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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2B410 it is the complementary color #0D4BEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2B410. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F2B410: #F7B40B, #FFC61E, #FFD831, #FFEA44 and #FFFC57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2B410. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F2B410: #F2B410, #E1A200, #D09000, #BF7E00 and #AE6C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

Complementary color

CMYK 95 / 69 / 0 / 6

HEX #0D4BEF

RGB 13 75 239

HSL 223.54, 0.9%, 0.49%

LAB 40.16, 46.44, -85.78

 

CMYK 0 / 27 / 96 / 3

HEX #F7B40B

RGB 247 180 11

HSL 42.97, 0.94%, 0.51%

LAB 77.54, 12.79, 79.1

 

CMYK 0 / 22 / 88 / 0

HEX #FFC61E

RGB 255 198 30

HSL 44.8, 1%, 0.56%

LAB 82.78, 7.1, 80.38

 

CMYK 0 / 15 / 81 / 0

HEX #FFD831

RGB 255 216 49

HSL 48.64, 1%, 0.6%

LAB 87.29, -1.66, 79.51

 

CMYK 0 / 8 / 73 / 0

HEX #FFEA44

RGB 255 234 68

HSL 53.26, 1%, 0.63%

LAB 91.92, -10, 77.89

 

CMYK 0 / 1 / 66 / 0

HEX #FFFC57

RGB 255 252 87

HSL 58.93, 1%, 0.67%

LAB 96.64, -17.87, 75.81

 

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

CMYK 0 / 28 / 100 / 12

HEX #E1A200

RGB 225 162 0

HSL 43.2, 1%, 0.44%

LAB 70.77, 12.71, 74.52

 

CMYK 0 / 31 / 100 / 18

HEX #D09000

RGB 208 144 0

HSL 41.54, 1%, 0.41%

LAB 64.45, 14.95, 69.34

 

CMYK 0 / 34 / 100 / 25

HEX #BF7E00

RGB 191 126 0

HSL 39.58, 1%, 0.37%

LAB 58.04, 17.28, 64.1

 

CMYK 0 / 38 / 100 / 32

HEX #AE6C00

RGB 174 108 0

HSL 37.24, 1%, 0.34%

LAB 51.52, 19.7, 58.79

 

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

CMYK 0 / 11 / 93 / 5

HEX #F2D811

RGB 242 216 17

HSL 53.07, 0.9%, 0.51%

LAB 86.02, -7.81, 84.38

 

CMYK 5 / 0 / 93 / 5

HEX #E7F211

RGB 231 242 17

HSL 62.93, 0.9%, 0.51%

LAB 91.92, -25.11, 88.46

 

CMYK 20 / 0 / 93 / 5

HEX #C1F211

RGB 193 242 17

HSL 73.07, 0.9%, 0.51%

LAB 89.34, -40.32, 85.34

 

CMYK 36 / 0 / 93 / 5

HEX #9CF211

RGB 156 242 17

HSL 82.93, 0.9%, 0.51%

LAB 87.3, -53.93, 82.86

 

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

CMYK 0 / 26 / 92 / 85

HEX #261C03

RGB 38 28 3

HSL 42.86, 0.85%, 0.08%

LAB 10.92, 1.41, 15.07

 

CMYK 0 / 26 / 93 / 65

HEX #594206

RGB 89 66 6

HSL 43.37, 0.87%, 0.19%

LAB 29.5, 4.09, 36.35

 

CMYK 0 / 26 / 94 / 45

HEX #8C6809

RGB 140 104 9

HSL 43.51, 0.88%, 0.29%

LAB 46.31, 6.45, 51.22

 

CMYK 0 / 26 / 93 / 25

HEX #BF8E0D

RGB 191 142 13

HSL 43.48, 0.87%, 0.4%

LAB 62.04, 8.64, 64.84

 

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

CMYK 85 / 0 / 93 / 5

HEX #24F211

RGB 36 242 17

HSL 114.93, 0.9%, 0.51%

LAB 83.92, -80.78, 78.71

 

CMYK 64 / 93 / 0 / 5

HEX #5811F2

RGB 88 17 242

HSL 258.93, 0.9%, 0.51%

LAB 35.76, 75.52, -94.65

 

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

CMYK 93 / 0 / 26 / 5

HEX #11F2B2

RGB 17 242 178

HSL 162.93, 0.9%, 0.51%

LAB 85.42, -62.41, 17.63

 

CMYK 26 / 93 / 0 / 5

HEX #B211F2

RGB 178 17 242

HSL 282.93, 0.9%, 0.51%

LAB 47.34, 83.97, -75.19

 

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

CMYK 85 / 0 / 93 / 5

HEX #24F211

RGB 36 242 17

HSL 114.93, 0.9%, 0.51%

LAB 83.92, -80.78, 78.71

 

CMYK 93 / 67 / 0 / 5

HEX #1151F2

RGB 17 81 242

HSL 222.93, 0.9%, 0.51%

LAB 41.87, 43.95, -84.66

 

CMYK 8 / 93 / 0 / 5

HEX #DF11F2

RGB 223 17 242

HSL 294.93, 0.9%, 0.51%

LAB 54.55, 90.32, -63.15

 

CMYK 0 / 26 / 93 / 5

HEX #F2B410

RGB 242 180 16

HSL 43.54, 0.9%, 0.51%

LAB 77.02, 10.7, 77.86

 

CMYK 93 / 0 / 73 / 5

HEX #11F242

RGB 17 242 66

HSL 133.07, 0.9%, 0.51%

LAB 83.97, -79.62, 67.33

 

CMYK 93 / 67 / 0 / 5

HEX #1151F2

RGB 17 81 242

HSL 222.93, 0.9%, 0.51%

LAB 41.87, 43.95, -84.66

 

CMYK 0 / 93 / 20 / 5

HEX #F211C1

RGB 242 17 193

HSL 313.07, 0.9%, 0.51%

LAB 55.2, 86.91, -34.03

 

Description

Color code: HEX #F2B410 | qconv.com Color code: HEX #F2B410 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 180 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 180 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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