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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EED150 it is the complementary color #112EAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EED150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EED150: #F3D14B, #FFE35E, #FFF571, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EED150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EED150: #EED150, #DDBF3D, #CCAD2A, #BB9B17 and #AA8904

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

Complementary color

CMYK 90 / 74 / 0 / 31

HEX #112EAF

RGB 17 46 175

HSL 228.99, 0.82%, 0.38%

LAB 27.21, 41.19, -70.02

 

CMYK 0 / 14 / 69 / 5

HEX #F3D14B

RGB 243 209 75

HSL 47.86, 0.88%, 0.62%

LAB 84.57, -2.12, 67.81

 

CMYK 0 / 11 / 63 / 0

HEX #FFE35E

RGB 255 227 94

HSL 49.57, 1%, 0.68%

LAB 90.32, -5.2, 66.45

 

CMYK 0 / 4 / 56 / 0

HEX #FFF571

RGB 255 245 113

HSL 55.77, 1%, 0.72%

LAB 95.06, -12.85, 63.53

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

CMYK 0 / 14 / 72 / 13

HEX #DDBF3D

RGB 221 191 61

HSL 48.75, 0.7%, 0.55%

LAB 77.86, -2.85, 65.82

 

CMYK 0 / 15 / 79 / 20

HEX #CCAD2A

RGB 204 173 42

HSL 48.52, 0.66%, 0.48%

LAB 71.48, -1.56, 65.87

 

CMYK 0 / 17 / 88 / 27

HEX #BB9B17

RGB 187 155 23

HSL 48.29, 0.78%, 0.41%

LAB 65.02, -0.04, 64.95

 

CMYK 0 / 19 / 98 / 33

HEX #AA8904

RGB 170 137 4

HSL 48.07, 0.95%, 0.34%

LAB 58.46, 1.73, 62.6

 

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

CMYK 0 / 2 / 67 / 7

HEX #EDE84E

RGB 237 232 78

HSL 58.11, 0.82%, 0.62%

LAB 89.98, -15.96, 71.97

 

CMYK 9 / 0 / 67 / 7

HEX #D8ED4E

RGB 216 237 78

HSL 67.92, 0.82%, 0.62%

LAB 89.73, -26.86, 71.2

 

CMYK 20 / 0 / 67 / 7

HEX #BDED4E

RGB 189 237 78

HSL 78.11, 0.82%, 0.62%

LAB 87.94, -37.39, 68.79

 

CMYK 31 / 0 / 67 / 7

HEX #A3ED4E

RGB 163 237 78

HSL 87.92, 0.82%, 0.62%

LAB 86.46, -46.9, 66.8

 

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

CMYK 0 / 12 / 68 / 87

HEX #221E0B

RGB 34 30 11

HSL 49.57, 0.51%, 0.09%

LAB 11.22, -1.43, 12.15

 

CMYK 0 / 12 / 66 / 67

HEX #554B1D

RGB 85 75 29

HSL 49.29, 0.49%, 0.22%

LAB 31.93, -2.27, 28.31

 

CMYK 0 / 13 / 66 / 47

HEX #88772E

RGB 136 119 46

HSL 48.67, 0.49%, 0.36%

LAB 50.25, -2.49, 41.33

 

CMYK 0 / 12 / 66 / 27

HEX #BBA43F

RGB 187 164 63

HSL 48.87, 0.5%, 0.49%

LAB 67.63, -3.24, 53.63

 

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

CMYK 67 / 0 / 67 / 7

HEX #4EED4E

RGB 78 237 78

HSL 120, 0.82%, 0.62%

LAB 83.3, -70.33, 62.51

 

CMYK 40 / 67 / 0 / 7

HEX #8E4EED

RGB 142 78 237

HSL 264.15, 0.82%, 0.62%

LAB 48.65, 58.57, -70.44

 

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

CMYK 67 / 0 / 14 / 7

HEX #4EEDCD

RGB 78 237 205

HSL 167.92, 0.82%, 0.62%

LAB 85.3, -48.54, 3.47

 

CMYK 14 / 67 / 0 / 7

HEX #CD4EED

RGB 205 78 237

HSL 287.92, 0.82%, 0.62%

LAB 56.63, 71.35, -57.17

 

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

CMYK 67 / 0 / 67 / 7

HEX #4EED4E

RGB 78 237 78

HSL 120, 0.82%, 0.62%

LAB 83.3, -70.33, 62.51

 

CMYK 67 / 54 / 0 / 7

HEX #4E6EED

RGB 78 110 237

HSL 227.92, 0.82%, 0.62%

LAB 50.55, 29.18, -67.58

 

CMYK 0 / 67 / 0 / 7

HEX #ED4EED

RGB 237 78 237

HSL 300, 0.82%, 0.62%

LAB 61.28, 78.28, -49.49

 

CMYK 0 / 12 / 66 / 7

HEX #EED150

RGB 238 209 80

HSL 48.99, 0.82%, 0.62%

LAB 84.15, -3.94, 65.24

 

CMYK 67 / 0 / 47 / 7

HEX #4EED7E

RGB 78 237 126

HSL 138.11, 0.82%, 0.62%

LAB 83.81, -64.49, 41.83

 

CMYK 67 / 54 / 0 / 7

HEX #4E6EED

RGB 78 110 237

HSL 227.92, 0.82%, 0.62%

LAB 50.55, 29.18, -67.58

 

CMYK 0 / 67 / 20 / 7

HEX #ED4EBD

RGB 237 78 189

HSL 318.11, 0.82%, 0.62%

LAB 59.09, 71.25, -25.76

 

Description

Color code: HEX #EED150 | qconv.com Color code: HEX #EED150 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 209 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 209 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 66 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 66% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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