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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5BD5F it is the complementary color #0A42A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5BD5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F5BD5F shade: #FABD5A, #FFCF6D, #FFE180, #FFF393 and #FFFFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5BD5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F5BD5F shade: #F5BD5F, #E4AB4C, #D39939, #C28726 and #B17513

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F5BD5F shade: #F5BE61, #F59661, #F56E61 and #F56161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F5BD5F shade: #F5BE61, #F5E661, #DCF561, #B4F561 and #8CF561

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F5BD5F shade matches the following richer shades: #F5BE61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F5BD5F shade: #F5BE61, #E7BA6E, #DAB77C, #CCB38A and #BEB097

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F5BD5F shade: #F56D61, #F59561, #F5BC61, #F5E461 and #DFF561

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F5BD5F shade: #F09E13, #F2AE3A, #F5BE61, #F7CE88 and #FADEAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F5BD5F shade: #F5BD5F, #7CF561 and #8161F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F5BD5F shade: #F5BD5F, #61F5BC and #BC61F5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F5BD5F shade: #F5BD5F, #7CF561, #619AF5 and #DA61F5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F5BD5F shade: #F5BD5F, #61F572, #619AF5 and #F561E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 61 / 4

HEX #F5BD5F

RGB 245 189 95

HSL 37.6, 0.88%, 0.67%

LAB 79.97, 10.22, 54.29

 

Complementary color

CMYK 94 / 59 / 0 / 37

HEX #0A42A0

RGB 10 66 160

HSL 217.6, 0.88%, 0.33%

LAB 30.64, 21.85, -55.37

 

CMYK 0 / 24 / 64 / 2

HEX #FABD5A

RGB 250 189 90

HSL 37.13, 0.94%, 0.67%

LAB 80.44, 11.97, 57.26

 

CMYK 0 / 19 / 57 / 0

HEX #FFCF6D

RGB 255 207 109

HSL 40.27, 1%, 0.71%

LAB 85.5, 5.97, 54.35

 

CMYK 0 / 12 / 50 / 0

HEX #FFE180

RGB 255 225 128

HSL 45.83, 1%, 0.75%

LAB 90.17, -1.7, 50.88

 

CMYK 0 / 5 / 42 / 0

HEX #FFF393

RGB 255 243 147

HSL 53.33, 1%, 0.79%

LAB 94.94, -8.94, 47.62

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA6

RGB 255 255 166

HSL 60, 1%, 0.83%

LAB 98.25, -12.84, 42.58

 

CMYK 0 / 23 / 61 / 4

HEX #F5BD5F

RGB 245 189 95

HSL 37.6, 0.88%, 0.67%

LAB 79.97, 10.22, 54.29

 

CMYK 0 / 25 / 67 / 11

HEX #E4AB4C

RGB 228 171 76

HSL 37.5, 0.74%, 0.6%

LAB 73.64, 11.42, 55.51

 

CMYK 0 / 27 / 73 / 17

HEX #D39939

RGB 211 153 57

HSL 37.4, 0.64%, 0.53%

LAB 67.22, 12.81, 56.55

 

CMYK 0 / 30 / 80 / 24

HEX #C28726

RGB 194 135 38

HSL 37.31, 0.67%, 0.45%

LAB 60.73, 14.42, 57.16

 

CMYK 0 / 34 / 89 / 31

HEX #B17513

RGB 177 117 19

HSL 37.22, 0.81%, 0.38%

LAB 54.15, 16.31, 56.83

 

CMYK 0 / 22 / 60 / 4

HEX #F5BE61

RGB 245 190 97

HSL 37.7, 0.88%, 0.67%

LAB 80.24, 9.84, 53.65

 

CMYK 0 / 39 / 60 / 4

HEX #F59661

RGB 245 150 97

HSL 21.49, 0.88%, 0.67%

LAB 70.93, 30.85, 42.7

 

CMYK 0 / 55 / 60 / 4

HEX #F56E61

RGB 245 110 97

HSL 5.27, 0.88%, 0.67%

LAB 62.87, 50.88, 32.72

 

CMYK 0 / 60 / 60 / 4

HEX #F56161

RGB 245 97 97

HSL 0, 0.88%, 0.67%

LAB 60.63, 56.76, 29.87

 

CMYK 0 / 22 / 60 / 4

HEX #F5BE61

RGB 245 190 97

HSL 37.7, 0.88%, 0.67%

LAB 80.24, 9.84, 53.65

 

CMYK 0 / 6 / 60 / 4

HEX #F5E661

RGB 245 230 97

HSL 53.92, 0.88%, 0.67%

LAB 90.26, -10.59, 64.87

 

CMYK 10 / 0 / 60 / 4

HEX #DCF561

RGB 220 245 97

HSL 70.14, 0.88%, 0.67%

LAB 92.3, -27.83, 66.54

 

CMYK 27 / 0 / 60 / 4

HEX #B4F561

RGB 180 245 97

HSL 86.35, 0.88%, 0.67%

LAB 89.8, -42.86, 63.08

 

CMYK 43 / 0 / 60 / 4

HEX #8CF561

RGB 140 245 97

HSL 102.57, 0.88%, 0.67%

LAB 87.84, -56.11, 60.36

 

CMYK 0 / 22 / 60 / 4

HEX #F5BE61

RGB 245 190 97

HSL 37.7, 0.88%, 0.67%

LAB 80.24, 9.84, 53.65

 

CMYK 0 / 22 / 60 / 4

HEX #F5BE61

RGB 245 190 97

HSL 37.7, 0.88%, 0.67%

LAB 80.24, 9.84, 53.65

 

CMYK 0 / 19 / 52 / 9

HEX #E7BA6E

RGB 231 186 110

HSL 37.69, 0.72%, 0.67%

LAB 78.01, 7.17, 44.35

 

CMYK 0 / 16 / 43 / 15

HEX #DAB77C

RGB 218 183 124

HSL 37.66, 0.56%, 0.67%

LAB 76.21, 4.79, 34.65

 

CMYK 0 / 12 / 32 / 20

HEX #CCB38A

RGB 204 179 138

HSL 37.27, 0.39%, 0.67%

LAB 74.13, 2.94, 24.26

 

CMYK 0 / 7 / 21 / 25

HEX #BEB097

RGB 190 176 151

HSL 38.46, 0.23%, 0.67%

LAB 72.38, 0.92, 14.62

 

CMYK 0 / 56 / 60 / 4

HEX #F56D61

RGB 245 109 97

HSL 4.86, 0.88%, 0.67%

LAB 62.69, 51.34, 32.49

 

CMYK 0 / 39 / 60 / 4

HEX #F59561

RGB 245 149 97

HSL 21.08, 0.88%, 0.67%

LAB 70.71, 31.37, 42.43

 

CMYK 0 / 23 / 60 / 4

HEX #F5BC61

RGB 245 188 97

HSL 36.89, 0.88%, 0.67%

LAB 79.75, 10.88, 53.09

 

CMYK 0 / 7 / 60 / 4

HEX #F5E461

RGB 245 228 97

HSL 53.11, 0.88%, 0.67%

LAB 89.75, -9.6, 64.31

 

CMYK 9 / 0 / 60 / 4

HEX #DFF561

RGB 223 245 97

HSL 68.92, 0.88%, 0.67%

LAB 92.51, -26.66, 66.83

 

CMYK 0 / 34 / 92 / 6

HEX #F09E13

RGB 240 158 19

HSL 37.74, 0.88%, 0.51%

LAB 71.57, 21.48, 73.32

 

CMYK 0 / 28 / 76 / 5

HEX #F2AE3A

RGB 242 174 58

HSL 37.83, 0.88%, 0.59%

LAB 75.73, 14.89, 65.64

 

CMYK 0 / 22 / 60 / 4

HEX #F5BE61

RGB 245 190 97

HSL 37.7, 0.88%, 0.67%

LAB 80.24, 9.84, 53.65

 

CMYK 0 / 17 / 45 / 3

HEX #F7CE88

RGB 247 206 136

HSL 37.84, 0.87%, 0.75%

LAB 84.84, 5.57, 40.13

 

CMYK 0 / 11 / 30 / 2

HEX #FADEAE

RGB 250 222 174

HSL 37.89, 0.88%, 0.83%

LAB 89.68, 2.75, 27.11

 

CMYK 0 / 23 / 61 / 4

HEX #F5BD5F

RGB 245 189 95

HSL 37.6, 0.88%, 0.67%

LAB 79.97, 10.22, 54.29

 

CMYK 49 / 0 / 60 / 4

HEX #7CF561

RGB 124 245 97

HSL 109.05, 0.88%, 0.67%

LAB 87.22, -60.71, 59.48

 

CMYK 47 / 60 / 0 / 4

HEX #8161F5

RGB 129 97 245

HSL 252.97, 0.88%, 0.67%

LAB 51.62, 48.24, -70.16

 

CMYK 0 / 23 / 61 / 4

HEX #F5BD5F

RGB 245 189 95

HSL 37.6, 0.88%, 0.67%

LAB 79.97, 10.22, 54.29

 

CMYK 60 / 0 / 23 / 4

HEX #61F5BC

RGB 97 245 188

HSL 156.89, 0.88%, 0.67%

LAB 87.72, -52.62, 15.85

 

CMYK 23 / 60 / 0 / 4

HEX #BC61F5

RGB 188 97 245

HSL 276.89, 0.88%, 0.67%

LAB 57.88, 60.86, -59.75

 

CMYK 0 / 23 / 61 / 4

HEX #F5BD5F

RGB 245 189 95

HSL 37.6, 0.88%, 0.67%

LAB 79.97, 10.22, 54.29

 

CMYK 49 / 0 / 60 / 4

HEX #7CF561

RGB 124 245 97

HSL 109.05, 0.88%, 0.67%

LAB 87.22, -60.71, 59.48

 

CMYK 60 / 37 / 0 / 4

HEX #619AF5

RGB 97 154 245

HSL 216.89, 0.88%, 0.67%

LAB 63.54, 8.44, -51.16

 

CMYK 11 / 60 / 0 / 4

HEX #DA61F5

RGB 218 97 245

HSL 289.05, 0.88%, 0.67%

LAB 61.7, 67.84, -53.44

 

CMYK 0 / 23 / 61 / 4

HEX #F5BD5F

RGB 245 189 95

HSL 37.6, 0.88%, 0.67%

LAB 79.97, 10.22, 54.29

 

CMYK 60 / 0 / 53 / 4

HEX #61F572

RGB 97 245 114

HSL 126.89, 0.88%, 0.67%

LAB 86.53, -65.34, 50.96

 

CMYK 60 / 37 / 0 / 4

HEX #619AF5

RGB 97 154 245

HSL 216.89, 0.88%, 0.67%

LAB 63.54, 8.44, -51.16

 

CMYK 0 / 60 / 7 / 4

HEX #F561E4

RGB 245 97 228

HSL 306.89, 0.88%, 0.67%

LAB 64.61, 71.53, -39.14

 

Description

Color code: HEX #F5BD5F | qconv.com Color code: HEX #F5BD5F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 189 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 189 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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