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Color name
HEX #F4DDA34C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4DDA34C it is the complementary color #0B225C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4DDA34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F4DDA34C shade: #F9DD9E4C, #FFEFB14C, #FFFFC44C, #FFFFD74C and #FFFFEA4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4DDA34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F4DDA34C shade: #F4DDA34C, #E3CB904C, #D2B97D4C, #C1A76A4C and #B095574C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F4DDA34C shade: #F4DDA4, #F4C8A4, #F4B2A4 and #F4A4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F4DDA34C shade: #F4DDA4, #F4F3A4, #E0F4A4, #CAF4A4 and #B4F4A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F4DDA34C shade matches the following richer shades: #F4DDA4 and #FDE19B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F4DDA34C shade: #F4DDA4, #ECDAAC, #E4D6B4, #DCD3BC and #D3CFC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F4DDA34C shade: #F4B1A4, #F4C7A4, #F4DCA4, #F4F2A4 and #E1F4A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F4DDA34C shade: #ECC25A, #F0D07F, #F4DDA4, #F9EBC9 and #FDF9EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F4DDA34C shade: #F4DDA3, #ACF4A4 and #BCA4F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F4DDA34C shade: #F4DDA3, #A4F4DC and #DCA4F4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F4DDA34C shade: #F4DDA3, #ACF4A4, #A4BCF4 and #ECA4F4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F4DDA34C shade: #F4DDA3, #A4F4B4, #A4BCF4 and #F4A4E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 10 / 1

HEX #F4DDA34C

RGBA 244 221 163 0.3

HSLA 42.96, 0.79%, 0.8%, 0.3

LABA 88.73, -0.37, 31.4, 0.3

 

Complementary color

CMYK 26 / 19 / 0 / 19

HEX #0B225C4C

RGBA 11 34 92 0.3

HSLA 222.96, 0.79%, 0.2%, 0.3

LABA 15.42, 16.01, -37.16, 0.3

 

CMYK 0 / 3 / 11 / 1

HEX #F9DD9E4C

RGBA 249 221 158 0.3

HSLA 41.54, 0.88%, 0.8%, 0.3

LABA 89.07, 0.97, 34.49, 0.3

 

CMYK 0 / 2 / 9 / 0

HEX #FFEFB14C

RGBA 255 239 177 0.3

HSLA 47.69, 1%, 0.85%, 0.3

LABA 94.38, -3.62, 32, 0.3

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFC44C

RGBA 255 255 196 0.3

HSLA 60, 1%, 0.88%, 0.3

LABA 98.74, -9.15, 28.29, 0.3

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFD74C

RGBA 255 255 215 0.3

HSLA 60, 1%, 0.92%, 0.3

LABA 99.1, -6.46, 19.16, 0.3

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFEA4C

RGBA 255 255 234 0.3

HSLA 60, 1%, 0.96%, 0.3

LABA 99.5, -3.53, 10.03, 0.3

 

CMYK 0 / 3 / 10 / 1

HEX #F4DDA34C

RGBA 244 221 163 0.3

HSLA 42.96, 0.79%, 0.8%, 0.3

LABA 88.73, -0.37, 31.4, 0.3

 

CMYK 0 / 3 / 11 / 3

HEX #E3CB904C

RGBA 227 203 144 0.3

HSLA 42.65, 0.6%, 0.73%, 0.3

LABA 82.41, 0.09, 32.52, 0.3

 

CMYK 0 / 4 / 12 / 5

HEX #D2B97D4C

RGBA 210 185 125 0.3

HSLA 42.35, 0.49%, 0.66%, 0.3

LABA 76, 0.61, 33.71, 0.3

 

CMYK 0 / 4 / 14 / 7

HEX #C1A76A4C

RGBA 193 167 106 0.3

HSLA 42.07, 0.41%, 0.59%, 0.3

LABA 69.48, 1.22, 34.97, 0.3

 

CMYK 0 / 5 / 15 / 9

HEX #B095574C

RGBA 176 149 87 0.3

HSLA 41.8, 0.36%, 0.52%, 0.3

LABA 62.85, 1.94, 36.28, 0.3

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA4

RGB 244 221 164

HSL 42.75, 0.78%, 0.8%

LAB 88.75, -0.25, 30.91

 

CMYK 0 / 18 / 33 / 4

HEX #F4C8A4

RGB 244 200 164

HSL 27, 0.78%, 0.8%

LAB 83.56, 10.62, 23.88

 

CMYK 0 / 27 / 33 / 4

HEX #F4B2A4

RGB 244 178 164

HSL 10.5, 0.78%, 0.8%

LAB 78.32, 22.21, 16.64

 

CMYK 0 / 33 / 33 / 4

HEX #F4A4A4

RGB 244 164 164

HSL 0, 0.78%, 0.8%

LAB 75.12, 29.6, 12.14

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA4

RGB 244 221 164

HSL 42.75, 0.78%, 0.8%

LAB 88.75, -0.25, 30.91

 

CMYK 0 / 0 / 33 / 4

HEX #F4F3A4

RGB 244 243 164

HSL 59.25, 0.78%, 0.8%

LAB 94.32, -11.31, 38.29

 

CMYK 8 / 0 / 33 / 4

HEX #E0F4A4

RGB 224 244 164

HSL 75, 0.78%, 0.8%

LAB 93.11, -19.24, 36.44

 

CMYK 17 / 0 / 33 / 4

HEX #CAF4A4

RGB 202 244 164

HSL 91.5, 0.78%, 0.8%

LAB 91.66, -27.15, 34.24

 

CMYK 26 / 0 / 33 / 4

HEX #B4F4A4

RGB 180 244 164

HSL 108, 0.78%, 0.8%

LAB 90.36, -34.66, 32.28

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA4

RGB 244 221 164

HSL 42.75, 0.78%, 0.8%

LAB 88.75, -0.25, 30.91

 

CMYK 0 / 11 / 39 / 1

HEX #FDE19B

RGB 253 225 155

HSL 42.86, 0.96%, 0.8%

LAB 90.37, 0.14, 37.77

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA4

RGB 244 221 164

HSL 42.75, 0.78%, 0.8%

LAB 88.75, -0.25, 30.91

 

CMYK 0 / 8 / 27 / 7

HEX #ECDAAC

RGB 236 218 172

HSL 43.13, 0.63%, 0.8%

LAB 87.46, -0.73, 24.92

 

CMYK 0 / 6 / 21 / 11

HEX #E4D6B4

RGB 228 214 180

HSL 42.5, 0.47%, 0.8%

LAB 85.95, -0.55, 18.55

 

CMYK 0 / 4 / 15 / 14

HEX #DCD3BC

RGB 220 211 188

HSL 43.13, 0.31%, 0.8%

LAB 84.71, -0.72, 12.5

 

CMYK 0 / 2 / 7 / 17

HEX #D3CFC5

RGB 211 207 197

HSL 42.86, 0.14%, 0.8%

LAB 83.18, -0.37, 5.44

 

CMYK 0 / 27 / 33 / 4

HEX #F4B1A4

RGB 244 177 164

HSL 9.75, 0.78%, 0.8%

LAB 78.09, 22.73, 16.31

 

CMYK 0 / 18 / 33 / 4

HEX #F4C7A4

RGB 244 199 164

HSL 26.25, 0.78%, 0.8%

LAB 83.32, 11.14, 23.55

 

CMYK 0 / 10 / 33 / 4

HEX #F4DCA4

RGB 244 220 164

HSL 42, 0.78%, 0.8%

LAB 88.5, 0.27, 30.57

 

CMYK 0 / 1 / 33 / 4

HEX #F4F2A4

RGB 244 242 164

HSL 58.5, 0.78%, 0.8%

LAB 94.06, -10.81, 37.96

 

CMYK 8 / 0 / 33 / 4

HEX #E1F4A4

RGB 225 244 164

HSL 74.25, 0.78%, 0.8%

LAB 93.18, -18.87, 36.54

 

CMYK 0 / 18 / 62 / 7

HEX #ECC25A

RGB 236 194 90

HSL 42.74, 0.79%, 0.64%

LAB 80.27, 3.55, 56.69

 

CMYK 0 / 13 / 47 / 6

HEX #F0D07F

RGB 240 208 127

HSL 43.01, 0.79%, 0.72%

LAB 84.57, 0.89, 44.17

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA4

RGB 244 221 164

HSL 42.75, 0.78%, 0.8%

LAB 88.75, -0.25, 30.91

 

CMYK 0 / 6 / 19 / 2

HEX #F9EBC9

RGB 249 235 201

HSL 42.5, 0.8%, 0.88%

LAB 93.35, -0.61, 18.22

 

CMYK 0 / 2 / 6 / 1

HEX #FDF9EE

RGB 253 249 238

HSL 44, 0.79%, 0.96%

LAB 97.96, -0.54, 5.73

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA3

RGB 244 221 163

HSL 42.96, 0.79%, 0.8%

LAB 88.73, -0.37, 31.4

 

CMYK 30 / 0 / 33 / 4

HEX #ACF4A4

RGB 172 244 164

HSL 114, 0.78%, 0.8%

LAB 89.93, -37.27, 31.63

 

CMYK 23 / 33 / 0 / 4

HEX #BCA4F4

RGB 188 164 244

HSL 258, 0.78%, 0.8%

LAB 72.08, 24.91, -36.8

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA3

RGB 244 221 163

HSL 42.96, 0.79%, 0.8%

LAB 88.73, -0.37, 31.4

 

CMYK 33 / 0 / 10 / 4

HEX #A4F4DC

RGB 164 244 220

HSL 162, 0.78%, 0.8%

LAB 90.67, -29.5, 3.8

 

CMYK 10 / 33 / 0 / 4

HEX #DCA4F4

RGB 220 164 244

HSL 282, 0.78%, 0.8%

LAB 75.01, 34.51, -32.02

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA3

RGB 244 221 163

HSL 42.96, 0.79%, 0.8%

LAB 88.73, -0.37, 31.4

 

CMYK 30 / 0 / 33 / 4

HEX #ACF4A4

RGB 172 244 164

HSL 114, 0.78%, 0.8%

LAB 89.93, -37.27, 31.63

 

CMYK 33 / 23 / 0 / 4

HEX #A4BCF4

RGB 164 188 244

HSL 222, 0.78%, 0.8%

LAB 76.31, 4.73, -30.4

 

CMYK 3 / 33 / 0 / 4

HEX #ECA4F4

RGB 236 164 244

HSL 294, 0.78%, 0.8%

LAB 76.63, 39.44, -29.4

 

CMYK 0 / 9 / 33 / 4

HEX #F4DDA3

RGB 244 221 163

HSL 42.96, 0.79%, 0.8%

LAB 88.73, -0.37, 31.4

 

CMYK 33 / 0 / 26 / 4

HEX #A4F4B4

RGB 164 244 180

HSL 132, 0.78%, 0.8%

LAB 89.81, -37.15, 23.26

 

CMYK 33 / 23 / 0 / 4

HEX #A4BCF4

RGB 164 188 244

HSL 222, 0.78%, 0.8%

LAB 76.31, 4.73, -30.4

 

CMYK 0 / 33 / 7 / 4

HEX #F4A4E4

RGB 244 164 228

HSL 312, 0.78%, 0.8%

LAB 76.91, 39.1, -20.21

 

Description

Color code: HEX #F4DDA34C | qconv.com Color code: HEX #F4DDA34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 221 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 221 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 10 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 10% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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