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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FBB03B it is the complementary color #044FC4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FBB03B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #FBB03B: #FFB036, #FFC249, #FFD45C, #FFE66F and #FFF882

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FBB03B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #FBB03B: #FBB03B, #EA9E28, #D98C15, #C87A02 and #B76800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

Complementary color

CMYK 98 / 60 / 0 / 23

HEX #044FC4

RGB 4 79 196

HSL 216.56, 0.96%, 0.39%

LAB 37.12, 27.38, -66.14

 

CMYK 0 / 31 / 79 / 0

HEX #FFB036

RGB 255 176 54

HSL 36.42, 1%, 0.61%

LAB 77.62, 19.15, 69.38

 

CMYK 0 / 24 / 71 / 0

HEX #FFC249

RGB 255 194 73

HSL 39.89, 1%, 0.64%

LAB 82.01, 10.54, 66.41

 

CMYK 0 / 17 / 64 / 0

HEX #FFD45C

RGB 255 212 92

HSL 44.17, 1%, 0.68%

LAB 86.56, 2.27, 63.24

 

CMYK 0 / 10 / 56 / 0

HEX #FFE66F

RGB 255 230 111

HSL 49.58, 1%, 0.72%

LAB 91.23, -5.57, 60.06

 

CMYK 0 / 3 / 49 / 0

HEX #FFF882

RGB 255 248 130

HSL 56.64, 1%, 0.75%

LAB 96, -12.97, 56.97

 

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

CMYK 0 / 32 / 83 / 8

HEX #EA9E28

RGB 234 158 40

HSL 36.49, 0.82%, 0.54%

LAB 70.94, 19.36, 67.26

 

CMYK 0 / 35 / 90 / 15

HEX #D98C15

RGB 217 140 21

HSL 36.43, 0.82%, 0.47%

LAB 64.61, 21.29, 66.53

 

CMYK 0 / 39 / 99 / 22

HEX #C87A02

RGB 200 122 2

HSL 36.36, 0.98%, 0.4%

LAB 58.23, 23.44, 64.44

 

CMYK 0 / 43 / 100 / 28

HEX #B76800

RGB 183 104 0

HSL 34.1, 1%, 0.36%

LAB 51.8, 25.87, 59.57

 

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

CMYK 0 / 18 / 76 / 2

HEX #FBCE3C

RGB 251 206 60

HSL 45.86, 0.96%, 0.61%

LAB 84.47, 2.12, 73.47

 

CMYK 0 / 5 / 76 / 2

HEX #FBEE3C

RGB 251 238 60

HSL 55.92, 0.96%, 0.61%

LAB 92.57, -13.92, 80.89

 

CMYK 8 / 0 / 76 / 2

HEX #E7FB3C

RGB 231 251 60

HSL 66.28, 0.96%, 0.61%

LAB 94.44, -28.28, 82.02

 

CMYK 20 / 0 / 76 / 2

HEX #C8FB3C

RGB 200 251 60

HSL 76.02, 0.96%, 0.61%

LAB 92.4, -40.39, 79.39

 

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

CMYK 0 / 30 / 77 / 82

HEX #2F210B

RGB 47 33 11

HSL 36.67, 0.62%, 0.11%

LAB 13.92, 3.72, 16.07

 

CMYK 0 / 30 / 77 / 62

HEX #624517

RGB 98 69 23

HSL 36.8, 0.62%, 0.24%

LAB 31.61, 7.5, 31.53

 

CMYK 0 / 30 / 77 / 42

HEX #956823

RGB 149 104 35

HSL 36.32, 0.62%, 0.36%

LAB 47.51, 11.5, 43.98

 

CMYK 0 / 30 / 77 / 22

HEX #C88C2F

RGB 200 140 47

HSL 36.47, 0.62%, 0.48%

LAB 62.71, 14.66, 55.81

 

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

CMYK 61 / 0 / 76 / 2

HEX #62FB3C

RGB 98 251 60

HSL 108.06, 0.96%, 0.61%

LAB 87.93, -72.19, 73.58

 

CMYK 61 / 76 / 0 / 2

HEX #623CFB

RGB 98 60 251

HSL 251.94, 0.96%, 0.61%

LAB 42.45, 64.38, -88.62

 

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

CMYK 76 / 0 / 31 / 2

HEX #3CFBAE

RGB 60 251 174

HSL 155.81, 0.96%, 0.61%

LAB 88.45, -63.44, 23.94

 

CMYK 31 / 76 / 0 / 2

HEX #AE3CFB

RGB 174 60 251

HSL 275.81, 0.96%, 0.61%

LAB 50.92, 74.95, -74.42

 

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

CMYK 61 / 0 / 76 / 2

HEX #62FB3C

RGB 98 251 60

HSL 108.06, 0.96%, 0.61%

LAB 87.93, -72.19, 73.58

 

CMYK 76 / 46 / 0 / 2

HEX #3C88FB

RGB 60 136 251

HSL 216.13, 0.96%, 0.61%

LAB 57.59, 15.8, -64.04

 

CMYK 16 / 76 / 0 / 2

HEX #D43CFB

RGB 212 60 251

HSL 287.75, 0.96%, 0.61%

LAB 56.28, 81.52, -65.48

 

CMYK 0 / 30 / 76 / 2

HEX #FBB03B

RGB 251 176 59

HSL 36.56, 0.96%, 0.61%

LAB 77.21, 17.66, 67.01

 

CMYK 76 / 0 / 69 / 2

HEX #3CFB4F

RGB 60 251 79

HSL 125.97, 0.96%, 0.61%

LAB 87.25, -77.44, 66.22

 

CMYK 76 / 46 / 0 / 2

HEX #3C88FB

RGB 60 136 251

HSL 216.13, 0.96%, 0.61%

LAB 57.59, 15.8, -64.04

 

CMYK 0 / 76 / 8 / 2

HEX #FB3CE7

RGB 251 60 231

HSL 306.28, 0.96%, 0.61%

LAB 61.23, 85.84, -46.07

 

Description

Color code: HEX #FBB03B | qconv.com Color code: HEX #FBB03B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 176 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 176 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 76 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 76% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

88% - Webmaster technique ...
Link: http://etienne-mommalier.fr

27% - Col·legi Lestonnac
Link: http://lestonnac-bcn.cat

64% - Gaming Asylum | The ...
Link: http://www.gaming-asylum.com

99% - Game Servers | Gamin...
Link: http://www.gaming-asylum.com

68% - CMG Recoil Reaper | ...
Link: http://www.cmgrecoilreaper.co.za

14% - Inmobiliaria al día ...
Link: http://www.noticiasinmobiliaria.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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