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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F1B4A9 it is the complementary color #0E4B56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F1B4A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F1B4A9: #F6B4A4, #FFC6B7, #FFD8CA, #FFEADD and #FFFCF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F1B4A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F1B4A9: #F1B4A9, #E0A296, #CF9083, #BE7E70 and #AD6C5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

Complementary color

CMYK 84 / 13 / 0 / 66

HEX #0E4B56

RGB 14 75 86

HSL 189.17, 0.72%, 0.2%

LAB 28.9, -14.3, -11.89

 

CMYK 0 / 27 / 33 / 4

HEX #F6B4A4

RGB 246 180 164

HSL 11.71, 0.82%, 0.8%

LAB 78.99, 21.9, 17.61

 

CMYK 0 / 22 / 28 / 0

HEX #FFC6B7

RGB 255 198 183

HSL 12.5, 1%, 0.86%

LAB 84.52, 18.22, 15.32

 

CMYK 0 / 15 / 21 / 0

HEX #FFD8CA

RGB 255 216 202

HSL 15.85, 1%, 0.9%

LAB 89.22, 11.47, 11.94

 

CMYK 0 / 8 / 13 / 0

HEX #FFEADD

RGB 255 234 221

HSL 22.94, 1%, 0.93%

LAB 94.02, 5.04, 8.88

 

CMYK 0 / 1 / 6 / 0

HEX #FFFCF0

RGB 255 252 240

HSL 48, 1%, 0.97%

LAB 98.9, -1.04, 6.08

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

CMYK 0 / 28 / 33 / 12

HEX #E0A296

RGB 224 162 150

HSL 9.73, 0.54%, 0.73%

LAB 72.15, 21.39, 15.33

 

CMYK 0 / 30 / 37 / 19

HEX #CF9083

RGB 207 144 131

HSL 10.26, 0.44%, 0.66%

LAB 65.63, 22.21, 16.5

 

CMYK 0 / 34 / 41 / 25

HEX #BE7E70

RGB 190 126 112

HSL 10.77, 0.38%, 0.59%

LAB 59.01, 23.14, 17.8

 

CMYK 0 / 38 / 46 / 32

HEX #AD6C5D

RGB 173 108 93

HSL 11.25, 0.33%, 0.52%

LAB 52.29, 24.18, 19.26

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

CMYK 0 / 21 / 30 / 6

HEX #F0BEA7

RGB 240 190 167

HSL 18.9, 0.71%, 0.8%

LAB 80.82, 14.73, 18.45

 

CMYK 0 / 16 / 30 / 6

HEX #F0CAA7

RGB 240 202 167

HSL 28.77, 0.71%, 0.8%

LAB 83.73, 8.43, 22.48

 

CMYK 0 / 10 / 30 / 6

HEX #F0D7A7

RGB 240 215 167

HSL 39.45, 0.71%, 0.8%

LAB 86.96, 1.68, 26.88

 

CMYK 0 / 5 / 30 / 6

HEX #F0E3A7

RGB 240 227 167

HSL 49.32, 0.71%, 0.8%

LAB 89.98, -4.45, 30.96

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

CMYK 0 / 24 / 30 / 85

HEX #251C1A

RGB 37 28 26

HSL 10.91, 0.17%, 0.12%

LAB 11.26, 4.01, 3.05

 

CMYK 0 / 25 / 30 / 65

HEX #58423E

RGB 88 66 62

HSL 9.23, 0.17%, 0.29%

LAB 30.2, 8.84, 6.11

 

CMYK 0 / 25 / 30 / 45

HEX #8B6861

RGB 139 104 97

HSL 10, 0.18%, 0.46%

LAB 47.3, 12.96, 9.39

 

CMYK 0 / 25 / 30 / 25

HEX #BE8E85

RGB 190 142 133

HSL 9.47, 0.3%, 0.63%

LAB 63.33, 16.92, 11.89

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

CMYK 10 / 0 / 30 / 6

HEX #D7F0A7

RGB 215 240 167

HSL 80.55, 0.71%, 0.8%

LAB 91.49, -20.18, 32.65

 

CMYK 30 / 23 / 0 / 6

HEX #A7B9F0

RGB 167 185 240

HSL 225.21, 0.71%, 0.8%

LAB 75.58, 6.22, -29.35

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

CMYK 30 / 0 / 26 / 6

HEX #A7F0B2

RGB 167 240 178

HSL 129.04, 0.71%, 0.8%

LAB 88.8, -34.75, 22.93

 

CMYK 26 / 30 / 0 / 6

HEX #B2A7F0

RGB 178 167 240

HSL 249.04, 0.71%, 0.8%

LAB 71.82, 19.37, -35.08

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

CMYK 10 / 0 / 30 / 6

HEX #D7F0A7

RGB 215 240 167

HSL 80.55, 0.71%, 0.8%

LAB 91.49, -20.18, 32.65

 

CMYK 30 / 5 / 0 / 6

HEX #A7E5F0

RGB 167 229 240

HSL 189.04, 0.71%, 0.8%

LAB 87.26, -16.94, -11.66

 

CMYK 20 / 30 / 0 / 6

HEX #C0A7F0

RGB 192 167 240

HSL 260.55, 0.71%, 0.8%

LAB 72.98, 23.52, -33.2

 

CMYK 0 / 25 / 30 / 5

HEX #F1B4A9

RGB 241 180 169

HSL 9.17, 0.72%, 0.8%

LAB 78.58, 20.66, 14.26

 

CMYK 20 / 0 / 30 / 6

HEX #C0F0A7

RGB 192 240 167

HSL 99.45, 0.71%, 0.8%

LAB 90.01, -28.31, 30.41

 

CMYK 30 / 5 / 0 / 6

HEX #A7E5F0

RGB 167 229 240

HSL 189.04, 0.71%, 0.8%

LAB 87.26, -16.94, -11.66

 

CMYK 10 / 30 / 0 / 6

HEX #D7A7F0

RGB 215 167 240

HSL 279.45, 0.71%, 0.8%

LAB 75.06, 30.54, -29.82

 

Description

Color code: HEX #F1B4A9 | qconv.com Color code: HEX #F1B4A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 241 red, 180 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
241 180 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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