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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0DC8C it is the complementary color #0F2373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0DC8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F0DC8C: #F5DC87, #FFEE9A, #FFFFAD, #FFFFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0DC8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F0DC8C: #F0DC8C, #DFCA79, #CEB866, #BDA653 and #AC9440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

Complementary color

CMYK 87 / 70 / 0 / 55

HEX #0F2373

RGB 15 35 115

HSL 228, 0.77%, 0.25%

LAB 18.1, 25.34, -47.84

 

CMYK 0 / 10 / 45 / 4

HEX #F5DC87

RGB 245 220 135

HSL 46.36, 0.85%, 0.75%

LAB 88.14, -2.5, 44.77

 

CMYK 0 / 7 / 40 / 0

HEX #FFEE9A

RGB 255 238 154

HSL 49.9, 1%, 0.8%

LAB 93.77, -5.74, 42.71

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFC0

RGB 255 255 192

HSL 60, 1%, 0.88%

LAB 98.66, -9.68, 30.2

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

CMYK 0 / 9 / 46 / 13

HEX #DFCA79

RGB 223 202 121

HSL 47.65, 0.61%, 0.67%

LAB 81.46, -3.43, 42.95

 

CMYK 0 / 11 / 50 / 19

HEX #CEB866

RGB 206 184 102

HSL 47.31, 0.51%, 0.6%

LAB 75.05, -2.79, 44.19

 

CMYK 0 / 12 / 56 / 26

HEX #BDA653

RGB 189 166 83

HSL 46.98, 0.45%, 0.53%

LAB 68.54, -2.04, 45.43

 

CMYK 0 / 14 / 63 / 33

HEX #AC9440

RGB 172 148 64

HSL 46.67, 0.46%, 0.46%

LAB 61.93, -1.13, 46.6

 

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

CMYK 0 / 1 / 41 / 6

HEX #F0ED8E

RGB 240 237 142

HSL 58.16, 0.77%, 0.75%

LAB 92.15, -12.28, 46.29

 

CMYK 5 / 0 / 41 / 6

HEX #E3F08E

RGB 227 240 142

HSL 67.96, 0.77%, 0.75%

LAB 91.96, -18.74, 45.84

 

CMYK 13 / 0 / 41 / 6

HEX #D2F08E

RGB 210 240 142

HSL 78.37, 0.77%, 0.75%

LAB 90.77, -25.13, 44.09

 

CMYK 19 / 0 / 41 / 6

HEX #C2F08E

RGB 194 240 142

HSL 88.16, 0.77%, 0.75%

LAB 89.74, -30.97, 42.57

 

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

CMYK 0 / 8 / 42 / 86

HEX #242115

RGB 36 33 21

HSL 48, 0.26%, 0.11%

LAB 12.72, -1.01, 8.65

 

CMYK 0 / 8 / 41 / 66

HEX #575033

RGB 87 80 51

HSL 48.33, 0.26%, 0.27%

LAB 33.99, -2, 18.15

 

CMYK 0 / 8 / 41 / 46

HEX #8A7F51

RGB 138 127 81

HSL 48.42, 0.26%, 0.43%

LAB 53.14, -2.85, 26.51

 

CMYK 0 / 8 / 42 / 26

HEX #BDAD6E

RGB 189 173 110

HSL 47.85, 0.37%, 0.59%

LAB 70.75, -3.21, 34.42

 

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

CMYK 41 / 0 / 41 / 6

HEX #8EF08E

RGB 142 240 142

HSL 120, 0.77%, 0.75%

LAB 87.01, -48.06, 38.52

 

CMYK 25 / 41 / 0 / 6

HEX #B58EF0

RGB 181 142 240

HSL 263.88, 0.77%, 0.75%

LAB 66.11, 34.22, -43.98

 

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

CMYK 41 / 0 / 8 / 6

HEX #8EF0DC

RGB 142 240 220

HSL 167.76, 0.77%, 0.75%

LAB 88.56, -33.45, 0.61

 

CMYK 8 / 41 / 0 / 6

HEX #DC8EF0

RGB 220 142 240

HSL 287.76, 0.77%, 0.75%

LAB 70.07, 45.44, -37.49

 

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

CMYK 41 / 0 / 41 / 6

HEX #8EF08E

RGB 142 240 142

HSL 120, 0.77%, 0.75%

LAB 87.01, -48.06, 38.52

 

CMYK 41 / 33 / 0 / 6

HEX #8EA1F0

RGB 142 161 240

HSL 228.37, 0.77%, 0.75%

LAB 67.67, 12.87, -41.74

 

CMYK 0 / 41 / 0 / 6

HEX #F08EF0

RGB 240 142 240

HSL 300, 0.77%, 0.75%

LAB 72.34, 51.32, -33.8

 

CMYK 0 / 8 / 42 / 6

HEX #F0DC8C

RGB 240 220 140

HSL 48, 0.77%, 0.75%

LAB 87.78, -3.97, 41.74

 

CMYK 41 / 0 / 29 / 6

HEX #8EF0AB

RGB 142 240 171

HSL 137.76, 0.77%, 0.75%

LAB 87.49, -43.35, 24.53

 

CMYK 41 / 33 / 0 / 6

HEX #8EA1F0

RGB 142 161 240

HSL 228.37, 0.77%, 0.75%

LAB 67.67, 12.87, -41.74

 

CMYK 0 / 41 / 13 / 6

HEX #F08ED2

RGB 240 142 210

HSL 318.37, 0.77%, 0.75%

LAB 71.23, 46.24, -19

 

Description

Color code: HEX #F0DC8C | qconv.com Color code: HEX #F0DC8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 220 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 220 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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