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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5916A it is the complementary color #0A6E95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5916A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F5916A: #FA9165, #FFA378, #FFB58B, #FFC79E and #FFD9B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5916A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F5916A: #F5916A, #E47F57, #D36D44, #C25B31 and #B1491E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

Complementary color

CMYK 93 / 26 / 0 / 42

HEX #0A6E95

RGB 10 110 149

HSL 196.83, 0.87%, 0.31%

LAB 43.34, -11.19, -28.45

 

CMYK 0 / 42 / 60 / 2

HEX #FA9165

RGB 250 145 101

HSL 17.72, 0.94%, 0.69%

LAB 70.53, 35.68, 40.27

 

CMYK 0 / 36 / 53 / 0

HEX #FFA378

RGB 255 163 120

HSL 19.11, 1%, 0.74%

LAB 75.33, 29.75, 36.41

 

CMYK 0 / 29 / 45 / 0

HEX #FFB58B

RGB 255 181 139

HSL 21.72, 1%, 0.77%

LAB 79.71, 22.07, 32.08

 

CMYK 0 / 22 / 38 / 0

HEX #FFC79E

RGB 255 199 158

HSL 25.36, 1%, 0.81%

LAB 84.26, 14.65, 28.17

 

CMYK 0 / 15 / 31 / 0

HEX #FFD9B1

RGB 255 217 177

HSL 30.77, 1%, 0.85%

LAB 88.95, 7.58, 24.63

 

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

CMYK 0 / 44 / 62 / 11

HEX #E47F57

RGB 228 127 87

HSL 17.02, 0.72%, 0.62%

LAB 63.64, 35.45, 38.61

 

CMYK 0 / 48 / 68 / 17

HEX #D36D44

RGB 211 109 68

HSL 17.2, 0.62%, 0.55%

LAB 57.27, 36.92, 40.61

 

CMYK 0 / 53 / 75 / 24

HEX #C25B31

RGB 194 91 49

HSL 17.38, 0.6%, 0.48%

LAB 50.89, 38.51, 42.73

 

CMYK 0 / 59 / 83 / 31

HEX #B1491E

RGB 177 73 30

HSL 17.55, 0.71%, 0.41%

LAB 44.53, 40.17, 44.79

 

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

CMYK 0 / 32 / 56 / 4

HEX #F4A66B

RGB 244 166 107

HSL 25.84, 0.86%, 0.69%

LAB 74.55, 22.78, 41.93

 

CMYK 0 / 23 / 56 / 4

HEX #F4BD6B

RGB 244 189 107

HSL 35.91, 0.86%, 0.69%

LAB 80, 10.67, 48.55

 

CMYK 0 / 13 / 56 / 4

HEX #F4D46B

RGB 244 212 107

HSL 45.99, 0.86%, 0.69%

LAB 85.7, -1.23, 55.25

 

CMYK 0 / 4 / 56 / 4

HEX #F4EB6B

RGB 244 235 107

HSL 56.06, 0.86%, 0.69%

LAB 91.56, -12.78, 61.96

 

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

CMYK 0 / 41 / 56 / 84

HEX #291812

RGB 41 24 18

HSL 15.65, 0.39%, 0.12%

LAB 10.32, 7.64, 7.4

 

CMYK 0 / 41 / 57 / 64

HEX #5C3628

RGB 92 54 40

HSL 16.15, 0.39%, 0.26%

LAB 26.92, 15.34, 15.95

 

CMYK 0 / 41 / 57 / 44

HEX #8F553E

RGB 143 85 62

HSL 17.04, 0.4%, 0.4%

LAB 42.28, 21.63, 23.58

 

CMYK 0 / 41 / 57 / 24

HEX #C27354

RGB 194 115 84

HSL 16.91, 0.47%, 0.55%

LAB 56.46, 28.04, 30.36

 

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

CMYK 26 / 0 / 56 / 4

HEX #B4F46B

RGB 180 244 107

HSL 88.03, 0.86%, 0.69%

LAB 89.61, -41.55, 58.58

 

CMYK 56 / 49 / 0 / 4

HEX #6B7DF4

RGB 107 125 244

HSL 232.12, 0.86%, 0.69%

LAB 56.41, 27.28, -61.95

 

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

CMYK 56 / 0 / 41 / 4

HEX #6BF48F

RGB 107 244 143

HSL 135.77, 0.86%, 0.69%

LAB 86.9, -58.61, 37.63

 

CMYK 41 / 56 / 0 / 4

HEX #8F6BF4

RGB 143 107 244

HSL 255.77, 0.86%, 0.69%

LAB 54.96, 45.28, -64.15

 

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

CMYK 26 / 0 / 56 / 4

HEX #B4F46B

RGB 180 244 107

HSL 88.03, 0.86%, 0.69%

LAB 89.61, -41.55, 58.58

 

CMYK 56 / 15 / 0 / 4

HEX #6BD0F4

RGB 107 208 244

HSL 195.77, 0.86%, 0.69%

LAB 78.91, -19.54, -26.66

 

CMYK 30 / 56 / 0 / 4

HEX #AB6BF4

RGB 171 107 244

HSL 268.03, 0.86%, 0.69%

LAB 57.76, 51.66, -59.5

 

CMYK 0 / 41 / 57 / 4

HEX #F5916A

RGB 245 145 106

HSL 16.83, 0.87%, 0.69%

LAB 69.97, 34.1, 36.78

 

CMYK 43 / 0 / 56 / 4

HEX #8BF46B

RGB 139 244 107

HSL 105.99, 0.86%, 0.69%

LAB 87.61, -55.01, 55.75

 

CMYK 56 / 15 / 0 / 4

HEX #6BD0F4

RGB 107 208 244

HSL 195.77, 0.86%, 0.69%

LAB 78.91, -19.54, -26.66

 

CMYK 13 / 56 / 0 / 4

HEX #D46BF4

RGB 212 107 244

HSL 285.99, 0.86%, 0.69%

LAB 62.54, 61.65, -51.59

 

Description

Color code: HEX #F5916A | qconv.com Color code: HEX #F5916A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 145 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 145 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 57 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 57% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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