 0.98%, 0.58%

LAB 40.61, 57, -92.9

 

Description

Color code: HEX #FD2BAB | qconv.com Color code: HEX #FD2BAB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 43 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 43 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 32 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 32% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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