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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F07A8C it is the complementary color #0F8573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F07A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F07A8C shade: #F57A87, #FF8C9A, #FF9EAD, #FFB0C0 and #FFC2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F07A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F07A8C shade: #F07A8C, #DF6879, #CE5666, #BD4453 and #AC3240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F07A8C shade: #F07A8C and #F07A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F07A8C shade: #F07A8C, #F07AAC, #F07ACC, #F07AEC and #D57AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F07A8C shade matches the following richer shades: #F07A8C and #FC6E84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F07A8C shade: #F07A8C, #E48694, #D8929D, #CC9EA5 and #C0AAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F07A8C shade: #F07ACD, #F07AAD, #F07A8E, #F0867A and #F0A57A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F07A8C shade: #E8304C, #EC556C, #F07A8C, #F49FAC and #F8C4CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F07A8C shade: #F07A8C, #ECF07A and #7ABDF0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F07A8C shade: #F07A8C, #8EF07A and #7A8EF0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F07A8C shade: #F07A8C, #ECF07A, #7AF0DC and #7E7AF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F07A8C shade: #F07A8C, #C9F07A, #7AF0DC and #A17AF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

Complementary color

CMYK 89 / 0 / 14 / 48

HEX #0F8573

RGB 15 133 115

HSL 170.85, 0.8%, 0.29%

LAB 49.63, -34.33, 1.2

 

CMYK 0 / 50 / 45 / 4

HEX #F57A87

RGB 245 122 135

HSL 353.66, 0.86%, 0.72%

LAB 65.81, 48.25, 15.23

 

CMYK 0 / 45 / 40 / 0

HEX #FF8C9A

RGB 255 140 154

HSL 352.7, 1%, 0.77%

LAB 71.11, 44.81, 12.19

 

CMYK 0 / 38 / 32 / 0

HEX #FF9EAD

RGB 255 158 173

HSL 350.72, 1%, 0.81%

LAB 75.28, 37.85, 7.61

 

CMYK 0 / 31 / 25 / 0

HEX #FFB0C0

RGB 255 176 192

HSL 347.85, 1%, 0.85%

LAB 79.68, 30.97, 3.58

 

CMYK 0 / 24 / 17 / 0

HEX #FFC2D3

RGB 255 194 211

HSL 343.28, 1%, 0.88%

LAB 84.25, 24.29, 0

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 0 / 53 / 46 / 13

HEX #DF6879

RGB 223 104 121

HSL 351.43, 0.65%, 0.64%

LAB 58.95, 47.97, 13.21

 

CMYK 0 / 58 / 50 / 19

HEX #CE5666

RGB 206 86 102

HSL 352, 0.55%, 0.57%

LAB 52.66, 48.89, 15.25

 

CMYK 0 / 64 / 56 / 26

HEX #BD4453

RGB 189 68 83

HSL 352.56, 0.48%, 0.5%

LAB 46.42, 49.67, 17.7

 

CMYK 0 / 71 / 63 / 33

HEX #AC3240

RGB 172 50 64

HSL 353.11, 0.55%, 0.44%

LAB 40.28, 50.16, 20.72

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 0 / 49 / 49 / 6

HEX #F07A7A

RGB 240 122 122

HSL 0, 0.8%, 0.71%

LAB 64.84, 45.26, 21.14

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 0 / 49 / 28 / 6

HEX #F07AAC

RGB 240 122 172

HSL 334.58, 0.8%, 0.71%

LAB 66.08, 50.76, -5.47

 

CMYK 0 / 49 / 15 / 6

HEX #F07ACC

RGB 240 122 204

HSL 318.31, 0.8%, 0.71%

LAB 67.13, 55.27, -21.9

 

CMYK 0 / 49 / 2 / 6

HEX #F07AEC

RGB 240 122 236

HSL 302.03, 0.8%, 0.71%

LAB 68.39, 60.44, -37.74

 

CMYK 11 / 49 / 0 / 6

HEX #D57AF0

RGB 213 122 240

HSL 286.27, 0.8%, 0.71%

LAB 65.24, 53.78, -45.1

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 0 / 56 / 48 / 1

HEX #FC6E84

RGB 252 110 132

HSL 350.7, 0.96%, 0.71%

LAB 64.57, 56.02, 15.37

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 0 / 41 / 35 / 11

HEX #E48694

RGB 228 134 148

HSL 351.06, 0.64%, 0.71%

LAB 66.28, 37.54, 8.21

 

CMYK 0 / 32 / 27 / 15

HEX #D8929D

RGB 216 146 157

HSL 350.57, 0.47%, 0.71%

LAB 67.72, 27.93, 5.03

 

CMYK 0 / 23 / 19 / 20

HEX #CC9EA5

RGB 204 158 165

HSL 350.87, 0.31%, 0.71%

LAB 69.48, 18.13, 2.94

 

CMYK 0 / 11 / 10 / 25

HEX #C0AAAD

RGB 192 170 173

HSL 351.82, 0.15%, 0.71%

LAB 71.54, 8.47, 1.37

 

CMYK 0 / 49 / 15 / 6

HEX #F07ACD

RGB 240 122 205

HSL 317.8, 0.8%, 0.71%

LAB 67.17, 55.42, -22.41

 

CMYK 0 / 49 / 28 / 6

HEX #F07AAD

RGB 240 122 173

HSL 334.07, 0.8%, 0.71%

LAB 66.11, 50.89, -5.99

 

CMYK 0 / 49 / 41 / 6

HEX #F07A8E

RGB 240 122 142

HSL 349.83, 0.8%, 0.71%

LAB 65.28, 47.22, 10.41

 

CMYK 0 / 44 / 49 / 6

HEX #F0867A

RGB 240 134 122

HSL 6.1, 0.8%, 0.71%

LAB 67.26, 39.21, 24.41

 

CMYK 0 / 31 / 49 / 6

HEX #F0A57A

RGB 240 165 122

HSL 21.86, 0.8%, 0.71%

LAB 74.09, 22.98, 33.4

 

CMYK 0 / 79 / 67 / 9

HEX #E8304C

RGB 232 48 76

HSL 350.87, 0.8%, 0.55%

LAB 51.6, 69.17, 30.15

 

CMYK 0 / 64 / 54 / 7

HEX #EC556C

RGB 236 85 108

HSL 350.86, 0.8%, 0.63%

LAB 57.48, 59.69, 19.08

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 0 / 35 / 30 / 4

HEX #F49FAC

RGB 244 159 172

HSL 350.82, 0.79%, 0.79%

LAB 74.19, 33.25, 6.43

 

CMYK 0 / 21 / 18 / 3

HEX #F8C4CC

RGB 248 196 204

HSL 350.77, 0.79%, 0.87%

LAB 83.86, 19.7, 3.09

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 2 / 0 / 49 / 6

HEX #ECF07A

RGB 236 240 122

HSL 62.03, 0.8%, 0.71%

LAB 92.38, -17.21, 55.99

 

CMYK 49 / 21 / 0 / 6

HEX #7ABDF0

RGB 122 189 240

HSL 205.93, 0.8%, 0.71%

LAB 74.08, -7.57, -31.88

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 41 / 0 / 49 / 6

HEX #8EF07A

RGB 142 240 122

HSL 109.83, 0.8%, 0.71%

LAB 86.74, -50.77, 47.86

 

CMYK 49 / 41 / 0 / 6

HEX #7A8EF0

RGB 122 142 240

HSL 229.83, 0.8%, 0.71%

LAB 61.46, 19.05, -51.63

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 2 / 0 / 49 / 6

HEX #ECF07A

RGB 236 240 122

HSL 62.03, 0.8%, 0.71%

LAB 92.38, -17.21, 55.99

 

CMYK 49 / 0 / 8 / 6

HEX #7AF0DC

RGB 122 240 220

HSL 169.83, 0.8%, 0.71%

LAB 87.79, -38.15, -0.61

 

CMYK 48 / 49 / 0 / 6

HEX #7E7AF0

RGB 126 122 240

HSL 242.03, 0.8%, 0.71%

LAB 56.73, 31.76, -59.15

 

CMYK 0 / 49 / 42 / 6

HEX #F07A8C

RGB 240 122 140

HSL 350.85, 0.8%, 0.71%

LAB 65.23, 47.01, 11.48

 

CMYK 16 / 0 / 49 / 6

HEX #C9F07A

RGB 201 240 122

HSL 79.83, 0.8%, 0.71%

LAB 89.93, -30.63, 52.47

 

CMYK 49 / 0 / 8 / 6

HEX #7AF0DC

RGB 122 240 220

HSL 169.83, 0.8%, 0.71%

LAB 87.79, -38.15, -0.61

 

CMYK 33 / 49 / 0 / 6

HEX #A17AF0

RGB 161 122 240

HSL 259.83, 0.8%, 0.71%

LAB 59.7, 40.07, -54.24

 

Description

Color code: HEX #F07A8C | qconv.com Color code: HEX #F07A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 122 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 122 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 42 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 42% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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