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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5A92B it is the complementary color #0A56D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5A92B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F5A92B: #FAA926, #FFBB39, #FFCD4C, #FFDF5F and #FFF172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5A92B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F5A92B: #F5A92B, #E49718, #D38505, #C27300 and #B16100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

Complementary color

CMYK 95 / 59 / 0 / 17

HEX #0A56D4

RGB 10 86 212

HSL 217.43, 0.91%, 0.44%

LAB 40.37, 29.25, -70.08

 

CMYK 0 / 32 / 85 / 2

HEX #FAA926

RGB 250 169 38

HSL 37.08, 0.95%, 0.56%

LAB 75.35, 20.26, 72.31

 

CMYK 0 / 27 / 78 / 0

HEX #FFBB39

RGB 255 187 57

HSL 39.39, 1%, 0.61%

LAB 80.23, 13.52, 70.72

 

CMYK 0 / 20 / 70 / 0

HEX #FFCD4C

RGB 255 205 76

HSL 43.24, 1%, 0.65%

LAB 84.71, 5, 67.93

 

CMYK 0 / 13 / 63 / 0

HEX #FFDF5F

RGB 255 223 95

HSL 48, 1%, 0.69%

LAB 89.33, -3.13, 64.95

 

CMYK 0 / 5 / 55 / 0

HEX #FFF172

RGB 255 241 114

HSL 54.04, 1%, 0.72%

LAB 94.05, -10.81, 61.94

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

CMYK 0 / 34 / 89 / 11

HEX #E49718

RGB 228 151 24

HSL 37.35, 0.81%, 0.49%

LAB 68.53, 20.16, 69.4

 

CMYK 0 / 37 / 98 / 17

HEX #D38505

RGB 211 133 5

HSL 37.28, 0.95%, 0.42%

LAB 62.2, 22.27, 67.26

 

CMYK 0 / 41 / 100 / 24

HEX #C27300

RGB 194 115 0

HSL 35.57, 1%, 0.38%

LAB 55.82, 24.63, 62.85

 

CMYK 0 / 45 / 100 / 31

HEX #B16100

RGB 177 97 0

HSL 32.88, 1%, 0.35%

LAB 49.37, 27.1, 57.63

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

CMYK 0 / 18 / 84 / 4

HEX #F4C828

RGB 244 200 40

HSL 47.06, 0.9%, 0.56%

LAB 82.21, 1.6, 77.19

 

CMYK 0 / 4 / 84 / 4

HEX #F4EA28

RGB 244 234 40

HSL 57.06, 0.9%, 0.56%

LAB 90.89, -15.47, 84.38

 

CMYK 9 / 0 / 84 / 4

HEX #DDF428

RGB 221 244 40

HSL 66.76, 0.9%, 0.56%

LAB 91.79, -29.68, 84.42

 

CMYK 23 / 0 / 84 / 4

HEX #BBF428

RGB 187 244 40

HSL 76.76, 0.9%, 0.56%

LAB 89.59, -42.99, 81.69

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

CMYK 0 / 32 / 83 / 84

HEX #291C07

RGB 41 28 7

HSL 37.06, 0.71%, 0.09%

LAB 11.4, 3.54, 14.17

 

CMYK 0 / 32 / 83 / 64

HEX #5C3F10

RGB 92 63 16

HSL 37.11, 0.7%, 0.21%

LAB 29.08, 7.89, 32.11

 

CMYK 0 / 31 / 83 / 44

HEX #8F6319

RGB 143 99 25

HSL 37.63, 0.7%, 0.33%

LAB 45.41, 11.2, 45.86

 

CMYK 0 / 31 / 82 / 24

HEX #C28622

RGB 194 134 34

HSL 37.5, 0.7%, 0.45%

LAB 60.46, 14.84, 58.33

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

CMYK 68 / 0 / 84 / 4

HEX #4EF428

RGB 78 244 40

HSL 108.82, 0.9%, 0.56%

LAB 85.24, -75.02, 76.2

 

CMYK 66 / 84 / 0 / 4

HEX #5428F4

RGB 84 40 244

HSL 252.94, 0.9%, 0.56%

LAB 37.72, 69.47, -92.54

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

CMYK 84 / 0 / 32 / 4

HEX #28F4A6

RGB 40 244 166

HSL 157.06, 0.9%, 0.56%

LAB 85.96, -64.45, 24.57

 

CMYK 32 / 84 / 0 / 4

HEX #A628F4

RGB 166 40 244

HSL 277.06, 0.9%, 0.56%

LAB 47.18, 78.44, -76.64

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

CMYK 68 / 0 / 84 / 4

HEX #4EF428

RGB 78 244 40

HSL 108.82, 0.9%, 0.56%

LAB 85.24, -75.02, 76.2

 

CMYK 84 / 52 / 0 / 4

HEX #2876F4

RGB 40 118 244

HSL 217.06, 0.9%, 0.56%

LAB 51.77, 22.52, -69.59

 

CMYK 15 / 84 / 0 / 4

HEX #CF28F4

RGB 207 40 244

HSL 289.12, 0.9%, 0.56%

LAB 53.29, 84.63, -66.43

 

CMYK 0 / 31 / 82 / 4

HEX #F5A92B

RGB 245 169 43

HSL 37.43, 0.91%, 0.56%

LAB 74.8, 18.29, 70.12

 

CMYK 84 / 0 / 74 / 4

HEX #28F440

RGB 40 244 64

HSL 127.06, 0.9%, 0.56%

LAB 84.75, -78.82, 68.84

 

CMYK 84 / 52 / 0 / 4

HEX #2876F4

RGB 40 118 244

HSL 217.06, 0.9%, 0.56%

LAB 51.77, 22.52, -69.59

 

CMYK 0 / 84 / 9 / 4

HEX #F428DD

RGB 244 40 221

HSL 306.76, 0.9%, 0.56%

LAB 58.01, 87.61, -45.61

 

Description

Color code: HEX #F5A92B | qconv.com Color code: HEX #F5A92B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 169 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 169 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 82 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 82% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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