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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7A43A it is the complementary color #085BC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7A43A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F7A43A: #FCA435, #FFB648, #FFC85B, #FFDA6E and #FFEC81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7A43A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F7A43A: #F7A43A, #E69227, #D58014, #C46E01 and #B35C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

Complementary color

CMYK 96 / 54 / 0 / 23

HEX #085BC5

RGB 8 91 197

HSL 213.65, 0.92%, 0.4%

LAB 40.52, 19.95, -61.18

 

CMYK 0 / 35 / 79 / 1

HEX #FCA435

RGB 252 164 53

HSL 33.47, 0.97%, 0.6%

LAB 74.51, 24.14, 66.77

 

CMYK 0 / 29 / 72 / 0

HEX #FFB648

RGB 255 182 72

HSL 36.07, 1%, 0.64%

LAB 79.15, 16.74, 63.91

 

CMYK 0 / 22 / 64 / 0

HEX #FFC85B

RGB 255 200 91

HSL 39.88, 1%, 0.68%

LAB 83.61, 8.38, 60.46

 

CMYK 0 / 15 / 57 / 0

HEX #FFDA6E

RGB 255 218 110

HSL 44.69, 1%, 0.72%

LAB 88.22, 0.41, 57.05

 

CMYK 0 / 7 / 49 / 0

HEX #FFEC81

RGB 255 236 129

HSL 50.95, 1%, 0.75%

LAB 92.94, -7.14, 53.77

 

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

CMYK 0 / 37 / 83 / 10

HEX #E69227

RGB 230 146 39

HSL 33.61, 0.79%, 0.53%

LAB 67.67, 24.01, 64.59

 

CMYK 0 / 40 / 91 / 16

HEX #D58014

RGB 213 128 20

HSL 33.58, 0.83%, 0.46%

LAB 61.34, 26, 64.08

 

CMYK 0 / 44 / 99 / 23

HEX #C46E01

RGB 196 110 1

HSL 33.54, 0.99%, 0.39%

LAB 54.96, 28.2, 62.25

 

CMYK 0 / 49 / 100 / 30

HEX #B35C00

RGB 179 92 0

HSL 30.84, 1%, 0.35%

LAB 48.56, 30.66, 57.29

 

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

CMYK 0 / 22 / 76 / 4

HEX #F6C13B

RGB 246 193 59

HSL 42.99, 0.91%, 0.6%

LAB 80.77, 6.68, 70.18

 

CMYK 0 / 9 / 76 / 4

HEX #F6E03B

RGB 246 224 59

HSL 52.94, 0.91%, 0.6%

LAB 88.55, -9.12, 77.38

 

CMYK 4 / 0 / 76 / 4

HEX #EDF63B

RGB 237 246 59

HSL 62.89, 0.91%, 0.6%

LAB 93.55, -23.55, 81.66

 

CMYK 16 / 0 / 76 / 4

HEX #CEF63B

RGB 206 246 59

HSL 72.83, 0.91%, 0.6%

LAB 91.39, -35.9, 78.89

 

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

CMYK 0 / 33 / 77 / 83

HEX #2B1D0A

RGB 43 29 10

HSL 34.55, 0.62%, 0.1%

LAB 12.05, 4.23, 13.89

 

CMYK 0 / 34 / 77 / 63

HEX #5E3E16

RGB 94 62 22

HSL 33.33, 0.62%, 0.23%

LAB 29.11, 9.84, 29.28

 

CMYK 0 / 34 / 77 / 43

HEX #916022

RGB 145 96 34

HSL 33.51, 0.62%, 0.35%

LAB 44.94, 14.24, 41.72

 

CMYK 0 / 34 / 77 / 23

HEX #C4822E

RGB 196 130 46

HSL 33.6, 0.62%, 0.47%

LAB 59.8, 18.35, 53.23

 

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

CMYK 57 / 0 / 76 / 4

HEX #6AF63B

RGB 106 246 59

HSL 104.92, 0.91%, 0.6%

LAB 86.65, -68.73, 72.73

 

CMYK 65 / 76 / 0 / 4

HEX #573BF6

RGB 87 59 246

HSL 248.98, 0.91%, 0.6%

LAB 40.91, 62.3, -88.39

 

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

CMYK 76 / 0 / 34 / 4

HEX #3BF6A2

RGB 59 246 162

HSL 153.05, 0.91%, 0.6%

LAB 86.73, -64.13, 27.69

 

CMYK 34 / 76 / 0 / 4

HEX #A23BF6

RGB 162 59 246

HSL 273.05, 0.91%, 0.6%

LAB 48.84, 72.3, -75.08

 

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

CMYK 57 / 0 / 76 / 4

HEX #6AF63B

RGB 106 246 59

HSL 104.92, 0.91%, 0.6%

LAB 86.65, -68.73, 72.73

 

CMYK 76 / 42 / 0 / 4

HEX #3B8FF6

RGB 59 143 246

HSL 213.05, 0.91%, 0.6%

LAB 59.19, 9.65, -58.73

 

CMYK 19 / 76 / 0 / 4

HEX #C73BF6

RGB 199 59 246

HSL 284.92, 0.91%, 0.6%

LAB 53.95, 78.59, -66.56

 

CMYK 0 / 34 / 77 / 3

HEX #F7A43A

RGB 247 164 58

HSL 33.65, 0.92%, 0.6%

LAB 73.95, 22.25, 64.13

 

CMYK 76 / 0 / 72 / 4

HEX #3BF644

RGB 59 246 68

HSL 122.89, 0.91%, 0.6%

LAB 85.63, -76.98, 68.47

 

CMYK 76 / 42 / 0 / 4

HEX #3B8FF6

RGB 59 143 246

HSL 213.05, 0.91%, 0.6%

LAB 59.19, 9.65, -58.73

 

CMYK 0 / 76 / 4 / 4

HEX #F63BED

RGB 246 59 237

HSL 302.89, 0.91%, 0.6%

LAB 60.64, 85.97, -50.42

 

Description

Color code: HEX #F7A43A | qconv.com Color code: HEX #F7A43A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 164 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 164 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 77 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 77% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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