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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EE82EB it is the complementary color #117D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EE82EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EE82EB shade: #F382E6, #FF94F9, #FFA6FF, #FFB8FF and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EE82EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EE82EB shade: #EE82EB, #DD70D8, #CC5EC5, #BB4CB2 and #AA3A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EE82EB shade: #EE81EB, #EE81CE, #EE81B0, #EE8193 and #EE8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EE82EB shade: #EE81EB, #D481EE, #B681EE, #9981EE and #8181EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EE82EB shade matches the following richer shades: #EE81EB and #F976F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EE82EB shade: #EE81EB, #E28DE0, #D798D5, #CBA4CA and #C0B0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EE82EB shade: #B681EE, #D381EE, #EE81EC, #EE81CF and #EE81B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EE82EB shade: #E439DF, #E95DE5, #EE81EB, #F3A6F1 and #F8CAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EE82EB shade: #EE82EB, #EE9981 and #81EEC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EE82EB shade: #EE82EB, #ECEE81 and #81ECEE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EE82EB shade: #EE82EB, #EE9981, #81EE83 and #81D6EE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EE82EB shade: #EE82EB, #EEB981, #81EE83 and #81B6EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 1 / 7

HEX #EE82EB

RGB 238 130 235

HSL 301.67, 0.76%, 0.72%

LAB 69.57, 55.84, -35.37

 

Complementary color

CMYK 86 / 0 / 84 / 51

HEX #117D14

RGB 17 125 20

HSL 121.67, 0.76%, 0.28%

LAB 45.41, -48.43, 44.68

 

CMYK 0 / 47 / 5 / 5

HEX #F382E6

RGB 243 130 230

HSL 306.9, 0.82%, 0.73%

LAB 69.99, 56.43, -31.92

 

CMYK 0 / 42 / 2 / 0

HEX #FF94F9

RGB 255 148 249

HSL 303.36, 1%, 0.79%

LAB 75.62, 54.28, -33.47

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 0 / 28 / 0 / 0

HEX #FFB8FF

RGB 255 184 255

HSL 300, 1%, 0.86%

LAB 83.32, 36.87, -24.9

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 45 / 1 / 7

HEX #EE82EB

RGB 238 130 235

HSL 301.67, 0.76%, 0.72%

LAB 69.57, 55.84, -35.37

 

CMYK 0 / 49 / 2 / 13

HEX #DD70D8

RGB 221 112 216

HSL 302.75, 0.62%, 0.65%

LAB 63.28, 56.49, -34.77

 

CMYK 0 / 54 / 3 / 20

HEX #CC5EC5

RGB 204 94 197

HSL 303.82, 0.52%, 0.58%

LAB 56.95, 57.04, -34.05

 

CMYK 0 / 59 / 5 / 27

HEX #BB4CB2

RGB 187 76 178

HSL 304.86, 0.45%, 0.52%

LAB 50.63, 57.41, -33.14

 

CMYK 0 / 66 / 6 / 33

HEX #AA3A9F

RGB 170 58 159

HSL 305.89, 0.49%, 0.45%

LAB 44.34, 57.46, -31.96

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EB

RGB 238 129 235

HSL 301.65, 0.76%, 0.72%

LAB 69.38, 56.33, -35.66

 

CMYK 0 / 46 / 13 / 7

HEX #EE81CE

RGB 238 129 206

HSL 317.61, 0.76%, 0.72%

LAB 68.27, 51.54, -21.31

 

CMYK 0 / 46 / 26 / 7

HEX #EE81B0

RGB 238 129 176

HSL 334.13, 0.76%, 0.72%

LAB 67.29, 47.17, -5.96

 

CMYK 0 / 46 / 38 / 7

HEX #EE8193

RGB 238 129 147

HSL 350.09, 0.76%, 0.72%

LAB 66.51, 43.57, 9.28

 

CMYK 0 / 46 / 46 / 7

HEX #EE8181

RGB 238 129 129

HSL 0, 0.76%, 0.72%

LAB 66.11, 41.68, 18.88

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EB

RGB 238 129 235

HSL 301.65, 0.76%, 0.72%

LAB 69.38, 56.33, -35.66

 

CMYK 11 / 46 / 0 / 7

HEX #D481EE

RGB 212 129 238

HSL 285.69, 0.76%, 0.72%

LAB 66.42, 49.53, -42.16

 

CMYK 24 / 46 / 0 / 7

HEX #B681EE

RGB 182 129 238

HSL 269.17, 0.76%, 0.72%

LAB 63.19, 41.22, -47.46

 

CMYK 36 / 46 / 0 / 7

HEX #9981EE

RGB 153 129 238

HSL 253.21, 0.76%, 0.72%

LAB 60.47, 33.56, -51.95

 

CMYK 46 / 46 / 0 / 7

HEX #8181EE

RGB 129 129 238

HSL 240, 0.76%, 0.72%

LAB 58.55, 27.73, -55.12

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EB

RGB 238 129 235

HSL 301.65, 0.76%, 0.72%

LAB 69.38, 56.33, -35.66

 

CMYK 0 / 53 / 1 / 2

HEX #F976F6

RGB 249 118 246

HSL 301.37, 0.92%, 0.72%

LAB 69.29, 66.42, -41.74

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EB

RGB 238 129 235

HSL 301.65, 0.76%, 0.72%

LAB 69.38, 56.33, -35.66

 

CMYK 0 / 38 / 1 / 11

HEX #E28DE0

RGB 226 141 224

HSL 301.41, 0.59%, 0.72%

LAB 69.89, 44.75, -28.92

 

CMYK 0 / 29 / 1 / 16

HEX #D798D5

RGB 215 152 213

HSL 301.9, 0.44%, 0.72%

LAB 70.67, 33.42, -21.78

 

CMYK 0 / 19 / 0 / 20

HEX #CBA4CA

RGB 203 164 202

HSL 301.54, 0.27%, 0.72%

LAB 71.9, 20.84, -13.96

 

CMYK 0 / 8 / 1 / 25

HEX #C0B0BF

RGB 192 176 191

HSL 303.75, 0.11%, 0.72%

LAB 73.56, 8.43, -5.56

 

CMYK 24 / 46 / 0 / 7

HEX #B681EE

RGB 182 129 238

HSL 269.17, 0.76%, 0.72%

LAB 63.19, 41.22, -47.46

 

CMYK 11 / 46 / 0 / 7

HEX #D381EE

RGB 211 129 238

HSL 285.14, 0.76%, 0.72%

LAB 66.31, 49.25, -42.35

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EC

RGB 238 129 236

HSL 301.1, 0.76%, 0.72%

LAB 69.42, 56.51, -36.15

 

CMYK 0 / 46 / 13 / 7

HEX #EE81CF

RGB 238 129 207

HSL 317.06, 0.76%, 0.72%

LAB 68.3, 51.7, -21.81

 

CMYK 0 / 46 / 25 / 7

HEX #EE81B2

RGB 238 129 178

HSL 333.03, 0.76%, 0.72%

LAB 67.35, 47.44, -7

 

CMYK 0 / 75 / 2 / 11

HEX #E439DF

RGB 228 57 223

HSL 301.75, 0.76%, 0.56%

LAB 56.83, 80.84, -48.77

 

CMYK 0 / 60 / 2 / 9

HEX #E95DE5

RGB 233 93 229

HSL 301.71, 0.76%, 0.64%

LAB 62.35, 70.35, -43.38

 

CMYK 0 / 46 / 1 / 7

HEX #EE81EB

RGB 238 129 235

HSL 301.65, 0.76%, 0.72%

LAB 69.38, 56.33, -35.66

 

CMYK 0 / 32 / 1 / 5

HEX #F3A6F1

RGB 243 166 241

HSL 301.56, 0.76%, 0.8%

LAB 77.68, 40.01, -26.09

 

CMYK 0 / 19 / 1 / 3

HEX #F8CAF6

RGB 248 202 246

HSL 302.61, 0.77%, 0.88%

LAB 86.43, 23.52, -15.47

 

CMYK 0 / 45 / 1 / 7

HEX #EE82EB

RGB 238 130 235

HSL 301.67, 0.76%, 0.72%

LAB 69.57, 55.84, -35.37

 

CMYK 0 / 36 / 46 / 7

HEX #EE9981

RGB 238 153 129

HSL 13.21, 0.76%, 0.72%

LAB 71.24, 29.22, 25.85

 

CMYK 46 / 0 / 18 / 7

HEX #81EEC4

RGB 129 238 196

HSL 156.88, 0.76%, 0.72%

LAB 86.9, -41.01, 10.68

 

CMYK 0 / 45 / 1 / 7

HEX #EE82EB

RGB 238 130 235

HSL 301.67, 0.76%, 0.72%

LAB 69.57, 55.84, -35.37

 

CMYK 1 / 0 / 46 / 7

HEX #ECEE81

RGB 236 238 129

HSL 61.1, 0.76%, 0.72%

LAB 91.94, -15.6, 52.2

 

CMYK 46 / 1 / 0 / 7

HEX #81ECEE

RGB 129 236 238

HSL 181.1, 0.76%, 0.72%

LAB 87.4, -30.36, -10.58

 

CMYK 0 / 45 / 1 / 7

HEX #EE82EB

RGB 238 130 235

HSL 301.67, 0.76%, 0.72%

LAB 69.57, 55.84, -35.37

 

CMYK 0 / 36 / 46 / 7

HEX #EE9981

RGB 238 153 129

HSL 13.21, 0.76%, 0.72%

LAB 71.24, 29.22, 25.85

 

CMYK 46 / 0 / 45 / 7

HEX #81EE83

RGB 129 238 131

HSL 121.1, 0.76%, 0.72%

LAB 85.73, -52.52, 42.17

 

CMYK 46 / 10 / 0 / 7

HEX #81D6EE

RGB 129 214 238

HSL 193.21, 0.76%, 0.72%

LAB 81.25, -19.56, -19.81

 

CMYK 0 / 45 / 1 / 7

HEX #EE82EB

RGB 238 130 235

HSL 301.67, 0.76%, 0.72%

LAB 69.57, 55.84, -35.37

 

CMYK 0 / 22 / 46 / 7

HEX #EEB981

RGB 238 185 129

HSL 30.83, 0.76%, 0.72%

LAB 78.73, 12.27, 35.69

 

CMYK 46 / 0 / 45 / 7

HEX #81EE83

RGB 129 238 131

HSL 121.1, 0.76%, 0.72%

LAB 85.73, -52.52, 42.17

 

CMYK 46 / 24 / 0 / 7

HEX #81B6EE

RGB 129 182 238

HSL 210.83, 0.76%, 0.72%

LAB 72.43, -2.7, -33.32

 

Description

Color code: HEX #EE82EB | qconv.com Color code: HEX #EE82EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 130 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 130 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 1 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 1% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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