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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCC7CD it is the complementary color #033832. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCC7CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FCC7CD: #FFC7C8, #FFD9DB, #FFEBEE, #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCC7CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FCC7CD: #FCC7CD, #EBB5BA, #DAA3A7, #C99194 and #B87F81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

Complementary color

CMYK 95 / 0 / 11 / 78

HEX #033832

RGB 3 56 50

HSL 173.21, 0.9%, 0.12%

LAB 20.35, -18.03, -0.94

 

CMYK 0 / 22 / 22 / 0

HEX #FFC7C8

RGB 255 199 200

HSL 358.93, 1%, 0.89%

LAB 85.14, 20.04, 7.16

 

CMYK 0 / 15 / 14 / 0

HEX #FFD9DB

RGB 255 217 219

HSL 356.84, 1%, 0.93%

LAB 89.86, 13.5, 3.92

 

CMYK 0 / 8 / 7 / 0

HEX #FFEBEE

RGB 255 235 238

HSL 351, 1%, 0.96%

LAB 94.67, 7.27, 0.99

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

CMYK 0 / 23 / 21 / 8

HEX #EBB5BA

RGB 235 181 186

HSL 354.44, 0.57%, 0.82%

LAB 78.61, 20.27, 5.02

 

CMYK 0 / 25 / 23 / 15

HEX #DAA3A7

RGB 218 163 167

HSL 355.64, 0.43%, 0.75%

LAB 72.15, 20.9, 5.89

 

CMYK 0 / 28 / 26 / 21

HEX #C99194

RGB 201 145 148

HSL 356.79, 0.34%, 0.68%

LAB 65.6, 21.6, 6.82

 

CMYK 0 / 31 / 30 / 28

HEX #B87F81

RGB 184 127 129

HSL 357.89, 0.29%, 0.61%

LAB 58.93, 22.37, 7.84

 

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

CMYK 0 / 21 / 22 / 2

HEX #FBC7C4

RGB 251 199 196

HSL 3.27, 0.87%, 0.88%

LAB 84.66, 18.02, 8.55

 

CMYK 0 / 17 / 22 / 2

HEX #FBD0C4

RGB 251 208 196

HSL 13.09, 0.87%, 0.88%

LAB 86.8, 13.31, 11.61

 

CMYK 0 / 14 / 22 / 2

HEX #FBD9C4

RGB 251 217 196

HSL 22.91, 0.87%, 0.88%

LAB 88.98, 8.64, 14.69

 

CMYK 0 / 10 / 22 / 2

HEX #FBE3C4

RGB 251 227 196

HSL 33.82, 0.87%, 0.88%

LAB 91.43, 3.49, 18.14

 

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

CMYK 0 / 21 / 19 / 81

HEX #302627

RGB 48 38 39

HSL 354, 0.12%, 0.17%

LAB 16.31, 4.89, 1.1

 

CMYK 0 / 21 / 18 / 61

HEX #634E51

RGB 99 78 81

HSL 351.43, 0.12%, 0.35%

LAB 35.39, 9.34, 1.58

 

CMYK 0 / 21 / 19 / 41

HEX #96767A

RGB 150 118 122

HSL 352.5, 0.13%, 0.53%

LAB 52.78, 13.15, 2.58

 

CMYK 0 / 21 / 18 / 21

HEX #C99FA4

RGB 201 159 164

HSL 352.86, 0.28%, 0.71%

LAB 69.39, 16.31, 3.34

 

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

CMYK 2 / 0 / 22 / 2

HEX #F7FBC4

RGB 247 251 196

HSL 64.36, 0.87%, 0.88%

LAB 97.13, -10.05, 25.99

 

CMYK 22 / 10 / 0 / 2

HEX #C4E1FB

RGB 196 225 251

HSL 208.36, 0.87%, 0.88%

LAB 88.23, -4.07, -15.81

 

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

CMYK 19 / 0 / 22 / 2

HEX #CBFBC4

RGB 203 251 196

HSL 112.36, 0.87%, 0.88%

LAB 94.17, -25.32, 21.45

 

CMYK 22 / 19 / 0 / 2

HEX #C4CBFB

RGB 196 203 251

HSL 232.36, 0.87%, 0.88%

LAB 82.6, 7.54, -24.33

 

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

CMYK 2 / 0 / 22 / 2

HEX #F7FBC4

RGB 247 251 196

HSL 64.36, 0.87%, 0.88%

LAB 97.13, -10.05, 25.99

 

CMYK 22 / 0 / 2 / 2

HEX #C4FBF5

RGB 196 251 245

HSL 173.45, 0.87%, 0.88%

LAB 94.88, -18.47, -2.82

 

CMYK 20 / 22 / 0 / 2

HEX #C9C4FB

RGB 201 196 251

HSL 245.45, 0.87%, 0.88%

LAB 81.22, 12.82, -26.4

 

CMYK 0 / 21 / 19 / 1

HEX #FCC7CD

RGB 252 199 205

HSL 353.21, 0.9%, 0.88%

LAB 84.97, 19.7, 4.22

 

CMYK 8 / 0 / 22 / 2

HEX #E6FBC4

RGB 230 251 196

HSL 82.91, 0.87%, 0.88%

LAB 95.91, -16.09, 24.13

 

CMYK 22 / 0 / 2 / 2

HEX #C4FBF5

RGB 196 251 245

HSL 173.45, 0.87%, 0.88%

LAB 94.88, -18.47, -2.82

 

CMYK 14 / 22 / 0 / 2

HEX #D9C4FB

RGB 217 196 251

HSL 262.91, 0.87%, 0.88%

LAB 82.48, 17.74, -24.35

 

Description

Color code: HEX #FCC7CD | qconv.com Color code: HEX #FCC7CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 199 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 199 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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