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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FC8A35 it is the complementary color #0375CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FC8A35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FC8A35: #FF8A30, #FF9C43, #FFAE56, #FFC069 and #FFD27C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FC8A35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FC8A35: #FC8A35, #EB7822, #DA660F, #C95400 and #B84200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

Complementary color

CMYK 99 / 42 / 0 / 21

HEX #0375CA

RGB 3 117 202

HSL 205.63, 0.97%, 0.4%

LAB 48.27, 5.02, -51.56

 

CMYK 0 / 46 / 81 / 0

HEX #FF8A30

RGB 255 138 48

HSL 26.09, 1%, 0.59%

LAB 69.22, 38.61, 63.98

 

CMYK 0 / 39 / 74 / 0

HEX #FF9C43

RGB 255 156 67

HSL 28.4, 1%, 0.63%

LAB 73.18, 30.07, 59.98

 

CMYK 0 / 32 / 66 / 0

HEX #FFAE56

RGB 255 174 86

HSL 31.24, 1%, 0.67%

LAB 77.4, 21.64, 55.9

 

CMYK 0 / 25 / 59 / 0

HEX #FFC069

RGB 255 192 105

HSL 34.8, 1%, 0.71%

LAB 81.83, 13.45, 51.95

 

CMYK 0 / 18 / 51 / 0

HEX #FFD27C

RGB 255 210 124

HSL 39.39, 1%, 0.74%

LAB 86.41, 5.61, 48.23

 

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

CMYK 0 / 49 / 86 / 8

HEX #EB7822

RGB 235 120 34

HSL 25.67, 0.83%, 0.53%

LAB 62.69, 39.45, 62.35

 

CMYK 0 / 53 / 93 / 15

HEX #DA660F

RGB 218 102 15

HSL 25.71, 0.87%, 0.46%

LAB 56.53, 41.45, 62.12

 

CMYK 0 / 58 / 100 / 21

HEX #C95400

RGB 201 84 0

HSL 25.07, 1%, 0.39%

LAB 50.4, 43.51, 60.15

 

CMYK 0 / 64 / 100 / 28

HEX #B84200

RGB 184 66 0

HSL 21.52, 1%, 0.36%

LAB 44.36, 45.51, 55.34

 

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

CMYK 0 / 33 / 78 / 2

HEX #FBA936

RGB 251 169 54

HSL 35.03, 0.96%, 0.6%

LAB 75.55, 21.15, 67.31

 

CMYK 0 / 20 / 78 / 2

HEX #FBCA36

RGB 251 202 54

HSL 45.08, 0.96%, 0.6%

LAB 83.45, 3.96, 74.5

 

CMYK 0 / 6 / 78 / 2

HEX #FBEB36

RGB 251 235 54

HSL 55.13, 0.96%, 0.6%

LAB 91.77, -12.66, 81.9

 

CMYK 6 / 0 / 78 / 2

HEX #EBFB36

RGB 235 251 54

HSL 64.87, 0.96%, 0.6%

LAB 94.71, -26.89, 84.01

 

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

CMYK 0 / 46 / 79 / 81

HEX #301A0A

RGB 48 26 10

HSL 25.26, 0.66%, 0.11%

LAB 11.88, 9.09, 13.79

 

CMYK 0 / 45 / 79 / 61

HEX #633615

RGB 99 54 21

HSL 25.38, 0.65%, 0.24%

LAB 27.7, 17.17, 28.56

 

CMYK 0 / 45 / 79 / 41

HEX #965220

RGB 150 82 32

HSL 25.42, 0.65%, 0.36%

LAB 42.19, 24.43, 40.14

 

CMYK 0 / 45 / 79 / 21

HEX #C96E2A

RGB 201 110 42

HSL 25.66, 0.65%, 0.48%

LAB 55.82, 31.16, 51.33

 

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

CMYK 49 / 0 / 78 / 2

HEX #81FB36

RGB 129 251 54

HSL 97.16, 0.96%, 0.6%

LAB 88.89, -64.68, 76.57

 

CMYK 77 / 78 / 0 / 2

HEX #3936FB

RGB 57 54 251

HSL 240.91, 0.96%, 0.6%

LAB 38.68, 63.77, -94.95

 

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

CMYK 78 / 0 / 46 / 2

HEX #36FB88

RGB 54 251 136

HSL 144.97, 0.96%, 0.6%

LAB 87.75, -71.09, 41.92

 

CMYK 46 / 78 / 0 / 2

HEX #8836FB

RGB 136 54 251

HSL 264.97, 0.96%, 0.6%

LAB 45.41, 71.46, -83.61

 

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

CMYK 49 / 0 / 78 / 2

HEX #81FB36

RGB 129 251 54

HSL 97.16, 0.96%, 0.6%

LAB 88.89, -64.68, 76.57

 

CMYK 78 / 33 / 0 / 2

HEX #36A9FB

RGB 54 169 251

HSL 204.97, 0.96%, 0.6%

LAB 66.62, -4.25, -49.67

 

CMYK 30 / 78 / 0 / 2

HEX #B036FB

RGB 176 54 251

HSL 277.16, 0.96%, 0.6%

LAB 50.49, 77.28, -75.1

 

CMYK 0 / 45 / 79 / 1

HEX #FC8A35

RGB 252 138 53

HSL 25.63, 0.97%, 0.6%

LAB 68.84, 37.58, 61.51

 

CMYK 72 / 0 / 78 / 2

HEX #46FB36

RGB 70 251 54

HSL 115.13, 0.96%, 0.6%

LAB 87.27, -77.8, 74.48

 

CMYK 78 / 33 / 0 / 2

HEX #36A9FB

RGB 54 169 251

HSL 204.97, 0.96%, 0.6%

LAB 66.62, -4.25, -49.67

 

CMYK 6 / 78 / 0 / 2

HEX #EB36FB

RGB 235 54 251

HSL 295.13, 0.96%, 0.6%

LAB 59.22, 87.3, -60.57

 

Description

Color code: HEX #FC8A35 | qconv.com Color code: HEX #FC8A35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 138 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 138 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 79 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 79% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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