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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F24BA0 it is the complementary color #0DB45F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F24BA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F24BA0: #F74B9B, #FF5DAE, #FF6FC1, #FF81D4 and #FF93E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F24BA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F24BA0: #F24BA0, #E1398D, #D0277A, #BF1567 and #AE0354

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

Complementary color

CMYK 93 / 0 / 47 / 29

HEX #0DB45F

RGB 13 180 95

HSL 149.46, 0.87%, 0.38%

LAB 64.61, -57.4, 32.73

 

CMYK 0 / 70 / 37 / 3

HEX #F74B9B

RGB 247 75 155

HSL 332.09, 0.91%, 0.63%

LAB 59.13, 70.95, -5.86

 

CMYK 0 / 64 / 32 / 0

HEX #FF5DAE

RGB 255 93 174

HSL 330, 1%, 0.68%

LAB 63.46, 68.5, -10.26

 

CMYK 0 / 56 / 24 / 0

HEX #FF6FC1

RGB 255 111 193

HSL 325.83, 1%, 0.72%

LAB 66.88, 63.27, -15.91

 

CMYK 0 / 49 / 17 / 0

HEX #FF81D4

RGB 255 129 212

HSL 320.48, 1%, 0.75%

LAB 70.67, 57.63, -20.78

 

CMYK 0 / 42 / 9 / 0

HEX #FF93E7

RGB 255 147 231

HSL 313.33, 1%, 0.79%

LAB 74.76, 51.78, -25.01

 

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

CMYK 0 / 75 / 37 / 12

HEX #E1398D

RGB 225 57 141

HSL 330, 0.74%, 0.55%

LAB 52.79, 69.62, -7.44

 

CMYK 0 / 81 / 41 / 18

HEX #D0277A

RGB 208 39 122

HSL 330.53, 0.68%, 0.48%

LAB 47.32, 68.44, -4.43

 

CMYK 0 / 89 / 46 / 25

HEX #BF1567

RGB 191 21 103

HSL 331.06, 0.8%, 0.42%

LAB 42.14, 66.3, -0.67

 

CMYK 0 / 98 / 52 / 32

HEX #AE0354

RGB 174 3 84

HSL 331.58, 0.97%, 0.35%

LAB 37.31, 63.04, 3.97

 

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

CMYK 0 / 70 / 45 / 5

HEX #F24984

RGB 242 73 132

HSL 339.05, 0.87%, 0.62%

LAB 57.37, 68.06, 4.96

 

CMYK 0 / 70 / 57 / 5

HEX #F24968

RGB 242 73 104

HSL 348.99, 0.87%, 0.62%

LAB 56.72, 65.85, 20.59

 

CMYK 0 / 70 / 69 / 5

HEX #F2494C

RGB 242 73 76

HSL 358.93, 0.87%, 0.62%

LAB 56.25, 64.21, 36.25

 

CMYK 0 / 59 / 70 / 5

HEX #F26349

RGB 242 99 73

HSL 9.23, 0.87%, 0.62%

LAB 60.14, 53.49, 42.47

 

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

CMYK 0 / 68 / 34 / 85

HEX #260C19

RGB 38 12 25

HSL 330, 0.52%, 0.1%

LAB 6.73, 15.33, -2.76

 

CMYK 0 / 69 / 34 / 65

HEX #591C3B

RGB 89 28 59

HSL 329.51, 0.52%, 0.23%

LAB 21.09, 31.42, -5.13

 

CMYK 0 / 69 / 34 / 45

HEX #8C2B5D

RGB 140 43 93

HSL 329.07, 0.53%, 0.36%

LAB 34.18, 45.59, -7.19

 

CMYK 0 / 69 / 34 / 25

HEX #BF3B7E

RGB 191 59 126

HSL 329.55, 0.53%, 0.49%

LAB 46.59, 58.14, -8.29

 

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

CMYK 0 / 22 / 70 / 5

HEX #F2BD49

RGB 242 189 73

HSL 41.18, 0.87%, 0.62%

LAB 79.47, 7.69, 63.39

 

CMYK 70 / 6 / 0 / 5

HEX #49E4F2

RGB 73 228 242

HSL 184.97, 0.87%, 0.62%

LAB 83.61, -35.31, -18.55

 

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

CMYK 34 / 0 / 70 / 5

HEX #A0F249

RGB 160 242 73

HSL 89.11, 0.87%, 0.62%

LAB 87.71, -50.36, 69.87

 

CMYK 70 / 34 / 0 / 5

HEX #49A0F2

RGB 73 160 242

HSL 209.11, 0.87%, 0.62%

LAB 64.14, 0.04, -48.64

 

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

CMYK 0 / 22 / 70 / 5

HEX #F2BD49

RGB 242 189 73

HSL 41.18, 0.87%, 0.62%

LAB 79.47, 7.69, 63.39

 

CMYK 70 / 0 / 36 / 5

HEX #49F29B

RGB 73 242 155

HSL 149.11, 0.87%, 0.62%

LAB 85.65, -62.15, 29.82

 

CMYK 70 / 48 / 0 / 5

HEX #497FF2

RGB 73 127 242

HSL 220.83, 0.87%, 0.62%

LAB 55.08, 19.71, -63.08

 

CMYK 0 / 69 / 34 / 5

HEX #F24BA0

RGB 242 75 160

HSL 329.46, 0.87%, 0.62%

LAB 58.46, 70.13, -9.87

 

CMYK 0 / 1 / 70 / 5

HEX #F2EF49

RGB 242 239 73

HSL 58.93, 0.87%, 0.62%

LAB 92.17, -17.57, 76.06

 

CMYK 70 / 0 / 36 / 5

HEX #49F29B

RGB 73 242 155

HSL 149.11, 0.87%, 0.62%

LAB 85.65, -62.15, 29.82

 

CMYK 70 / 69 / 0 / 5

HEX #494CF2

RGB 73 76 242

HSL 238.93, 0.87%, 0.62%

LAB 42.76, 50.72, -83.13

 

Description

Color code: HEX #F24BA0 | qconv.com Color code: HEX #F24BA0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 75 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 75 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 34 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 34% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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