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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4D8B2 it is the complementary color #0B274D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4D8B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F4D8B2: #F9D8AD, #FFEAC0, #FFFCD3, #FFFFE6 and #FFFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4D8B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F4D8B2: #F4D8B2, #E3C69F, #D2B48C, #C1A279 and #B09066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

Complementary color

CMYK 86 / 49 / 0 / 70

HEX #0B274D

RGB 11 39 77

HSL 214.55, 0.75%, 0.17%

LAB 15.79, 5.54, -26.45

 

CMYK 0 / 13 / 31 / 2

HEX #F9D8AD

RGB 249 216 173

HSL 33.95, 0.86%, 0.83%

LAB 88.1, 5.33, 25.45

 

CMYK 0 / 8 / 25 / 0

HEX #FFEAC0

RGB 255 234 192

HSL 40, 1%, 0.88%

LAB 93.41, 0.83, 23.01

 

CMYK 0 / 1 / 17 / 0

HEX #FFFCD3

RGB 255 252 211

HSL 55.91, 1%, 0.91%

LAB 98.27, -5.56, 20.03

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFF9

RGB 255 255 249

HSL 60, 1%, 0.99%

LAB 99.85, -1.03, 2.85

 

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

CMYK 0 / 13 / 30 / 11

HEX #E3C69F

RGB 227 198 159

HSL 34.41, 0.55%, 0.76%

LAB 81.41, 4.53, 23.33

 

CMYK 0 / 14 / 33 / 18

HEX #D2B48C

RGB 210 180 140

HSL 34.29, 0.44%, 0.69%

LAB 74.97, 5.02, 24.42

 

CMYK 0 / 16 / 37 / 24

HEX #C1A279

RGB 193 162 121

HSL 34.17, 0.37%, 0.62%

LAB 68.43, 5.59, 25.58

 

CMYK 0 / 18 / 42 / 31

HEX #B09066

RGB 176 144 102

HSL 34.05, 0.32%, 0.55%

LAB 61.77, 6.25, 26.84

 

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

CMYK 0 / 7 / 27 / 4

HEX #F4E2B3

RGB 244 226 179

HSL 43.38, 0.75%, 0.83%

LAB 90.27, -0.9, 25.24

 

CMYK 0 / 3 / 27 / 4

HEX #F4EDB3

RGB 244 237 179

HSL 53.54, 0.75%, 0.83%

LAB 93.04, -6.47, 29.02

 

CMYK 2 / 0 / 27 / 4

HEX #EFF4B3

RGB 239 244 179

HSL 64.62, 0.75%, 0.83%

LAB 94.44, -11.8, 30.85

 

CMYK 7 / 0 / 27 / 4

HEX #E4F4B3

RGB 228 244 179

HSL 74.77, 0.75%, 0.83%

LAB 93.65, -15.8, 29.64

 

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

CMYK 0 / 13 / 28 / 84

HEX #28231D

RGB 40 35 29

HSL 32.73, 0.16%, 0.14%

LAB 14.07, 1.09, 4.89

 

CMYK 0 / 11 / 27 / 64

HEX #5B5142

RGB 91 81 66

HSL 36, 0.16%, 0.31%

LAB 35.01, 1.43, 10.34

 

CMYK 0 / 11 / 27 / 44

HEX #8E7E68

RGB 142 126 104

HSL 34.74, 0.15%, 0.48%

LAB 53.68, 2.49, 14.23

 

CMYK 0 / 11 / 27 / 24

HEX #C1AB8D

RGB 193 171 141

HSL 34.62, 0.3%, 0.65%

LAB 71.14, 3.31, 18.38

 

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

CMYK 20 / 0 / 27 / 4

HEX #C2F4B3

RGB 194 244 179

HSL 106.15, 0.75%, 0.83%

LAB 91.43, -27.71, 26.25

 

CMYK 23 / 27 / 0 / 4

HEX #BDB3F4

RGB 189 179 244

HSL 249.23, 0.75%, 0.83%

LAB 75.82, 16.9, -31.01

 

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

CMYK 27 / 0 / 12 / 4

HEX #B3F4D7

RGB 179 244 215

HSL 153.23, 0.75%, 0.83%

LAB 91.32, -26.16, 7.43

 

CMYK 12 / 27 / 0 / 4

HEX #D7B3F4

RGB 215 179 244

HSL 273.23, 0.75%, 0.83%

LAB 78, 24.85, -27.46

 

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

CMYK 20 / 0 / 27 / 4

HEX #C2F4B3

RGB 194 244 179

HSL 106.15, 0.75%, 0.83%

LAB 91.43, -27.71, 26.25

 

CMYK 27 / 15 / 0 / 4

HEX #B3CFF4

RGB 179 207 244

HSL 214.15, 0.75%, 0.83%

LAB 82.24, -1.23, -21.26

 

CMYK 7 / 27 / 0 / 4

HEX #E4B3F4

RGB 228 179 244

HSL 285.23, 0.75%, 0.83%

LAB 79.19, 28.94, -25.54

 

CMYK 0 / 11 / 27 / 4

HEX #F4D8B2

RGB 244 216 178

HSL 34.55, 0.75%, 0.83%

LAB 87.76, 4.09, 22.31

 

CMYK 27 / 0 / 25 / 4

HEX #B3F4B7

RGB 179 244 183

HSL 123.69, 0.75%, 0.83%

LAB 90.64, -31.98, 23

 

CMYK 27 / 15 / 0 / 4

HEX #B3CFF4

RGB 179 207 244

HSL 214.15, 0.75%, 0.83%

LAB 82.24, -1.23, -21.26

 

CMYK 0 / 27 / 2 / 4

HEX #F4B3EF

RGB 244 179 239

HSL 304.62, 0.75%, 0.83%

LAB 80.57, 33.12, -20.6

 

Description

Color code: HEX #F4D8B2 | qconv.com Color code: HEX #F4D8B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 216 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 216 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 27 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 27% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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