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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F7913D it is the complementary color #086EC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F7913D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F7913D: #FC9138, #FFA34B, #FFB55E, #FFC771 and #FFD984

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F7913D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F7913D: #F7913D, #E67F2A, #D56D17, #C45B04 and #B34900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

Complementary color

CMYK 96 / 43 / 0 / 24

HEX #086EC2

RGB 8 110 194

HSL 207.1, 0.92%, 0.4%

LAB 45.77, 6.42, -50.97

 

CMYK 0 / 42 / 78 / 1

HEX #FC9138

RGB 252 145 56

HSL 27.24, 0.97%, 0.6%

LAB 70.34, 34.11, 61.7

 

CMYK 0 / 36 / 71 / 0

HEX #FFA34B

RGB 255 163 75

HSL 29.33, 1%, 0.65%

LAB 74.8, 26.8, 58.11

 

CMYK 0 / 29 / 63 / 0

HEX #FFB55E

RGB 255 181 94

HSL 32.42, 1%, 0.68%

LAB 79.11, 18.46, 54.06

 

CMYK 0 / 22 / 56 / 0

HEX #FFC771

RGB 255 199 113

HSL 36.34, 1%, 0.72%

LAB 83.6, 10.4, 50.19

 

CMYK 0 / 15 / 48 / 0

HEX #FFD984

RGB 255 217 132

HSL 41.46, 1%, 0.76%

LAB 88.23, 2.72, 46.56

 

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

CMYK 0 / 45 / 82 / 10

HEX #E67F2A

RGB 230 127 42

HSL 27.13, 0.79%, 0.53%

LAB 63.48, 34.09, 59.86

 

CMYK 0 / 49 / 89 / 16

HEX #D56D17

RGB 213 109 23

HSL 27.16, 0.81%, 0.46%

LAB 57.22, 36.06, 60.19

 

CMYK 0 / 54 / 98 / 23

HEX #C45B04

RGB 196 91 4

HSL 27.19, 0.96%, 0.39%

LAB 50.95, 38.17, 59.14

 

CMYK 0 / 59 / 100 / 30

HEX #B34900

RGB 179 73 0

HSL 24.47, 1%, 0.35%

LAB 44.73, 40.38, 55.07

 

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

CMYK 0 / 29 / 76 / 4

HEX #F6AE3B

RGB 246 174 59

HSL 36.9, 0.91%, 0.6%

LAB 76.18, 16.61, 65.84

 

CMYK 0 / 16 / 76 / 4

HEX #F6CE3B

RGB 246 206 59

HSL 47.17, 0.91%, 0.6%

LAB 83.99, -0.03, 73.18

 

CMYK 0 / 4 / 76 / 4

HEX #F6ED3B

RGB 246 237 59

HSL 57.11, 0.91%, 0.6%

LAB 91.9, -15.53, 80.43

 

CMYK 9 / 0 / 76 / 4

HEX #E0F63B

RGB 224 246 59

HSL 67.06, 0.91%, 0.6%

LAB 92.61, -28.79, 80.45

 

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

CMYK 0 / 42 / 74 / 83

HEX #2B190B

RGB 43 25 11

HSL 26.25, 0.59%, 0.11%

LAB 10.8, 7.18, 11.74

 

CMYK 0 / 41 / 76 / 63

HEX #5E3717

RGB 94 55 23

HSL 27.04, 0.61%, 0.23%

LAB 27.22, 14.28, 26.73

 

CMYK 0 / 41 / 75 / 43

HEX #915524

RGB 145 85 36

HSL 26.97, 0.6%, 0.35%

LAB 42.22, 20.7, 37.99

 

CMYK 0 / 41 / 76 / 23

HEX #C47330

RGB 196 115 48

HSL 27.16, 0.61%, 0.48%

LAB 56.3, 26.63, 48.89

 

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

CMYK 50 / 0 / 76 / 4

HEX #7CF63B

RGB 124 246 59

HSL 99.14, 0.91%, 0.6%

LAB 87.25, -64.02, 73.51

 

CMYK 72 / 76 / 0 / 4

HEX #443BF6

RGB 68 59 246

HSL 242.89, 0.91%, 0.6%

LAB 39.6, 60.61, -90.6

 

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

CMYK 76 / 0 / 42 / 4

HEX #3BF68F

RGB 59 246 143

HSL 146.95, 0.91%, 0.6%

LAB 86.42, -67.64, 36.79

 

CMYK 42 / 76 / 0 / 4

HEX #8F3BF6

RGB 143 59 246

HSL 266.95, 0.91%, 0.6%

LAB 46.47, 69.35, -79.04

 

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

CMYK 50 / 0 / 76 / 4

HEX #7CF63B

RGB 124 246 59

HSL 99.14, 0.91%, 0.6%

LAB 87.25, -64.02, 73.51

 

CMYK 76 / 34 / 0 / 4

HEX #3BA2F6

RGB 59 162 246

HSL 206.95, 0.91%, 0.6%

LAB 64.5, -1.5, -50.27

 

CMYK 26 / 76 / 0 / 4

HEX #B53BF6

RGB 181 59 246

HSL 279.14, 0.91%, 0.6%

LAB 51.39, 75.45, -70.82

 

CMYK 0 / 41 / 75 / 3

HEX #F7913D

RGB 247 145 61

HSL 27.1, 0.92%, 0.6%

LAB 69.73, 32.29, 58.77

 

CMYK 72 / 0 / 76 / 4

HEX #44F63B

RGB 68 246 59

HSL 117.11, 0.91%, 0.6%

LAB 85.73, -76.31, 71.53

 

CMYK 76 / 34 / 0 / 4

HEX #3BA2F6

RGB 59 162 246

HSL 206.95, 0.91%, 0.6%

LAB 64.5, -1.5, -50.27

 

CMYK 4 / 76 / 0 / 4

HEX #ED3BF6

RGB 237 59 246

HSL 297.11, 0.91%, 0.6%

LAB 59.7, 85.59, -57.02

 

Description

Color code: HEX #F7913D | qconv.com Color code: HEX #F7913D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 145 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 145 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 75 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 75% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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