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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FCC62A it is the complementary color #0339D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FCC62A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FCC62A: #FFC625, #FFD838, #FFEA4B, #FFFC5E and #FFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FCC62A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FCC62A: #FCC62A, #EBB417, #DAA204, #C99000 and #B87E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

Complementary color

CMYK 99 / 73 / 0 / 16

HEX #0339D5

RGB 3 57 213

HSL 224.57, 0.97%, 0.42%

LAB 33.46, 47.77, -82.03

 

CMYK 0 / 22 / 85 / 0

HEX #FFC625

RGB 255 198 37

HSL 44.31, 1%, 0.57%

LAB 82.8, 7.24, 78.86

 

CMYK 0 / 15 / 78 / 0

HEX #FFD838

RGB 255 216 56

HSL 48.24, 1%, 0.61%

LAB 87.32, -1.44, 77.49

 

CMYK 0 / 8 / 71 / 0

HEX #FFEA4B

RGB 255 234 75

HSL 53, 1%, 0.65%

LAB 91.96, -9.69, 75.51

 

CMYK 0 / 1 / 63 / 0

HEX #FFFC5E

RGB 255 252 94

HSL 58.88, 1%, 0.68%

LAB 96.69, -17.49, 73.2

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

CMYK 0 / 23 / 90 / 8

HEX #EBB417

RGB 235 180 23

HSL 44.43, 0.84%, 0.51%

LAB 76.29, 7.78, 75.86

 

CMYK 0 / 26 / 98 / 15

HEX #DAA204

RGB 218 162 4

HSL 44.3, 0.96%, 0.44%

LAB 70, 9.7, 73.14

 

CMYK 0 / 28 / 100 / 21

HEX #C99000

RGB 201 144 0

HSL 42.99, 1%, 0.39%

LAB 63.64, 11.86, 68.41

 

CMYK 0 / 32 / 100 / 28

HEX #B87E00

RGB 184 126 0

HSL 41.09, 1%, 0.36%

LAB 57.18, 14.16, 63.13

 

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

CMYK 0 / 8 / 82 / 2

HEX #FBE72C

RGB 251 231 44

HSL 54.2, 0.96%, 0.58%

LAB 90.71, -10.98, 83.56

 

CMYK 6 / 0 / 82 / 2

HEX #EDFB2C

RGB 237 251 44

HSL 64.06, 0.96%, 0.58%

LAB 94.81, -26.38, 86.57

 

CMYK 19 / 0 / 82 / 2

HEX #CBFB2C

RGB 203 251 44

HSL 73.91, 0.96%, 0.58%

LAB 92.52, -39.84, 83.7

 

CMYK 33 / 0 / 82 / 2

HEX #A8FB2C

RGB 168 251 44

HSL 84.06, 0.96%, 0.58%

LAB 90.55, -52.71, 81.23

 

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

CMYK 0 / 21 / 83 / 81

HEX #302608

RGB 48 38 8

HSL 45, 0.71%, 0.11%

LAB 15.65, 0.57, 19.57

 

CMYK 0 / 21 / 83 / 61

HEX #634E11

RGB 99 78 17

HSL 44.63, 0.71%, 0.23%

LAB 34.28, 2.15, 36.88

 

CMYK 0 / 21 / 83 / 41

HEX #967619

RGB 150 118 25

HSL 44.64, 0.71%, 0.34%

LAB 51.28, 3.54, 51.38

 

CMYK 0 / 21 / 83 / 21

HEX #C99E22

RGB 201 158 34

HSL 44.55, 0.71%, 0.46%

LAB 67.27, 4.86, 64.51

 

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

CMYK 77 / 0 / 82 / 2

HEX #39FB2C

RGB 57 251 44

HSL 116.23, 0.96%, 0.58%

LAB 87.02, -80.16, 76.74

 

CMYK 55 / 82 / 0 / 2

HEX #712CFB

RGB 113 44 251

HSL 260, 0.96%, 0.58%

LAB 41.65, 72.38, -89.89

 

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

CMYK 82 / 0 / 22 / 2

HEX #2CFBC4

RGB 44 251 196

HSL 164.06, 0.96%, 0.58%

LAB 88.69, -60.13, 12.96

 

CMYK 22 / 82 / 0 / 2

HEX #C42CFB

RGB 196 44 251

HSL 284.06, 0.96%, 0.58%

LAB 52.4, 83.2, -71.87

 

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

CMYK 77 / 0 / 82 / 2

HEX #39FB2C

RGB 57 251 44

HSL 116.23, 0.96%, 0.58%

LAB 87.02, -80.16, 76.74

 

CMYK 82 / 61 / 0 / 2

HEX #2C63FB

RGB 44 99 251

HSL 224.06, 0.96%, 0.58%

LAB 47.53, 37.37, -80.39

 

CMYK 6 / 82 / 0 / 2

HEX #ED2CFB

RGB 237 44 251

HSL 295.94, 0.96%, 0.58%

LAB 58.76, 89.91, -61.29

 

CMYK 0 / 21 / 83 / 1

HEX #FCC62A

RGB 252 198 42

HSL 44.57, 0.97%, 0.58%

LAB 82.51, 6.09, 77.24

 

CMYK 82 / 0 / 63 / 2

HEX #2CFB5C

RGB 44 251 92

HSL 133.91, 0.96%, 0.58%

LAB 87.15, -77.98, 60.98

 

CMYK 82 / 61 / 0 / 2

HEX #2C63FB

RGB 44 99 251

HSL 224.06, 0.96%, 0.58%

LAB 47.53, 37.37, -80.39

 

CMYK 0 / 82 / 19 / 2

HEX #FB2CCB

RGB 251 44 203

HSL 313.91, 0.96%, 0.58%

LAB 58.62, 85.88, -34.32

 

Description

Color code: HEX #FCC62A | qconv.com Color code: HEX #FCC62A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 198 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 198 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 83 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 83% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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