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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F4A460 it is the complementary color #0B5B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F4A460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F4A460: #F9A45B, #FFB66E, #FFC881, #FFDA94 and #FFECA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F4A460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F4A460: #F4A460, #E3924D, #D2803A, #C16E27 and #B05C14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

Complementary color

CMYK 93 / 43 / 0 / 38

HEX #0B5B9F

RGB 11 91 159

HSL 207.57, 0.87%, 0.33%

LAB 37.94, 4.6, -42.96

 

CMYK 0 / 34 / 63 / 2

HEX #F9A45B

RGB 249 164 91

HSL 27.72, 0.93%, 0.67%

LAB 74.47, 24.73, 50.02

 

CMYK 0 / 29 / 57 / 0

HEX #FFB66E

RGB 255 182 110

HSL 29.79, 1%, 0.72%

LAB 79.52, 19.03, 46.76

 

CMYK 0 / 22 / 49 / 0

HEX #FFC881

RGB 255 200 129

HSL 33.81, 1%, 0.75%

LAB 84.05, 11.21, 42.81

 

CMYK 0 / 15 / 42 / 0

HEX #FFDA94

RGB 255 218 148

HSL 39.25, 1%, 0.79%

LAB 88.71, 3.75, 39.18

 

CMYK 0 / 7 / 35 / 0

HEX #FFECA7

RGB 255 236 167

HSL 47.05, 1%, 0.83%

LAB 93.47, -3.31, 35.83

 

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

CMYK 0 / 36 / 66 / 11

HEX #E3924D

RGB 227 146 77

HSL 27.6, 0.73%, 0.6%

LAB 67.59, 24.4, 48.34

 

CMYK 0 / 39 / 72 / 18

HEX #D2803A

RGB 210 128 58

HSL 27.63, 0.63%, 0.53%

LAB 61.17, 25.95, 49.86

 

CMYK 0 / 43 / 80 / 24

HEX #C16E27

RGB 193 110 39

HSL 27.66, 0.66%, 0.45%

LAB 54.7, 27.71, 51.16

 

CMYK 0 / 48 / 89 / 31

HEX #B05C14

RGB 176 92 20

HSL 27.69, 0.8%, 0.38%

LAB 48.18, 29.7, 51.77

 

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

CMYK 0 / 23 / 60 / 4

HEX #F4BB61

RGB 244 187 97

HSL 36.73, 0.87%, 0.67%

LAB 79.41, 10.99, 52.67

 

CMYK 0 / 13 / 60 / 4

HEX #F4D461

RGB 244 212 97

HSL 46.94, 0.87%, 0.67%

LAB 85.6, -1.94, 59.69

 

CMYK 0 / 3 / 60 / 4

HEX #F4EC61

RGB 244 236 97

HSL 56.73, 0.87%, 0.67%

LAB 91.72, -13.95, 66.44

 

CMYK 7 / 0 / 60 / 4

HEX #E2F461

RGB 226 244 97

HSL 67.35, 0.87%, 0.67%

LAB 92.46, -25.01, 66.83

 

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

CMYK 0 / 33 / 60 / 84

HEX #281B10

RGB 40 27 16

HSL 27.5, 0.43%, 0.11%

LAB 11.08, 4.67, 9.61

 

CMYK 0 / 33 / 60 / 64

HEX #5B3D24

RGB 91 61 36

HSL 27.27, 0.43%, 0.25%

LAB 28.61, 10.07, 20.57

 

CMYK 0 / 33 / 61 / 44

HEX #8E5F38

RGB 142 95 56

HSL 27.21, 0.43%, 0.39%

LAB 44.55, 14.87, 29.82

 

CMYK 0 / 33 / 61 / 24

HEX #C1824C

RGB 193 130 76

HSL 27.69, 0.49%, 0.53%

LAB 59.73, 18.78, 38.68

 

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

CMYK 39 / 0 / 60 / 4

HEX #94F461

RGB 148 244 97

HSL 99.18, 0.87%, 0.67%

LAB 87.9, -53.25, 60.52

 

CMYK 57 / 60 / 0 / 4

HEX #6861F4

RGB 104 97 244

HSL 242.86, 0.87%, 0.67%

LAB 49.53, 43.43, -73.1

 

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

CMYK 60 / 0 / 33 / 4

HEX #61F4A3

RGB 97 244 163

HSL 146.94, 0.87%, 0.67%

LAB 86.94, -57.24, 27.6

 

CMYK 33 / 60 / 0 / 4

HEX #A361F4

RGB 163 97 244

HSL 266.94, 0.87%, 0.67%

LAB 54.94, 55.03, -64.08

 

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

CMYK 39 / 0 / 60 / 4

HEX #94F461

RGB 148 244 97

HSL 99.18, 0.87%, 0.67%

LAB 87.9, -53.25, 60.52

 

CMYK 60 / 27 / 0 / 4

HEX #61B2F4

RGB 97 178 244

HSL 206.94, 0.87%, 0.67%

LAB 70.12, -5.52, -40.28

 

CMYK 21 / 60 / 0 / 4

HEX #C061F4

RGB 192 97 244

HSL 278.78, 0.87%, 0.67%

LAB 58.31, 61.57, -58.48

 

CMYK 0 / 33 / 61 / 4

HEX #F4A460

RGB 244 164 96

HSL 27.57, 0.87%, 0.67%

LAB 73.95, 23.03, 46.79

 

CMYK 57 / 0 / 60 / 4

HEX #68F461

RGB 104 244 97

HSL 117.14, 0.87%, 0.67%

LAB 86.26, -65.4, 58.22

 

CMYK 60 / 27 / 0 / 4

HEX #61B2F4

RGB 97 178 244

HSL 206.94, 0.87%, 0.67%

LAB 70.12, -5.52, -40.28

 

CMYK 3 / 60 / 0 / 4

HEX #EC61F4

RGB 236 97 244

HSL 296.73, 0.87%, 0.67%

LAB 64.09, 71.93, -48.93

 

Description

Color code: HEX #F4A460 | qconv.com Color code: HEX #F4A460 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as sandy brown.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 164 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 164 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 61% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - The Berman Group
Link: http://www.bermangrp.com

68% - Universidad Tecnológ...
Link: http://www.utec.edu.sv

61% - コナン依存症! | ナノ
Link: http://nanos.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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