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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDEEA7 it is the complementary color #121158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDEEA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EDEEA7: #F2EEA2, #FFFFB5, #FFFFC8, #FFFFDB and #FFFFEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDEEA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EDEEA7: #EDEEA7, #DCDC94, #CBCA81, #BAB86E and #A9A65B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

Complementary color

CMYK 80 / 81 / 0 / 65

HEX #121158

RGB 18 17 88

HSL 240.85, 0.68%, 0.21%

LAB 10.81, 27.19, -42.03

 

CMYK 0 / 2 / 33 / 5

HEX #F2EEA2

RGB 242 238 162

HSL 57, 0.75%, 0.79%

LAB 92.85, -9.82, 37.34

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

CMYK 0 / 0 / 33 / 14

HEX #DCDC94

RGB 220 220 148

HSL 60, 0.51%, 0.72%

LAB 86.28, -10.85, 35.45

 

CMYK 0 / 0 / 36 / 20

HEX #CBCA81

RGB 203 202 129

HSL 59.19, 0.42%, 0.65%

LAB 79.91, -10.56, 36.6

 

CMYK 0 / 1 / 41 / 27

HEX #BAB86E

RGB 186 184 110

HSL 58.42, 0.36%, 0.58%

LAB 73.45, -10.21, 37.79

 

CMYK 0 / 2 / 46 / 34

HEX #A9A65B

RGB 169 166 91

HSL 57.69, 0.31%, 0.51%

LAB 66.87, -9.78, 39.01

 

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

CMYK 5 / 0 / 30 / 7

HEX #E1EDA5

RGB 225 237 165

HSL 70, 0.67%, 0.79%

LAB 91.37, -15.32, 33.63

 

CMYK 10 / 0 / 30 / 7

HEX #D5EDA5

RGB 213 237 165

HSL 80, 0.67%, 0.79%

LAB 90.52, -19.72, 32.35

 

CMYK 15 / 0 / 30 / 7

HEX #C9EDA5

RGB 201 237 165

HSL 90, 0.67%, 0.79%

LAB 89.72, -24.02, 31.14

 

CMYK 20 / 0 / 30 / 7

HEX #BDEDA5

RGB 189 237 165

HSL 100, 0.67%, 0.79%

LAB 88.97, -28.21, 30.01

 

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

CMYK 0 / 0 / 29 / 87

HEX #222218

RGB 34 34 24

HSL 60, 0.17%, 0.11%

LAB 12.92, -2.2, 6.77

 

CMYK 0 / 0 / 29 / 67

HEX #55553C

RGB 85 85 60

HSL 60, 0.17%, 0.28%

LAB 35.51, -4.64, 14.64

 

CMYK 1 / 0 / 30 / 47

HEX #87885F

RGB 135 136 95

HSL 61.46, 0.18%, 0.45%

LAB 55.67, -7.32, 21.96

 

CMYK 1 / 0 / 30 / 27

HEX #BABB83

RGB 186 187 131

HSL 61.07, 0.29%, 0.62%

LAB 74.58, -9.26, 28.33

 

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

CMYK 30 / 0 / 24 / 7

HEX #A5EDB3

RGB 165 237 179

HSL 131.67, 0.67%, 0.79%

LAB 87.88, -33.81, 21.12

 

CMYK 12 / 30 / 0 / 7

HEX #D0A5ED

RGB 208 165 237

HSL 275.83, 0.67%, 0.79%

LAB 73.83, 28.85, -30.14

 

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

CMYK 30 / 0 / 0 / 7

HEX #A5EDED

RGB 165 237 237

HSL 180, 0.67%, 0.79%

LAB 89.24, -22.14, -7.15

 

CMYK 0 / 30 / 0 / 7

HEX #EDA5ED

RGB 237 165 237

HSL 300, 0.67%, 0.79%

LAB 76.7, 37.93, -25.49

 

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

CMYK 30 / 0 / 24 / 7

HEX #A5EDB3

RGB 165 237 179

HSL 131.67, 0.67%, 0.79%

LAB 87.88, -33.81, 21.12

 

CMYK 30 / 30 / 0 / 7

HEX #A5A5ED

RGB 165 165 237

HSL 240, 0.67%, 0.79%

LAB 70.19, 16.02, -36.06

 

CMYK 0 / 30 / 6 / 7

HEX #EDA5DF

RGB 237 165 223

HSL 311.67, 0.67%, 0.79%

LAB 76.22, 35.44, -18.62

 

CMYK 0 / 0 / 30 / 7

HEX #EDEEA7

RGB 237 238 167

HSL 60.85, 0.68%, 0.79%

LAB 92.55, -11.1, 34.35

 

CMYK 30 / 0 / 15 / 7

HEX #A5EDC9

RGB 165 237 201

HSL 150, 0.67%, 0.79%

LAB 88.34, -29.74, 10.36

 

CMYK 30 / 30 / 0 / 7

HEX #A5A5ED

RGB 165 165 237

HSL 240, 0.67%, 0.79%

LAB 70.19, 16.02, -36.06

 

CMYK 0 / 30 / 15 / 7

HEX #EDA5C9

RGB 237 165 201

HSL 330, 0.67%, 0.79%

LAB 75.53, 31.8, -7.63

 

Description

Color code: HEX #EDEEA7 | qconv.com Color code: HEX #EDEEA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 238 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 238 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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