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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FAFC7E it is the complementary color #050381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FAFC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FAFC7E shade: #FFFC79, #FFFF8C, #FFFF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FAFC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FAFC7E shade: #FAFC7E, #E9EA6B, #D8D858, #C7C645 and #B6B432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FAFC7E shade: #FAFC7E, #FCDC7E, #FCBA7E, #FC987E and #FC7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FAFC7E shade: #FAFC7E, #D8FC7E, #B6FC7E, #94FC7E and #7EFC8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FAFC7E shade matches the following richer shades: #FAFC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FAFC7E shade: #FAFC7E, #EFF188, #E5E693, #DBDC9E and #D0D1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FAFC7E shade: #FCB97E, #FCDA7E, #FCFC7E, #DAFC7E and #B9FC7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FAFC7E shade: #F6FA2D, #F8FB55, #FAFC7E, #FBFDA6 and #FDFECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FAFC7E shade: #FAFC7E, #7EFC97 and #C97EFC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FAFC7E shade: #FAFC7E, #7EFCFC and #FC7EFC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FAFC7E shade: #FAFC7E, #7EFC97, #7E7EFC and #FC7EE2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FAFC7E shade: #FAFC7E, #7EFCBD, #7E7EFC and #FC7EBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

Complementary color

CMYK 96 / 98 / 0 / 49

HEX #050381

RGB 5 3 129

HSL 240.95, 0.95%, 0.26%

LAB 13.72, 46.63, -64.09

 

CMYK 0 / 1 / 53 / 0

HEX #FFFC79

RGB 255 252 121

HSL 58.66, 1%, 0.74%

LAB 96.93, -15.65, 62.14

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9F

RGB 255 255 159

HSL 60, 1%, 0.81%

LAB 98.15, -13.6, 45.86

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 0 / 0 / 54 / 8

HEX #E9EA6B

RGB 233 234 107

HSL 60.47, 0.75%, 0.67%

LAB 90.43, -16.69, 60.45

 

CMYK 0 / 0 / 59 / 15

HEX #D8D858

RGB 216 216 88

HSL 60, 0.62%, 0.6%

LAB 84.18, -16.08, 61.39

 

CMYK 0 / 1 / 65 / 22

HEX #C7C645

RGB 199 198 69

HSL 59.54, 0.54%, 0.53%

LAB 77.85, -15.35, 62.11

 

CMYK 0 / 1 / 73 / 29

HEX #B6B432

RGB 182 180 50

HSL 59.09, 0.57%, 0.45%

LAB 71.43, -14.47, 62.43

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 0 / 13 / 50 / 1

HEX #FCDC7E

RGB 252 220 126

HSL 44.76, 0.95%, 0.74%

LAB 88.63, -0.54, 49.91

 

CMYK 0 / 26 / 50 / 1

HEX #FCBA7E

RGB 252 186 126

HSL 28.57, 0.95%, 0.74%

LAB 80.36, 17.05, 39.62

 

CMYK 0 / 40 / 50 / 1

HEX #FC987E

RGB 252 152 126

HSL 12.38, 0.95%, 0.74%

LAB 72.67, 34.82, 29.67

 

CMYK 0 / 50 / 50 / 1

HEX #FC7E7E

RGB 252 126 126

HSL 0, 0.95%, 0.74%

LAB 67.37, 47.93, 22.6

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 14 / 0 / 50 / 1

HEX #D8FC7E

RGB 216 252 126

HSL 77.14, 0.95%, 0.74%

LAB 94.2, -30.22, 55.98

 

CMYK 28 / 0 / 50 / 1

HEX #B6FC7E

RGB 182 252 126

HSL 93.33, 0.95%, 0.74%

LAB 92.16, -42.45, 53.05

 

CMYK 41 / 0 / 50 / 1

HEX #94FC7E

RGB 148 252 126

HSL 109.52, 0.95%, 0.74%

LAB 90.52, -53.38, 50.67

 

CMYK 50 / 0 / 45 / 1

HEX #7EFC8A

RGB 126 252 138

HSL 125.71, 0.95%, 0.74%

LAB 89.81, -57.89, 43.92

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 1 / 0 / 44 / 5

HEX #EFF188

RGB 239 241 136

HSL 61.14, 0.79%, 0.74%

LAB 93.03, -15.24, 50.26

 

CMYK 0 / 0 / 36 / 10

HEX #E5E693

RGB 229 230 147

HSL 60.72, 0.62%, 0.74%

LAB 89.56, -12.52, 40.36

 

CMYK 0 / 0 / 28 / 14

HEX #DBDC9E

RGB 219 220 158

HSL 60.97, 0.47%, 0.74%

LAB 86.36, -9.98, 30.44

 

CMYK 0 / 0 / 19 / 18

HEX #D0D1A9

RGB 208 209 169

HSL 61.5, 0.3%, 0.74%

LAB 82.85, -6.96, 19.78

 

CMYK 0 / 27 / 50 / 1

HEX #FCB97E

RGB 252 185 126

HSL 28.1, 0.95%, 0.74%

LAB 80.12, 17.58, 39.32

 

CMYK 0 / 13 / 50 / 1

HEX #FCDA7E

RGB 252 218 126

HSL 43.81, 0.95%, 0.74%

LAB 88.13, 0.48, 49.3

 

CMYK 0 / 0 / 50 / 1

HEX #FCFC7E

RGB 252 252 126

HSL 60, 0.95%, 0.74%

LAB 96.75, -16.43, 59.63

 

CMYK 13 / 0 / 50 / 1

HEX #DAFC7E

RGB 218 252 126

HSL 76.19, 0.95%, 0.74%

LAB 94.33, -29.47, 56.16

 

CMYK 27 / 0 / 50 / 1

HEX #B9FC7E

RGB 185 252 126

HSL 91.9, 0.95%, 0.74%

LAB 92.33, -41.41, 53.29

 

CMYK 2 / 0 / 82 / 2

HEX #F6FA2D

RGB 246 250 45

HSL 61.17, 0.95%, 0.58%

LAB 95.23, -22.23, 86.96

 

CMYK 1 / 0 / 66 / 2

HEX #F8FB55

RGB 248 251 85

HSL 61.08, 0.95%, 0.66%

LAB 95.83, -20.31, 75.55

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 1 / 0 / 34 / 1

HEX #FBFDA6

RGB 251 253 166

HSL 61.38, 0.96%, 0.82%

LAB 97.44, -13.36, 41.47

 

CMYK 0 / 0 / 19 / 0

HEX #FDFECE

RGB 253 254 206

HSL 61.25, 0.96%, 0.9%

LAB 98.52, -7.98, 22.9

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 50 / 0 / 40 / 1

HEX #7EFC97

RGB 126 252 151

HSL 131.9, 0.95%, 0.74%

LAB 89.99, -55.95, 37.83

 

CMYK 20 / 50 / 0 / 1

HEX #C97EFC

RGB 201 126 252

HSL 275.71, 0.95%, 0.74%

LAB 65.25, 51.01, -51.78

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 50 / 0 / 0 / 1

HEX #7EFCFC

RGB 126 252 252

HSL 180, 0.95%, 0.74%

LAB 92.17, -34.99, -10.8

 

CMYK 0 / 50 / 0 / 1

HEX #FC7EFC

RGB 252 126 252

HSL 300, 0.95%, 0.74%

LAB 71.31, 64.56, -41.83

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 50 / 0 / 40 / 1

HEX #7EFC97

RGB 126 252 151

HSL 131.9, 0.95%, 0.74%

LAB 89.99, -55.95, 37.83

 

CMYK 50 / 50 / 0 / 1

HEX #7E7EFC

RGB 126 126 252

HSL 240, 0.95%, 0.74%

LAB 58.4, 32.97, -63.11

 

CMYK 0 / 50 / 10 / 1

HEX #FC7EE2

RGB 252 126 226

HSL 312.38, 0.95%, 0.74%

LAB 70.25, 60.3, -29.21

 

CMYK 1 / 0 / 50 / 1

HEX #FAFC7E

RGB 250 252 126

HSL 60.95, 0.95%, 0.74%

LAB 96.6, -17.21, 59.41

 

CMYK 50 / 0 / 25 / 1

HEX #7EFCBD

RGB 126 252 189

HSL 150, 0.95%, 0.74%

LAB 90.66, -49.22, 19.58

 

CMYK 50 / 50 / 0 / 1

HEX #7E7EFC

RGB 126 126 252

HSL 240, 0.95%, 0.74%

LAB 58.4, 32.97, -63.11

 

CMYK 0 / 50 / 25 / 1

HEX #FC7EBD

RGB 252 126 189

HSL 330, 0.95%, 0.74%

LAB 68.96, 54.92, -10.58

 

Description

Color code: HEX #FAFC7E | qconv.com Color code: HEX #FAFC7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 252 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 252 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 50 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 50% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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