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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F6B8C3 it is the complementary color #09473C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F6B8C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F6B8C3: #FBB8BE, #FFCAD1, #FFDCE4, #FFEEF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F6B8C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F6B8C3: #F6B8C3, #E5A6B0, #D4949D, #C3828A and #B27077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

Complementary color

CMYK 87 / 0 / 15 / 72

HEX #09473C

RGB 9 71 60

HSL 169.35, 0.78%, 0.16%

LAB 26.42, -21.71, 1.28

 

CMYK 0 / 27 / 24 / 2

HEX #FBB8BE

RGB 251 184 190

HSL 354.63, 0.89%, 0.85%

LAB 81.02, 25.06, 6.54

 

CMYK 0 / 21 / 18 / 0

HEX #FFCAD1

RGB 255 202 209

HSL 352.08, 1%, 0.9%

LAB 86.06, 19.8, 3.7

 

CMYK 0 / 14 / 11 / 0

HEX #FFDCE4

RGB 255 220 228

HSL 346.29, 1%, 0.93%

LAB 90.8, 13.37, 0.56

 

CMYK 0 / 7 / 3 / 0

HEX #FFEEF7

RGB 255 238 247

HSL 328.24, 1%, 0.97%

LAB 95.63, 7.26, -2.28

 

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

CMYK 0 / 28 / 23 / 10

HEX #E5A6B0

RGB 229 166 176

HSL 350.48, 0.55%, 0.77%

LAB 74.23, 24.64, 4.07

 

CMYK 0 / 30 / 26 / 17

HEX #D4949D

RGB 212 148 157

HSL 351.56, 0.43%, 0.71%

LAB 67.73, 25.36, 4.99

 

CMYK 0 / 33 / 29 / 24

HEX #C3828A

RGB 195 130 138

HSL 352.62, 0.35%, 0.64%

LAB 61.14, 26.16, 6

 

CMYK 0 / 37 / 33 / 30

HEX #B27077

RGB 178 112 119

HSL 353.64, 0.3%, 0.57%

LAB 54.43, 27.04, 7.13

 

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

CMYK 0 / 26 / 26 / 4

HEX #F6B6B7

RGB 246 182 183

HSL 359.06, 0.78%, 0.84%

LAB 79.88, 23.33, 8.61

 

CMYK 0 / 22 / 26 / 4

HEX #F6BFB6

RGB 246 191 182

HSL 8.44, 0.78%, 0.84%

LAB 81.96, 18.44, 12.12

 

CMYK 0 / 18 / 26 / 4

HEX #F6CAB6

RGB 246 202 182

HSL 18.75, 0.78%, 0.84%

LAB 84.59, 12.66, 15.83

 

CMYK 0 / 13 / 26 / 4

HEX #F6D5B6

RGB 246 213 182

HSL 29.06, 0.78%, 0.84%

LAB 87.27, 6.93, 19.57

 

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

CMYK 0 / 26 / 21 / 84

HEX #2A1F21

RGB 42 31 33

HSL 349.09, 0.15%, 0.14%

LAB 13.12, 5.74, 0.68

 

CMYK 0 / 25 / 20 / 64

HEX #5D464A

RGB 93 70 74

HSL 349.57, 0.14%, 0.32%

LAB 32.26, 10.55, 1.41

 

CMYK 0 / 25 / 21 / 44

HEX #906C72

RGB 144 108 114

HSL 350, 0.14%, 0.49%

LAB 49.34, 15.28, 2.24

 

CMYK 0 / 25 / 21 / 24

HEX #C3929B

RGB 195 146 155

HSL 348.98, 0.29%, 0.67%

LAB 65.38, 19.82, 2.48

 

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

CMYK 1 / 0 / 26 / 4

HEX #F4F6B6

RGB 244 246 182

HSL 61.88, 0.78%, 0.84%

LAB 95.38, -10.56, 30.66

 

CMYK 26 / 11 / 0 / 4

HEX #B6DBF6

RGB 182 219 246

HSL 205.31, 0.78%, 0.84%

LAB 85.64, -6.19, -17.17

 

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

CMYK 21 / 0 / 26 / 4

HEX #C2F6B6

RGB 194 246 182

HSL 108.75, 0.78%, 0.84%

LAB 92.02, -28.18, 25.54

 

CMYK 26 / 21 / 0 / 4

HEX #B6C2F6

RGB 182 194 246

HSL 228.75, 0.78%, 0.84%

LAB 79.15, 7.09, -27.02

 

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

CMYK 1 / 0 / 26 / 4

HEX #F4F6B6

RGB 244 246 182

HSL 61.88, 0.78%, 0.84%

LAB 95.38, -10.56, 30.66

 

CMYK 26 / 0 / 5 / 4

HEX #B6F6EA

RGB 182 246 234

HSL 168.75, 0.78%, 0.84%

LAB 92.49, -22.4, -0.72

 

CMYK 26 / 26 / 0 / 4

HEX #B7B6F6

RGB 183 182 246

HSL 240.94, 0.78%, 0.84%

LAB 76.18, 13.94, -31.57

 

CMYK 0 / 25 / 21 / 4

HEX #F6B8C3

RGB 246 184 195

HSL 349.35, 0.78%, 0.84%

LAB 80.64, 23.98, 3.23

 

CMYK 9 / 0 / 26 / 4

HEX #E1F6B6

RGB 225 246 182

HSL 79.69, 0.78%, 0.84%

LAB 94.01, -17.44, 28.58

 

CMYK 26 / 0 / 5 / 4

HEX #B6F6EA

RGB 182 246 234

HSL 168.75, 0.78%, 0.84%

LAB 92.49, -22.4, -0.72

 

CMYK 18 / 26 / 0 / 4

HEX #CAB6F6

RGB 202 182 246

HSL 258.75, 0.78%, 0.84%

LAB 77.68, 19.63, -29.14

 

Description

Color code: HEX #F6B8C3 | qconv.com Color code: HEX #F6B8C3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 246 red, 184 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
246 184 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 21 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 21% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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