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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F5821F it is the complementary color #0A7DE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F5821F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F5821F: #FA821A, #FF942D, #FFA640, #FFB853 and #FFCA66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F5821F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F5821F: #F5821F, #E4700C, #D35E00, #C24C00 and #B13A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

Complementary color

CMYK 96 / 44 / 0 / 12

HEX #0A7DE0

RGB 10 125 224

HSL 207.76, 0.91%, 0.46%

LAB 51.97, 8.9, -58.1

 

CMYK 0 / 48 / 90 / 2

HEX #FA821A

RGB 250 130 26

HSL 27.86, 0.96%, 0.54%

LAB 66.8, 40.16, 68.88

 

CMYK 0 / 42 / 82 / 0

HEX #FF942D

RGB 255 148 45

HSL 29.43, 1%, 0.59%

LAB 71.3, 33.43, 66.91

 

CMYK 0 / 35 / 75 / 0

HEX #FFA640

RGB 255 166 64

HSL 32.04, 1%, 0.63%

LAB 75.39, 24.75, 63.45

 

CMYK 0 / 28 / 67 / 0

HEX #FFB853

RGB 255 184 83

HSL 35.23, 1%, 0.66%

LAB 79.71, 16.25, 59.77

 

CMYK 0 / 21 / 60 / 0

HEX #FFCA66

RGB 255 202 102

HSL 39.22, 1%, 0.7%

LAB 84.2, 8.05, 56.12

 

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

CMYK 0 / 51 / 95 / 11

HEX #E4700C

RGB 228 112 12

HSL 27.78, 0.9%, 0.47%

LAB 59.99, 40.34, 65.78

 

CMYK 0 / 55 / 100 / 17

HEX #D35E00

RGB 211 94 0

HSL 26.73, 1%, 0.41%

LAB 53.87, 42.51, 62.94

 

CMYK 0 / 61 / 100 / 24

HEX #C24C00

RGB 194 76 0

HSL 23.51, 1%, 0.38%

LAB 47.8, 44.64, 58.1

 

CMYK 0 / 67 / 100 / 31

HEX #B13A00

RGB 177 58 0

HSL 19.66, 1%, 0.35%

LAB 41.8, 46.47, 53.34

 

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

CMYK 0 / 34 / 88 / 4

HEX #F4A21E

RGB 244 162 30

HSL 37.01, 0.91%, 0.54%

LAB 73, 21.24, 72.25

 

CMYK 0 / 19 / 88 / 4

HEX #F4C61E

RGB 244 198 30

HSL 47.1, 0.91%, 0.54%

LAB 81.68, 2.41, 79.06

 

CMYK 0 / 5 / 88 / 4

HEX #F4E91E

RGB 244 233 30

HSL 56.92, 0.91%, 0.54%

LAB 90.6, -15.2, 86.09

 

CMYK 10 / 0 / 88 / 4

HEX #DBF41E

RGB 219 244 30

HSL 67.01, 0.91%, 0.54%

LAB 91.62, -30.72, 86.11

 

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

CMYK 0 / 46 / 88 / 84

HEX #291605

RGB 41 22 5

HSL 28.33, 0.78%, 0.09%

LAB 9.45, 7.65, 12.25

 

CMYK 0 / 47 / 87 / 64

HEX #5C310C

RGB 92 49 12

HSL 27.75, 0.77%, 0.2%

LAB 25.26, 16.48, 30.35

 

CMYK 0 / 47 / 87 / 44

HEX #8F4C12

RGB 143 76 18

HSL 27.84, 0.78%, 0.32%

LAB 39.67, 24.24, 43.51

 

CMYK 0 / 47 / 87 / 24

HEX #C26719

RGB 194 103 25

HSL 27.69, 0.77%, 0.43%

LAB 53.21, 31.47, 55.25

 

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

CMYK 57 / 0 / 88 / 4

HEX #69F41E

RGB 105 244 30

HSL 98.97, 0.91%, 0.54%

LAB 85.91, -69.58, 79.04

 

CMYK 83 / 88 / 0 / 4

HEX #291EF4

RGB 41 30 244

HSL 243.08, 0.91%, 0.54%

LAB 33.84, 70.74, -99.08

 

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

CMYK 88 / 0 / 48 / 4

HEX #1EF47F

RGB 30 244 127

HSL 147.2, 0.91%, 0.54%

LAB 85.26, -72.3, 43.03

 

CMYK 48 / 88 / 0 / 4

HEX #7F1EF4

RGB 127 30 244

HSL 267.2, 0.91%, 0.54%

LAB 41.17, 76.24, -86.7

 

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

CMYK 57 / 0 / 88 / 4

HEX #69F41E

RGB 105 244 30

HSL 98.97, 0.91%, 0.54%

LAB 85.91, -69.58, 79.04

 

CMYK 88 / 39 / 0 / 4

HEX #1E94F4

RGB 30 148 244

HSL 206.92, 0.91%, 0.54%

LAB 59.88, 3.46, -56.56

 

CMYK 31 / 88 / 0 / 4

HEX #A91EF4

RGB 169 30 244

HSL 278.97, 0.91%, 0.54%

LAB 46.84, 81.13, -77.18

 

CMYK 0 / 47 / 87 / 4

HEX #F5821F

RGB 245 130 31

HSL 27.76, 0.91%, 0.54%

LAB 66.12, 38.28, 66.65

 

CMYK 83 / 0 / 88 / 4

HEX #29F41E

RGB 41 244 30

HSL 116.92, 0.91%, 0.54%

LAB 84.62, -80.52, 77.43

 

CMYK 88 / 39 / 0 / 4

HEX #1E94F4

RGB 30 148 244

HSL 206.92, 0.91%, 0.54%

LAB 59.88, 3.46, -56.56

 

CMYK 5 / 88 / 0 / 4

HEX #E91EF4

RGB 233 30 244

HSL 296.92, 0.91%, 0.54%

LAB 56.86, 90.62, -60.47

 

Description

Color code: HEX #F5821F | qconv.com Color code: HEX #F5821F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 245 red, 130 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
245 130 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 87 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 87% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

72% - San Diego Digital Ag...
Link: http://freshform.com

89% - Bílé Stopy - aktuáln...
Link: http://bilestopy.cz

32% - Copy
Link: https://www1.copy.com

60% - 寰宇家庭-迪士尼美語世界:讓您的孩子從幼...
Link: http://q4u.worldfamily.com.tw

76% - :: Eprosoft ::
Link: http://eprosoft.com

80% - OSQcycling Fietsbroe...
Link: http://osqcycling.nl

59% - Sobre a Kroma
Link: http://www.kromaenergia.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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