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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA872 it is the complementary color #12578D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDA872 shade: #F2A86D, #FFBA80, #FFCC93, #FFDEA6 and #FFF0B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDA872 shade: #EDA872, #DC965F, #CB844C, #BA7239 and #A96026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDA872 shade: #EDA973, #ED8873 and #ED7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDA872 shade: #EDA973, #EDC973, #EDEA73, #CFED73 and #AEED73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDA872 shade matches the following richer shades: #EDA973 and #FAA766

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDA872 shade: #EDA973, #E0AA80, #D3AC8D, #C6AD99 and #BAAFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDA872 shade: #ED737F, #ED8773, #EDA873, #EDC873 and #EDE973

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDA872 shade: #E37B2A, #E8924F, #EDA973, #F2BF98 and #F6D6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDA872 shade: #EDA872, #A0ED73 and #7773ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDA872 shade: #EDA872, #73EDA8 and #A873ED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDA872 shade: #EDA872, #A0ED73, #73B8ED and #C073ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDA872 shade: #EDA872, #7BED73, #73B8ED and #E573ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 52 / 7

HEX #EDA872

RGB 237 168 114

HSL 26.34, 0.77%, 0.69%

LAB 74.33, 19.48, 37.86

 

Complementary color

CMYK 87 / 38 / 0 / 45

HEX #12578D

RGB 18 87 141

HSL 206.34, 0.77%, 0.31%

LAB 35.73, 0.32, -35.63

 

CMYK 0 / 31 / 55 / 5

HEX #F2A86D

RGB 242 168 109

HSL 26.62, 0.84%, 0.69%

LAB 74.82, 21.08, 41.18

 

CMYK 0 / 27 / 50 / 0

HEX #FFBA80

RGB 255 186 128

HSL 27.4, 1%, 0.75%

LAB 80.7, 18.42, 39.09

 

CMYK 0 / 20 / 42 / 0

HEX #FFCC93

RGB 255 204 147

HSL 31.67, 1%, 0.79%

LAB 85.28, 10.87, 35.23

 

CMYK 0 / 13 / 35 / 0

HEX #FFDEA6

RGB 255 222 166

HSL 37.75, 1%, 0.83%

LAB 89.98, 3.68, 31.7

 

CMYK 0 / 6 / 27 / 0

HEX #FFF0B9

RGB 255 240 185

HSL 47.14, 1%, 0.86%

LAB 94.77, -3.12, 28.46

 

CMYK 0 / 29 / 52 / 7

HEX #EDA872

RGB 237 168 114

HSL 26.34, 0.77%, 0.69%

LAB 74.33, 19.48, 37.86

 

CMYK 0 / 32 / 57 / 14

HEX #DC965F

RGB 220 150 95

HSL 26.4, 0.64%, 0.62%

LAB 67.91, 20.61, 39.37

 

CMYK 0 / 35 / 63 / 20

HEX #CB844C

RGB 203 132 76

HSL 26.46, 0.55%, 0.55%

LAB 61.41, 21.9, 40.97

 

CMYK 0 / 39 / 69 / 27

HEX #BA7239

RGB 186 114 57

HSL 26.51, 0.53%, 0.48%

LAB 54.83, 23.39, 42.61

 

CMYK 0 / 43 / 78 / 34

HEX #A96026

RGB 169 96 38

HSL 26.56, 0.63%, 0.41%

LAB 48.19, 25.11, 44.17

 

CMYK 0 / 29 / 51 / 7

HEX #EDA973

RGB 237 169 115

HSL 26.56, 0.77%, 0.69%

LAB 74.58, 19.04, 37.66

 

CMYK 0 / 43 / 51 / 7

HEX #ED8873

RGB 237 136 115

HSL 10.33, 0.77%, 0.69%

LAB 67.16, 36.42, 28.08

 

CMYK 0 / 51 / 51 / 7

HEX #ED7373

RGB 237 115 115

HSL 0, 0.77%, 0.69%

LAB 62.93, 47.01, 22.45

 

CMYK 0 / 29 / 51 / 7

HEX #EDA973

RGB 237 169 115

HSL 26.56, 0.77%, 0.69%

LAB 74.58, 19.04, 37.66

 

CMYK 0 / 15 / 51 / 7

HEX #EDC973

RGB 237 201 115

HSL 42.3, 0.77%, 0.69%

LAB 82.39, 2.21, 47.34

 

CMYK 0 / 1 / 51 / 7

HEX #EDEA73

RGB 237 234 115

HSL 58.52, 0.77%, 0.69%

LAB 90.82, -14.47, 57.39

 

CMYK 13 / 0 / 51 / 7

HEX #CFED73

RGB 207 237 115

HSL 74.75, 0.77%, 0.69%

LAB 89.43, -27.64, 55.2

 

CMYK 27 / 0 / 51 / 7

HEX #AEED73

RGB 174 237 115

HSL 90.98, 0.77%, 0.69%

LAB 87.39, -39.79, 52.29

 

CMYK 0 / 29 / 51 / 7

HEX #EDA973

RGB 237 169 115

HSL 26.56, 0.77%, 0.69%

LAB 74.58, 19.04, 37.66

 

CMYK 0 / 33 / 59 / 2

HEX #FAA766

RGB 250 167 102

HSL 26.35, 0.94%, 0.69%

LAB 75.4, 24.3, 45.67

 

CMYK 0 / 29 / 51 / 7

HEX #EDA973

RGB 237 169 115

HSL 26.56, 0.77%, 0.69%

LAB 74.58, 19.04, 37.66

 

CMYK 0 / 24 / 43 / 12

HEX #E0AA80

RGB 224 170 128

HSL 26.25, 0.61%, 0.69%

LAB 73.65, 14.54, 29.3

 

CMYK 0 / 18 / 33 / 17

HEX #D3AC8D

RGB 211 172 141

HSL 26.57, 0.44%, 0.69%

LAB 73.07, 9.83, 21.31

 

CMYK 0 / 13 / 23 / 22

HEX #C6AD99

RGB 198 173 153

HSL 26.67, 0.28%, 0.69%

LAB 72.36, 5.89, 13.6

 

CMYK 0 / 6 / 11 / 27

HEX #BAAFA6

RGB 186 175 166

HSL 27, 0.13%, 0.69%

LAB 72.13, 2.36, 6.01

 

CMYK 0 / 51 / 46 / 7

HEX #ED737F

RGB 237 115 127

HSL 354.1, 0.77%, 0.69%

LAB 63.18, 48.09, 15.95

 

CMYK 0 / 43 / 51 / 7

HEX #ED8773

RGB 237 135 115

HSL 9.84, 0.77%, 0.69%

LAB 66.95, 36.94, 27.8

 

CMYK 0 / 29 / 51 / 7

HEX #EDA873

RGB 237 168 115

HSL 26.07, 0.77%, 0.69%

LAB 74.35, 19.57, 37.36

 

CMYK 0 / 16 / 51 / 7

HEX #EDC873

RGB 237 200 115

HSL 41.8, 0.77%, 0.69%

LAB 82.14, 2.73, 47.04

 

CMYK 0 / 2 / 51 / 7

HEX #EDE973

RGB 237 233 115

HSL 58.03, 0.77%, 0.69%

LAB 90.56, -13.97, 57.08

 

CMYK 0 / 46 / 81 / 11

HEX #E37B2A

RGB 227 123 42

HSL 26.27, 0.77%, 0.53%

LAB 62.22, 34.95, 58.57

 

CMYK 0 / 37 / 66 / 9

HEX #E8924F

RGB 232 146 79

HSL 26.27, 0.77%, 0.61%

LAB 68.23, 26.57, 48.23

 

CMYK 0 / 29 / 51 / 7

HEX #EDA973

RGB 237 169 115

HSL 26.56, 0.77%, 0.69%

LAB 74.58, 19.04, 37.66

 

CMYK 0 / 21 / 37 / 5

HEX #F2BF98

RGB 242 191 152

HSL 26, 0.78%, 0.77%

LAB 80.96, 13.14, 26.65

 

CMYK 0 / 13 / 24 / 4

HEX #F6D6BC

RGB 246 214 188

HSL 26.9, 0.76%, 0.85%

LAB 87.64, 7.23, 16.94

 

CMYK 0 / 29 / 52 / 7

HEX #EDA872

RGB 237 168 114

HSL 26.34, 0.77%, 0.69%

LAB 74.33, 19.48, 37.86

 

CMYK 32 / 0 / 51 / 7

HEX #A0ED73

RGB 160 237 115

HSL 97.87, 0.77%, 0.69%

LAB 86.64, -44.6, 51.21

 

CMYK 50 / 51 / 0 / 7

HEX #7773ED

RGB 119 115 237

HSL 241.97, 0.77%, 0.69%

LAB 54.34, 33.51, -61.34

 

CMYK 0 / 29 / 52 / 7

HEX #EDA872

RGB 237 168 114

HSL 26.34, 0.77%, 0.69%

LAB 74.33, 19.48, 37.86

 

CMYK 51 / 0 / 29 / 7

HEX #73EDA8

RGB 115 237 168

HSL 146.07, 0.77%, 0.69%

LAB 85.52, -49.58, 23.2

 

CMYK 29 / 51 / 0 / 7

HEX #A873ED

RGB 168 115 237

HSL 266.07, 0.77%, 0.69%

LAB 58.7, 44.97, -54.13

 

CMYK 0 / 29 / 52 / 7

HEX #EDA872

RGB 237 168 114

HSL 26.34, 0.77%, 0.69%

LAB 74.33, 19.48, 37.86

 

CMYK 32 / 0 / 51 / 7

HEX #A0ED73

RGB 160 237 115

HSL 97.87, 0.77%, 0.69%

LAB 86.64, -44.6, 51.21

 

CMYK 51 / 22 / 0 / 7

HEX #73B8ED

RGB 115 184 237

HSL 206.07, 0.77%, 0.69%

LAB 72.26, -7.29, -33.1

 

CMYK 19 / 51 / 0 / 7

HEX #C073ED

RGB 192 115 237

HSL 277.87, 0.77%, 0.69%

LAB 61.29, 51.14, -49.84

 

CMYK 0 / 29 / 52 / 7

HEX #EDA872

RGB 237 168 114

HSL 26.34, 0.77%, 0.69%

LAB 74.33, 19.48, 37.86

 

CMYK 48 / 0 / 51 / 7

HEX #7BED73

RGB 123 237 115

HSL 116.07, 0.77%, 0.69%

LAB 85.01, -55.9, 48.85

 

CMYK 51 / 22 / 0 / 7

HEX #73B8ED

RGB 115 184 237

HSL 206.07, 0.77%, 0.69%

LAB 72.26, -7.29, -33.1

 

CMYK 3 / 51 / 0 / 7

HEX #E573ED

RGB 229 115 237

HSL 296.07, 0.77%, 0.69%

LAB 65.78, 60.95, -42.48

 

Description

Color code: HEX #EDA872 | qconv.com Color code: HEX #EDA872 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 168 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 168 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 52 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 52% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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