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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EECDAD it is the complementary color #113252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EECDAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EECDAD shade: #F3CDA8, #FFDFBB, #FFF1CE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EECDAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EECDAD shade: #EECDAD, #DDBB9A, #CCA987, #BB9774 and #AA8561

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EECDAD shade: #EFCEAF, #EFBDAF and #EFAFAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EECDAD shade: #EFCEAF, #EFDFAF, #EDEFAF, #DBEFAF and #CAEFAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EECDAD shade matches the following richer shades: #EFCEAF, #F6CEA7 and #FECE9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EECDAD shade: #EFCEAF, #E7CEB6, #DFCEBE, #D7CEC6 and #CFCFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EECDAD shade: #EFAFB2, #EFBCAF, #EFCDAF, #EFDFAF and #EDEFAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EECDAD shade: #E0A46A, #E8B98C, #EFCEAF, #F6E3D1 and #FDF8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EECDAD shade: #EECDAD, #C3EFAF and #B4AFEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EECDAD shade: #EECDAD, #AFEFCD and #CDAFEF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EECDAD shade: #EECDAD, #C3EFAF, #AFD0EF and #DAAFEF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EECDAD shade: #EECDAD, #B0EFAF, #AFD0EF and #EDAFEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 27 / 7

HEX #EECDAD

RGB 238 205 173

HSL 29.54, 0.66%, 0.81%

LAB 84.41, 6.89, 20.22

 

Complementary color

CMYK 79 / 39 / 0 / 68

HEX #113252

RGB 17 50 82

HSL 209.54, 0.66%, 0.19%

LAB 20.08, 0.62, -22.97

 

CMYK 0 / 16 / 31 / 5

HEX #F3CDA8

RGB 243 205 168

HSL 29.6, 0.76%, 0.81%

LAB 84.76, 8.13, 23.41

 

CMYK 0 / 13 / 27 / 0

HEX #FFDFBB

RGB 255 223 187

HSL 31.76, 1%, 0.87%

LAB 90.61, 5.78, 21.72

 

CMYK 0 / 5 / 19 / 0

HEX #FFF1CE

RGB 255 241 206

HSL 42.86, 1%, 0.9%

LAB 95.42, -0.76, 18.61

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 14 / 27 / 7

HEX #EECDAD

RGB 238 205 173

HSL 29.54, 0.66%, 0.81%

LAB 84.41, 6.89, 20.22

 

CMYK 0 / 15 / 30 / 13

HEX #DDBB9A

RGB 221 187 154

HSL 29.55, 0.5%, 0.74%

LAB 78.02, 7.37, 21.25

 

CMYK 0 / 17 / 34 / 20

HEX #CCA987

RGB 204 169 135

HSL 29.57, 0.4%, 0.66%

LAB 71.53, 7.93, 22.35

 

CMYK 0 / 19 / 38 / 27

HEX #BB9774

RGB 187 151 116

HSL 29.58, 0.34%, 0.59%

LAB 64.93, 8.56, 23.53

 

CMYK 0 / 22 / 43 / 33

HEX #AA8561

RGB 170 133 97

HSL 29.59, 0.3%, 0.52%

LAB 58.21, 9.3, 24.81

 

CMYK 0 / 14 / 27 / 6

HEX #EFCEAF

RGB 239 206 175

HSL 29.06, 0.67%, 0.81%

LAB 84.79, 7.01, 19.71

 

CMYK 0 / 21 / 27 / 6

HEX #EFBDAF

RGB 239 189 175

HSL 13.13, 0.67%, 0.81%

LAB 80.65, 15.94, 13.92

 

CMYK 0 / 27 / 27 / 6

HEX #EFAFAF

RGB 239 175 175

HSL 0, 0.67%, 0.81%

LAB 77.34, 23.37, 9.23

 

CMYK 0 / 14 / 27 / 6

HEX #EFCEAF

RGB 239 206 175

HSL 29.06, 0.67%, 0.81%

LAB 84.79, 7.01, 19.71

 

CMYK 0 / 7 / 27 / 6

HEX #EFDFAF

RGB 239 223 175

HSL 45, 0.67%, 0.81%

LAB 89.03, -1.77, 25.55

 

CMYK 1 / 0 / 27 / 6

HEX #EDEFAF

RGB 237 239 175

HSL 61.88, 0.67%, 0.81%

LAB 92.94, -10.58, 30.83

 

CMYK 8 / 0 / 27 / 6

HEX #DBEFAF

RGB 219 239 175

HSL 78.75, 0.67%, 0.81%

LAB 91.63, -17.15, 28.84

 

CMYK 15 / 0 / 27 / 6

HEX #CAEFAF

RGB 202 239 175

HSL 94.69, 0.67%, 0.81%

LAB 90.5, -23.18, 27.11

 

CMYK 0 / 14 / 27 / 6

HEX #EFCEAF

RGB 239 206 175

HSL 29.06, 0.67%, 0.81%

LAB 84.79, 7.01, 19.71

 

CMYK 0 / 16 / 32 / 4

HEX #F6CEA7

RGB 246 206 167

HSL 29.62, 0.81%, 0.81%

LAB 85.26, 8.62, 24.67

 

CMYK 0 / 19 / 37 / 0

HEX #FECE9F

RGB 254 206 159

HSL 29.68, 0.98%, 0.81%

LAB 85.86, 10.74, 29.78

 

CMYK 0 / 14 / 27 / 6

HEX #EFCEAF

RGB 239 206 175

HSL 29.06, 0.67%, 0.81%

LAB 84.79, 7.01, 19.71

 

CMYK 0 / 11 / 21 / 9

HEX #E7CEB6

RGB 231 206 182

HSL 29.39, 0.51%, 0.81%

LAB 84.23, 5.01, 15.13

 

CMYK 0 / 8 / 15 / 13

HEX #DFCEBE

RGB 223 206 190

HSL 29.09, 0.34%, 0.81%

LAB 83.73, 3.29, 10.08

 

CMYK 0 / 4 / 8 / 16

HEX #D7CEC6

RGB 215 206 198

HSL 28.24, 0.18%, 0.81%

LAB 83.27, 1.73, 5.07

 

CMYK 0 / 0 / 0 / 19

HEX #CFCFCE

RGB 207 207 206

HSL 60, 0.01%, 0.81%

LAB 83.1, -0.18, 0.49

 

CMYK 0 / 27 / 26 / 6

HEX #EFAFB2

RGB 239 175 178

HSL 357.19, 0.67%, 0.81%

LAB 77.42, 23.78, 7.7

 

CMYK 0 / 21 / 27 / 6

HEX #EFBCAF

RGB 239 188 175

HSL 12.19, 0.67%, 0.81%

LAB 80.41, 16.47, 13.58

 

CMYK 0 / 14 / 27 / 6

HEX #EFCDAF

RGB 239 205 175

HSL 28.13, 0.67%, 0.81%

LAB 84.54, 7.53, 19.36

 

CMYK 0 / 7 / 27 / 6

HEX #EFDFAF

RGB 239 223 175

HSL 45, 0.67%, 0.81%

LAB 89.03, -1.77, 25.55

 

CMYK 1 / 0 / 27 / 6

HEX #EDEFAF

RGB 237 239 175

HSL 61.88, 0.67%, 0.81%

LAB 92.94, -10.58, 30.83

 

CMYK 0 / 27 / 53 / 12

HEX #E0A46A

RGB 224 164 106

HSL 29.49, 0.66%, 0.65%

LAB 71.85, 15.64, 38.61

 

CMYK 0 / 20 / 40 / 9

HEX #E8B98C

RGB 232 185 140

HSL 29.35, 0.67%, 0.73%

LAB 78.31, 11.04, 29.27

 

CMYK 0 / 14 / 27 / 6

HEX #EFCEAF

RGB 239 206 175

HSL 29.06, 0.67%, 0.81%

LAB 84.79, 7.01, 19.71

 

CMYK 0 / 8 / 15 / 4

HEX #F6E3D1

RGB 246 227 209

HSL 29.19, 0.67%, 0.89%

LAB 91.3, 3.6, 11.12

 

CMYK 0 / 2 / 4 / 1

HEX #FDF8F3

RGB 253 248 243

HSL 30, 0.71%, 0.97%

LAB 97.83, 0.81, 2.97

 

CMYK 0 / 14 / 27 / 7

HEX #EECDAD

RGB 238 205 173

HSL 29.54, 0.66%, 0.81%

LAB 84.41, 6.89, 20.22

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAF

RGB 195 239 175

HSL 101.25, 0.67%, 0.81%

LAB 90.06, -25.6, 26.44

 

CMYK 25 / 27 / 0 / 6

HEX #B4AFEF

RGB 180 175 239

HSL 244.69, 0.67%, 0.81%

LAB 73.93, 15.28, -31.27

 

CMYK 0 / 14 / 27 / 7

HEX #EECDAD

RGB 238 205 173

HSL 29.54, 0.66%, 0.81%

LAB 84.41, 6.89, 20.22

 

CMYK 27 / 0 / 14 / 6

HEX #AFEFCD

RGB 175 239 205

HSL 148.13, 0.67%, 0.81%

LAB 89.51, -26.91, 10.01

 

CMYK 14 / 27 / 0 / 6

HEX #CDAFEF

RGB 205 175 239

HSL 268.13, 0.67%, 0.81%

LAB 75.99, 22.87, -27.93

 

CMYK 0 / 14 / 27 / 7

HEX #EECDAD

RGB 238 205 173

HSL 29.54, 0.66%, 0.81%

LAB 84.41, 6.89, 20.22

 

CMYK 18 / 0 / 27 / 6

HEX #C3EFAF

RGB 195 239 175

HSL 101.25, 0.67%, 0.81%

LAB 90.06, -25.6, 26.44

 

CMYK 27 / 13 / 0 / 6

HEX #AFD0EF

RGB 175 208 239

HSL 209.06, 0.67%, 0.81%

LAB 82.09, -4.08, -18.85

 

CMYK 9 / 27 / 0 / 6

HEX #DAAFEF

RGB 218 175 239

HSL 280.31, 0.67%, 0.81%

LAB 77.16, 26.95, -26.03

 

CMYK 0 / 14 / 27 / 7

HEX #EECDAD

RGB 238 205 173

HSL 29.54, 0.66%, 0.81%

LAB 84.41, 6.89, 20.22

 

CMYK 26 / 0 / 27 / 6

HEX #B0EFAF

RGB 176 239 175

HSL 119.06, 0.67%, 0.81%

LAB 88.95, -31.94, 24.74

 

CMYK 27 / 13 / 0 / 6

HEX #AFD0EF

RGB 175 208 239

HSL 209.06, 0.67%, 0.81%

LAB 82.09, -4.08, -18.85

 

CMYK 1 / 27 / 0 / 6

HEX #EDAFEF

RGB 237 175 239

HSL 298.13, 0.67%, 0.81%

LAB 78.98, 32.99, -23.09

 

Description

Color code: HEX #EECDAD | qconv.com Color code: HEX #EECDAD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 205 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 205 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 27 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 27% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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