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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3DA0B it is the complementary color #0C25F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3DA0B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F3DA0B: #F8DA06, #FFEC19, #FFFE2C, #FFFF3F and #FFFF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3DA0B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F3DA0B: #F3DA0B, #E2C800, #D1B600, #C0A400 and #AF9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

Complementary color

CMYK 95 / 85 / 0 / 4

HEX #0C25F4

RGB 12 37 244

HSL 233.53, 0.91%, 0.5%

LAB 33.84, 67.66, -99.09

 

CMYK 0 / 12 / 98 / 3

HEX #F8DA06

RGB 248 218 6

HSL 52.56, 0.95%, 0.5%

LAB 87.05, -6.37, 86.42

 

CMYK 0 / 7 / 90 / 0

HEX #FFEC19

RGB 255 236 25

HSL 55.04, 1%, 0.55%

LAB 92.27, -12.15, 88.57

 

CMYK 0 / 0 / 83 / 0

HEX #FFFE2C

RGB 255 254 44

HSL 59.72, 1%, 0.59%

LAB 96.95, -20.48, 88.9

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF3F

RGB 255 255 63

HSL 60, 1%, 0.62%

LAB 97.28, -20.38, 84.4

 

CMYK 0 / 0 / 68 / 0

HEX #FFFF52

RGB 255 255 82

HSL 60, 1%, 0.66%

LAB 97.39, -19.57, 78.36

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL® 1021

CMYK 0 / 12 / 100 / 11

HEX #E2C800

RGB 226 200 0

HSL 53.1, 1%, 0.44%

LAB 80.45, -6.73, 81.31

 

CMYK 0 / 13 / 100 / 18

HEX #D1B600

RGB 209 182 0

HSL 52.25, 1%, 0.41%

LAB 74.2, -4.88, 76.14

 

CMYK 0 / 15 / 100 / 25

HEX #C0A400

RGB 192 164 0

HSL 51.25, 1%, 0.38%

LAB 67.84, -2.96, 70.88

 

CMYK 0 / 17 / 100 / 31

HEX #AF9200

RGB 175 146 0

HSL 50.06, 1%, 0.34%

LAB 61.37, -0.96, 65.53

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL® 1021

CMYK 5 / 0 / 95 / 5

HEX #E7F30B

RGB 231 243 11

HSL 63.1, 0.91%, 0.5%

LAB 92.18, -25.64, 89.2

 

CMYK 21 / 0 / 95 / 5

HEX #C1F30B

RGB 193 243 11

HSL 72.93, 0.91%, 0.5%

LAB 89.61, -40.83, 86.11

 

CMYK 37 / 0 / 95 / 5

HEX #9AF30B

RGB 154 243 11

HSL 83.02, 0.91%, 0.5%

LAB 87.48, -55.09, 83.54

 

CMYK 53 / 0 / 95 / 5

HEX #73F30B

RGB 115 243 11

HSL 93.1, 0.91%, 0.5%

LAB 85.89, -67.07, 81.6

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL® 1021

CMYK 0 / 10 / 95 / 85

HEX #272302

RGB 39 35 2

HSL 53.51, 0.9%, 0.08%

LAB 13.46, -3.01, 18.95

 

CMYK 0 / 10 / 96 / 65

HEX #5A5104

RGB 90 81 4

HSL 53.72, 0.91%, 0.18%

LAB 34.12, -4.67, 40.78

 

CMYK 0 / 11 / 96 / 45

HEX #8D7E06

RGB 141 126 6

HSL 53.33, 0.92%, 0.29%

LAB 52.51, -5.63, 56.56

 

CMYK 0 / 10 / 95 / 25

HEX #C0AC09

RGB 192 172 9

HSL 53.44, 0.91%, 0.39%

LAB 69.99, -7.07, 71.33

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL® 1021

CMYK 95 / 0 / 88 / 5

HEX #0BF31E

RGB 11 243 30

HSL 124.91, 0.91%, 0.5%

LAB 84.1, -82.12, 76.91

 

CMYK 49 / 95 / 0 / 5

HEX #7B0BF3

RGB 123 11 243

HSL 268.97, 0.91%, 0.5%

LAB 39.45, 79.06, -89

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL® 1021

CMYK 95 / 0 / 11 / 5

HEX #0BF3D8

RGB 11 243 216

HSL 173.02, 0.91%, 0.5%

LAB 86.57, -53.61, -0.54

 

CMYK 11 / 95 / 0 / 5

HEX #D80BF3

RGB 216 11 243

HSL 293.02, 0.91%, 0.5%

LAB 53.29, 89.94, -65.81

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL® 1021

CMYK 95 / 0 / 88 / 5

HEX #0BF31E

RGB 11 243 30

HSL 124.91, 0.91%, 0.5%

LAB 84.1, -82.12, 76.91

 

CMYK 95 / 84 / 0 / 5

HEX #0B26F3

RGB 11 38 243

HSL 233.02, 0.91%, 0.5%

LAB 33.83, 66.96, -98.54

 

CMYK 0 / 95 / 8 / 5

HEX #F30BE0

RGB 243 11 224

HSL 304.91, 0.91%, 0.5%

LAB 56.76, 91.45, -49.3

 

CMYK 0 / 10 / 95 / 5

HEX #F3DA0B

RGB 243 218 11

HSL 53.53, 0.91%, 0.5%

LAB 86.61, -8.45, 85.48

RAL® 1021

CMYK 95 / 0 / 59 / 5

HEX #0BF364

RGB 11 243 100

HSL 143.02, 0.91%, 0.5%

LAB 84.53, -76.7, 54.56

 

CMYK 95 / 84 / 0 / 5

HEX #0B26F3

RGB 11 38 243

HSL 233.02, 0.91%, 0.5%

LAB 33.83, 66.96, -98.54

 

CMYK 0 / 95 / 37 / 5

HEX #F30B9A

RGB 243 11 154

HSL 323.02, 0.91%, 0.5%

LAB 53.63, 83.46, -13.59

 

Description

Color code: HEX #F3DA0B | qconv.com Color code: HEX #F3DA0B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 218 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 218 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 95 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 95% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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