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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6F32E it is the complementary color #090CD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6F32E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F6F32E: #FBF329, #FFFF3C, #FFFF4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6F32E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F6F32E: #F6F32E, #E5E11B, #D4CF08, #C3BD00 and #B2AB00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

Complementary color

CMYK 96 / 94 / 0 / 18

HEX #090CD1

RGB 9 12 209

HSL 239.1, 0.92%, 0.43%

LAB 26.52, 65.83, -91.25

 

CMYK 0 / 3 / 84 / 2

HEX #FBF329

RGB 251 243 41

HSL 57.71, 0.96%, 0.57%

LAB 93.78, -16.92, 86.79

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

CMYK 0 / 2 / 88 / 10

HEX #E5E11B

RGB 229 225 27

HSL 58.81, 0.8%, 0.5%

LAB 87.28, -17.62, 83.46

 

CMYK 0 / 2 / 96 / 17

HEX #D4CF08

RGB 212 207 8

HSL 58.53, 0.93%, 0.43%

LAB 81.09, -16.21, 80.48

 

CMYK 0 / 3 / 100 / 24

HEX #C3BD00

RGB 195 189 0

HSL 58.15, 1%, 0.38%

LAB 74.82, -14.6, 76.02

 

CMYK 0 / 4 / 100 / 30

HEX #B2AB00

RGB 178 171 0

HSL 57.64, 1%, 0.35%

LAB 68.45, -12.88, 70.73

 

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

CMYK 13 / 0 / 82 / 4

HEX #D7F62C

RGB 215 246 44

HSL 69.21, 0.92%, 0.57%

LAB 91.93, -32.89, 83.5

 

CMYK 26 / 0 / 82 / 4

HEX #B6F62C

RGB 182 246 44

HSL 79.01, 0.92%, 0.57%

LAB 89.88, -45.6, 80.93

 

CMYK 40 / 0 / 82 / 4

HEX #94F62C

RGB 148 246 44

HSL 89.11, 0.92%, 0.57%

LAB 88.16, -57.46, 78.75

 

CMYK 53 / 0 / 82 / 4

HEX #73F62C

RGB 115 246 44

HSL 98.91, 0.92%, 0.57%

LAB 86.87, -67.21, 77.12

 

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

CMYK 0 / 2 / 81 / 84

HEX #2A2908

RGB 42 41 8

HSL 58.24, 0.68%, 0.1%

LAB 15.98, -4.78, 19.83

 

CMYK 0 / 1 / 82 / 64

HEX #5D5C11

RGB 93 92 17

HSL 59.21, 0.69%, 0.22%

LAB 37.88, -9.16, 39.96

 

CMYK 0 / 1 / 81 / 44

HEX #908E1B

RGB 144 142 27

HSL 58.97, 0.68%, 0.34%

LAB 57.42, -12.41, 55.91

 

CMYK 0 / 1 / 82 / 24

HEX #C3C124

RGB 195 193 36

HSL 59.25, 0.69%, 0.45%

LAB 75.99, -15.99, 71.2

 

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

CMYK 82 / 0 / 67 / 4

HEX #2CF651

RGB 44 246 81

HSL 130.99, 0.92%, 0.57%

LAB 85.52, -77.59, 63.57

 

CMYK 34 / 82 / 0 / 4

HEX #A22CF6

RGB 162 44 246

HSL 275.05, 0.92%, 0.57%

LAB 47.15, 77.19, -77.83

 

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

CMYK 82 / 0 / 2 / 4

HEX #2CF6F2

RGB 44 246 242

HSL 178.81, 0.92%, 0.57%

LAB 88.38, -46.23, -11.43

 

CMYK 2 / 82 / 0 / 4

HEX #F22CF6

RGB 242 44 246

HSL 298.81, 0.92%, 0.57%

LAB 59.28, 90.02, -57.63

 

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

CMYK 82 / 0 / 67 / 4

HEX #2CF651

RGB 44 246 81

HSL 130.99, 0.92%, 0.57%

LAB 85.52, -77.59, 63.57

 

CMYK 82 / 81 / 0 / 4

HEX #2C2FF6

RGB 44 47 246

HSL 239.11, 0.92%, 0.57%

LAB 36.41, 64.85, -95.92

 

CMYK 0 / 82 / 15 / 4

HEX #F62CD1

RGB 246 44 209

HSL 310.99, 0.92%, 0.57%

LAB 58.03, 85.63, -38.73

 

CMYK 0 / 1 / 81 / 4

HEX #F6F32E

RGB 246 243 46

HSL 59.1, 0.92%, 0.57%

LAB 93.4, -18.85, 85.2

 

CMYK 82 / 0 / 43 / 4

HEX #2CF68D

RGB 44 246 141

HSL 148.81, 0.92%, 0.57%

LAB 86.19, -69.56, 37.45

 

CMYK 82 / 81 / 0 / 4

HEX #2C2FF6

RGB 44 47 246

HSL 239.11, 0.92%, 0.57%

LAB 36.41, 64.85, -95.92

 

CMYK 0 / 82 / 40 / 4

HEX #F62C94

RGB 246 44 148

HSL 329.11, 0.92%, 0.57%

LAB 55.62, 78.83, -6.99

 

Description

Color code: HEX #F6F32E | qconv.com Color code: HEX #F6F32E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 243 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 243 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 81 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 81% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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