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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDE415 it is the complementary color #121BEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDE415. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EDE415: #F2E410, #FFF623, #FFFF36, #FFFF49 and #FFFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDE415. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EDE415: #EDE415, #DCD202, #CBC000, #BAAE00 and #A99C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

Complementary color

CMYK 92 / 88 / 0 / 8

HEX #121BEA

RGB 18 27 234

HSL 237.5, 0.86%, 0.49%

LAB 31.47, 68.52, -97.38

 

CMYK 0 / 6 / 93 / 5

HEX #F2E410

RGB 242 228 16

HSL 56.28, 0.9%, 0.51%

LAB 89.11, -13.79, 86.81

 

CMYK 0 / 4 / 86 / 0

HEX #FFF623

RGB 255 246 35

HSL 57.55, 1%, 0.57%

LAB 94.86, -16.85, 88.98

 

CMYK 0 / 0 / 79 / 0

HEX #FFFF36

RGB 255 255 54

HSL 60, 1%, 0.61%

LAB 97.25, -20.68, 86.81

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF49

RGB 255 255 73

HSL 60, 1%, 0.64%

LAB 97.33, -19.98, 81.37

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5C

RGB 255 255 92

HSL 60, 1%, 0.68%

LAB 97.45, -19.04, 74.76

 

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

CMYK 0 / 5 / 99 / 14

HEX #DCD202

RGB 220 210 2

HSL 57.25, 0.98%, 0.44%

LAB 82.55, -14.34, 82.4

 

CMYK 0 / 5 / 100 / 20

HEX #CBC000

RGB 203 192 0

HSL 56.75, 1%, 0.4%

LAB 76.31, -12.64, 77.41

 

CMYK 0 / 6 / 100 / 27

HEX #BAAE00

RGB 186 174 0

HSL 56.13, 1%, 0.36%

LAB 69.97, -10.88, 72.15

 

CMYK 0 / 8 / 100 / 34

HEX #A99C00

RGB 169 156 0

HSL 55.38, 1%, 0.33%

LAB 63.52, -9.07, 66.8

 

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

CMYK 11 / 0 / 91 / 7

HEX #D4ED16

RGB 212 237 22

HSL 66.98, 0.86%, 0.51%

LAB 89.22, -30.45, 85.18

 

CMYK 26 / 0 / 91 / 7

HEX #B0ED16

RGB 176 237 22

HSL 77.02, 0.86%, 0.51%

LAB 86.93, -44.56, 82.39

 

CMYK 41 / 0 / 91 / 7

HEX #8CED16

RGB 140 237 22

HSL 87.07, 0.86%, 0.51%

LAB 85.1, -57.23, 80.15

 

CMYK 56 / 0 / 91 / 7

HEX #68ED16

RGB 104 237 22

HSL 97.12, 0.86%, 0.51%

LAB 83.74, -67.69, 78.47

 

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

CMYK 0 / 3 / 91 / 87

HEX #212003

RGB 33 32 3

HSL 58, 0.83%, 0.07%

LAB 11.71, -4.31, 16.07

 

CMYK 0 / 4 / 92 / 67

HEX #545107

RGB 84 81 7

HSL 57.66, 0.85%, 0.18%

LAB 33.53, -7.6, 39.06

 

CMYK 0 / 4 / 91 / 47

HEX #87820C

RGB 135 130 12

HSL 57.56, 0.84%, 0.29%

LAB 53.11, -10.52, 55.69

 

CMYK 0 / 4 / 91 / 27

HEX #BAB310

RGB 186 179 16

HSL 57.53, 0.84%, 0.4%

LAB 71.36, -13.25, 71.22

 

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

CMYK 91 / 0 / 77 / 7

HEX #16ED36

RGB 22 237 54

HSL 128.93, 0.86%, 0.51%

LAB 82.38, -78.85, 69.61

 

CMYK 41 / 91 / 0 / 7

HEX #8C16ED

RGB 140 22 237

HSL 272.93, 0.86%, 0.51%

LAB 41.63, 77.77, -81.93

 

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

CMYK 91 / 0 / 5 / 7

HEX #16EDE2

RGB 22 237 226

HSL 176.93, 0.86%, 0.51%

LAB 85.11, -48.04, -7.92

 

CMYK 5 / 91 / 0 / 7

HEX #E216ED

RGB 226 22 237

HSL 296.93, 0.86%, 0.51%

LAB 54.92, 89.5, -59.72

 

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

CMYK 91 / 0 / 77 / 7

HEX #16ED36

RGB 22 237 54

HSL 128.93, 0.86%, 0.51%

LAB 82.38, -78.85, 69.61

 

CMYK 91 / 86 / 0 / 7

HEX #1621ED

RGB 22 33 237

HSL 236.93, 0.86%, 0.51%

LAB 32.64, 67.34, -97.13

 

CMYK 0 / 91 / 14 / 7

HEX #ED16CD

RGB 237 22 205

HSL 308.93, 0.86%, 0.51%

LAB 55.06, 86.94, -41.23

 

CMYK 0 / 4 / 91 / 7

HEX #EDE415

RGB 237 228 21

HSL 57.5, 0.86%, 0.51%

LAB 88.71, -15.83, 85.73

 

CMYK 91 / 0 / 50 / 7

HEX #16ED77

RGB 22 237 119

HSL 147.07, 0.86%, 0.51%

LAB 82.95, -71.77, 43.96

 

CMYK 91 / 86 / 0 / 7

HEX #1621ED

RGB 22 33 237

HSL 236.93, 0.86%, 0.51%

LAB 32.64, 67.34, -97.13

 

CMYK 0 / 91 / 41 / 7

HEX #ED168C

RGB 237 22 140

HSL 327.07, 0.86%, 0.51%

LAB 52.37, 79.84, -7.24

 

Description

Color code: HEX #EDE415 | qconv.com Color code: HEX #EDE415 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 228 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 228 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 91 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 91% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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