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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F0CC3E it is the complementary color #0F33C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F0CC3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F0CC3E shade: #F5CC39, #FFDE4C, #FFF05F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F0CC3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F0CC3E shade: #F0CC3E, #DFBA2B, #CEA818, #BD9605 and #AC8400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F0CC3E shade: #F0CC3D, #F09C3D, #F06B3D and #F03D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F0CC3E shade: #F0CC3D, #E4F03D, #B4F03D, #83F03D and #53F03D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F0CC3E shade matches the following richer shades: #F0CC3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F0CC3E shade: #F0CC3D, #DFC24D, #CFB85E, #BEAE6F and #ADA480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F0CC3E shade: #F0693D, #F0993D, #F0C93D, #E7F03D and #B7F03D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F0CC3E shade: #CBA50F, #EDC216, #F0CC3D, #F3D663 and #F6E089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F0CC3E shade: #F0CC3E, #40F03D and #813DF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F0CC3E shade: #F0CC3E, #3DF0C9 and #C93DF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F0CC3E shade: #F0CC3E, #40F03D, #3D63F0 and #ED3DF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F0CC3E shade: #F0CC3E, #3DF06F, #3D63F0 and #F03DBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 74 / 6

HEX #F0CC3E

RGB 240 204 62

HSL 47.87, 0.86%, 0.59%

LAB 82.94, -1.42, 70.97

 

Complementary color

CMYK 92 / 74 / 0 / 24

HEX #0F33C1

RGB 15 51 193

HSL 227.87, 0.86%, 0.41%

LAB 30.2, 44.55, -75.75

 

CMYK 0 / 17 / 77 / 4

HEX #F5CC39

RGB 245 204 57

HSL 46.91, 0.9%, 0.59%

LAB 83.39, 0.5, 73.26

 

CMYK 0 / 13 / 70 / 0

HEX #FFDE4C

RGB 255 222 76

HSL 48.94, 1%, 0.65%

LAB 88.93, -3.66, 72.17

 

CMYK 0 / 6 / 63 / 0

HEX #FFF05F

RGB 255 240 95

HSL 54.38, 1%, 0.69%

LAB 93.63, -11.59, 69.57

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 15 / 74 / 6

HEX #F0CC3E

RGB 240 204 62

HSL 47.87, 0.86%, 0.59%

LAB 82.94, -1.42, 70.97

 

CMYK 0 / 17 / 81 / 13

HEX #DFBA2B

RGB 223 186 43

HSL 47.67, 0.74%, 0.52%

LAB 76.67, -0.08, 70.84

 

CMYK 0 / 18 / 88 / 19

HEX #CEA818

RGB 206 168 24

HSL 47.47, 0.79%, 0.45%

LAB 70.31, 1.48, 69.75

 

CMYK 0 / 21 / 97 / 26

HEX #BD9605

RGB 189 150 5

HSL 47.28, 0.95%, 0.38%

LAB 63.87, 3.28, 67.24

 

CMYK 0 / 23 / 100 / 33

HEX #AC8400

RGB 172 132 0

HSL 46.05, 1%, 0.34%

LAB 57.34, 5.36, 62.58

HEX #AC8400

CMYK 0 / 15 / 75 / 6

HEX #F0CC3D

RGB 240 204 61

HSL 47.93, 0.86%, 0.59%

LAB 82.94, -1.46, 71.31

 

CMYK 0 / 35 / 75 / 6

HEX #F09C3D

RGB 240 156 61

HSL 31.84, 0.86%, 0.59%

LAB 71.31, 23.67, 60.06

 

CMYK 0 / 55 / 75 / 6

HEX #F06B3D

RGB 240 107 61

HSL 15.42, 0.86%, 0.59%

LAB 61.11, 48.56, 49.64

 

CMYK 0 / 75 / 75 / 6

HEX #F03D3D

RGB 240 61 61

HSL 0, 0.86%, 0.59%

LAB 54.24, 67.03, 42.25

 

CMYK 0 / 15 / 75 / 6

HEX #F0CC3D

RGB 240 204 61

HSL 47.93, 0.86%, 0.59%

LAB 82.94, -1.46, 71.31

 

CMYK 5 / 0 / 75 / 6

HEX #E4F03D

RGB 228 240 61

HSL 64.02, 0.86%, 0.59%

LAB 91.3, -24.27, 78.77

 

CMYK 25 / 0 / 75 / 6

HEX #B4F03D

RGB 180 240 61

HSL 80.11, 0.86%, 0.59%

LAB 88.14, -43.05, 74.67

 

CMYK 45 / 0 / 75 / 6

HEX #83F03D

RGB 131 240 61

HSL 96.54, 0.86%, 0.59%

LAB 85.75, -59.66, 71.54

 

CMYK 65 / 0 / 75 / 6

HEX #53F03D

RGB 83 240 61

HSL 112.63, 0.86%, 0.59%

LAB 84.22, -71.68, 69.53

 

CMYK 0 / 15 / 75 / 6

HEX #F0CC3D

RGB 240 204 61

HSL 47.93, 0.86%, 0.59%

LAB 82.94, -1.46, 71.31

 

CMYK 0 / 15 / 75 / 6

HEX #F0CC3D

RGB 240 204 61

HSL 47.93, 0.86%, 0.59%

LAB 82.94, -1.46, 71.31

 

CMYK 0 / 13 / 65 / 13

HEX #DFC24D

RGB 223 194 77

HSL 48.08, 0.7%, 0.59%

LAB 78.93, -2.71, 60.59

 

CMYK 0 / 11 / 55 / 19

HEX #CFB85E

RGB 207 184 94

HSL 47.79, 0.54%, 0.59%

LAB 75.05, -3.06, 48.12

 

CMYK 0 / 8 / 42 / 25

HEX #BEAE6F

RGB 190 174 111

HSL 47.85, 0.38%, 0.59%

LAB 71.12, -3.22, 34.39

 

CMYK 0 / 5 / 26 / 32

HEX #ADA480

RGB 173 164 128

HSL 48, 0.22%, 0.59%

LAB 67.27, -2.59, 19.89

 

CMYK 0 / 56 / 75 / 6

HEX #F0693D

RGB 240 105 61

HSL 14.75, 0.86%, 0.59%

LAB 60.75, 49.5, 49.26

 

CMYK 0 / 36 / 75 / 6

HEX #F0993D

RGB 240 153 61

HSL 30.84, 0.86%, 0.59%

LAB 70.63, 25.25, 59.38

 

CMYK 0 / 16 / 75 / 6

HEX #F0C93D

RGB 240 201 61

HSL 46.93, 0.86%, 0.59%

LAB 82.18, 0.08, 70.6

 

CMYK 4 / 0 / 75 / 6

HEX #E7F03D

RGB 231 240 61

HSL 63.02, 0.86%, 0.59%

LAB 91.53, -23.05, 79.05

 

CMYK 24 / 0 / 75 / 6

HEX #B7F03D

RGB 183 240 61

HSL 79.11, 0.86%, 0.59%

LAB 88.32, -41.93, 74.9

 

CMYK 0 / 19 / 93 / 20

HEX #CBA50F

RGB 203 165 15

HSL 47.87, 0.86%, 0.43%

LAB 69.21, 1.59, 70.43

 

CMYK 0 / 18 / 91 / 7

HEX #EDC216

RGB 237 194 22

HSL 48, 0.86%, 0.51%

LAB 79.98, 1.33, 78.92

 

CMYK 0 / 15 / 75 / 6

HEX #F0CC3D

RGB 240 204 61

HSL 47.93, 0.86%, 0.59%

LAB 82.94, -1.46, 71.31

 

CMYK 0 / 12 / 59 / 5

HEX #F3D663

RGB 243 214 99

HSL 47.92, 0.86%, 0.67%

LAB 86.03, -3.24, 59.26

 

CMYK 0 / 9 / 44 / 4

HEX #F6E089

RGB 246 224 137

HSL 47.89, 0.86%, 0.75%

LAB 89.26, -3.94, 45.21

 

CMYK 0 / 15 / 74 / 6

HEX #F0CC3E

RGB 240 204 62

HSL 47.87, 0.86%, 0.59%

LAB 82.94, -1.42, 70.97

 

CMYK 73 / 0 / 75 / 6

HEX #40F03D

RGB 64 240 61

HSL 118.99, 0.86%, 0.59%

LAB 83.83, -74.98, 69.02

 

CMYK 46 / 75 / 0 / 6

HEX #813DF0

RGB 129 61 240

HSL 262.79, 0.86%, 0.59%

LAB 44.65, 65, -78.71

 

CMYK 0 / 15 / 74 / 6

HEX #F0CC3E

RGB 240 204 62

HSL 47.87, 0.86%, 0.59%

LAB 82.94, -1.42, 70.97

 

CMYK 75 / 0 / 16 / 6

HEX #3DF0C9

RGB 61 240 201

HSL 166.93, 0.86%, 0.59%

LAB 85.77, -52.97, 6.21

 

CMYK 16 / 75 / 0 / 6

HEX #C93DF0

RGB 201 61 240

HSL 286.93, 0.86%, 0.59%

LAB 54.08, 77.22, -62.98

 

CMYK 0 / 15 / 74 / 6

HEX #F0CC3E

RGB 240 204 62

HSL 47.87, 0.86%, 0.59%

LAB 82.94, -1.42, 70.97

 

CMYK 73 / 0 / 75 / 6

HEX #40F03D

RGB 64 240 61

HSL 118.99, 0.86%, 0.59%

LAB 83.83, -74.98, 69.02

 

CMYK 75 / 59 / 0 / 6

HEX #3D63F0

RGB 61 99 240

HSL 227.26, 0.86%, 0.59%

LAB 47.24, 34.92, -74.68

 

CMYK 1 / 75 / 0 / 6

HEX #ED3DF0

RGB 237 61 240

HSL 298.99, 0.86%, 0.59%

LAB 59.56, 84.11, -53.9

 

CMYK 0 / 15 / 74 / 6

HEX #F0CC3E

RGB 240 204 62

HSL 47.87, 0.86%, 0.59%

LAB 82.94, -1.42, 70.97

 

CMYK 75 / 0 / 54 / 6

HEX #3DF06F

RGB 61 240 111

HSL 136.76, 0.86%, 0.59%

LAB 84.2, -70.31, 49.35

 

CMYK 75 / 59 / 0 / 6

HEX #3D63F0

RGB 61 99 240

HSL 227.26, 0.86%, 0.59%

LAB 47.24, 34.92, -74.68

 

CMYK 0 / 75 / 21 / 6

HEX #F03DBD

RGB 240 61 189

HSL 317.09, 0.86%, 0.59%

LAB 57.59, 77.58, -28.03

 

Description

Color code: HEX #F0CC3E | qconv.com Color code: HEX #F0CC3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 204 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 204 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 74 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 74% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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