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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F3C1B0 it is the complementary color #0C3E4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F3C1B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F3C1B0: #F8C1AB, #FFD3BE, #FFE5D1, #FFF7E4 and #FFFFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F3C1B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F3C1B0: #F3C1B0, #E2AF9D, #D19D8A, #C08B77 and #AF7964

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

Complementary color

CMYK 85 / 22 / 0 / 69

HEX #0C3E4F

RGB 12 62 79

HSL 195.22, 0.74%, 0.18%

LAB 23.96, -9.36, -14.92

 

CMYK 0 / 22 / 31 / 3

HEX #F8C1AB

RGB 248 193 171

HSL 17.14, 0.85%, 0.82%

LAB 82.4, 16.68, 18.63

 

CMYK 0 / 17 / 25 / 0

HEX #FFD3BE

RGB 255 211 190

HSL 19.38, 1%, 0.87%

LAB 87.76, 12.38, 16.18

 

CMYK 0 / 10 / 18 / 0

HEX #FFE5D1

RGB 255 229 209

HSL 26.09, 1%, 0.91%

LAB 92.53, 5.78, 12.98

 

CMYK 0 / 3 / 11 / 0

HEX #FFF7E4

RGB 255 247 228

HSL 42.22, 1%, 0.95%

LAB 97.38, -0.47, 10.07

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF7

RGB 255 255 247

HSL 60, 1%, 0.98%

LAB 99.8, -1.37, 3.81

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

CMYK 0 / 23 / 31 / 11

HEX #E2AF9D

RGB 226 175 157

HSL 15.65, 0.54%, 0.75%

LAB 75.61, 16.08, 16.38

 

CMYK 0 / 25 / 34 / 18

HEX #D19D8A

RGB 209 157 138

HSL 16.06, 0.44%, 0.68%

LAB 69.11, 16.78, 17.47

 

CMYK 0 / 28 / 38 / 25

HEX #C08B77

RGB 192 139 119

HSL 16.44, 0.37%, 0.61%

LAB 62.51, 17.57, 18.67

 

CMYK 0 / 31 / 43 / 31

HEX #AF7964

RGB 175 121 100

HSL 16.8, 0.32%, 0.54%

LAB 55.8, 18.48, 19.99

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

CMYK 0 / 16 / 28 / 5

HEX #F3CBAF

RGB 243 203 175

HSL 24.71, 0.74%, 0.82%

LAB 84.41, 10.08, 19.24

 

CMYK 0 / 12 / 28 / 5

HEX #F3D6AF

RGB 243 214 175

HSL 34.41, 0.74%, 0.82%

LAB 87.12, 4.36, 22.98

 

CMYK 0 / 7 / 28 / 5

HEX #F3E2AF

RGB 243 226 175

HSL 45, 0.74%, 0.82%

LAB 90.11, -1.8, 27.08

 

CMYK 0 / 2 / 28 / 5

HEX #F3EDAF

RGB 243 237 175

HSL 54.71, 0.74%, 0.82%

LAB 92.89, -7.35, 30.84

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

CMYK 0 / 21 / 28 / 85

HEX #271F1C

RGB 39 31 28

HSL 16.36, 0.16%, 0.13%

LAB 12.58, 3.24, 3.49

 

CMYK 0 / 21 / 28 / 65

HEX #5A4741

RGB 90 71 65

HSL 14.4, 0.16%, 0.3%

LAB 31.95, 7.06, 6.68

 

CMYK 0 / 21 / 28 / 45

HEX #8D7066

RGB 141 112 102

HSL 15.38, 0.16%, 0.48%

LAB 49.75, 9.85, 9.9

 

CMYK 0 / 21 / 28 / 25

HEX #C0988B

RGB 192 152 139

HSL 14.72, 0.3%, 0.65%

LAB 66.16, 13.01, 12.53

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

CMYK 13 / 0 / 28 / 5

HEX #D4F3AF

RGB 212 243 175

HSL 87.35, 0.74%, 0.82%

LAB 92.22, -21.6, 29.55

 

CMYK 28 / 24 / 0 / 5

HEX #AFB9F3

RGB 175 185 243

HSL 231.18, 0.74%, 0.82%

LAB 76.24, 9.25, -29.9

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

CMYK 28 / 0 / 21 / 5

HEX #AFF3C0

RGB 175 243 192

HSL 135, 0.74%, 0.82%

LAB 90.33, -31.21, 17.9

 

CMYK 21 / 28 / 0 / 5

HEX #C0AFF3

RGB 192 175 243

HSL 255, 0.74%, 0.82%

LAB 75.04, 19.78, -31.65

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

CMYK 13 / 0 / 28 / 5

HEX #D4F3AF

RGB 212 243 175

HSL 87.35, 0.74%, 0.82%

LAB 92.22, -21.6, 29.55

 

CMYK 28 / 7 / 0 / 5

HEX #AFE2F3

RGB 175 226 243

HSL 195, 0.74%, 0.82%

LAB 86.99, -12.49, -13.6

 

CMYK 16 / 28 / 0 / 5

HEX #CDAFF3

RGB 205 175 243

HSL 266.47, 0.74%, 0.82%

LAB 76.14, 23.73, -29.86

 

CMYK 0 / 21 / 28 / 5

HEX #F3C1B0

RGB 243 193 176

HSL 15.22, 0.74%, 0.82%

LAB 82.02, 15.46, 15.36

 

CMYK 21 / 0 / 28 / 5

HEX #C0F3AF

RGB 192 243 175

HSL 105, 0.74%, 0.82%

LAB 90.96, -28.52, 27.64

 

CMYK 28 / 7 / 0 / 5

HEX #AFE2F3

RGB 175 226 243

HSL 195, 0.74%, 0.82%

LAB 86.99, -12.49, -13.6

 

CMYK 7 / 28 / 0 / 5

HEX #E2AFF3

RGB 226 175 243

HSL 285, 0.74%, 0.82%

LAB 78.05, 30.26, -26.76

 

Description

Color code: HEX #F3C1B0 | qconv.com Color code: HEX #F3C1B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 243 red, 193 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
243 193 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 28 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 28% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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