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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED6F21 it is the complementary color #1290DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED6F21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ED6F21: #F26F1C, #FF812F, #FF9342, #FFA555 and #FFB768

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED6F21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ED6F21: #ED6F21, #DC5D0E, #CB4B00, #BA3900 and #A92700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

Complementary color

CMYK 92 / 35 / 0 / 13

HEX #1290DE

RGB 18 144 222

HSL 202.94, 0.85%, 0.47%

LAB 57.41, -3.03, -48.28

 

CMYK 0 / 54 / 88 / 5

HEX #F26F1C

RGB 242 111 28

HSL 23.27, 0.89%, 0.53%

LAB 61.94, 46.44, 64.16

 

CMYK 0 / 49 / 82 / 0

HEX #FF812F

RGB 255 129 47

HSL 23.65, 1%, 0.59%

LAB 67.4, 43.07, 62.74

 

CMYK 0 / 42 / 74 / 0

HEX #FF9342

RGB 255 147 66

HSL 25.71, 1%, 0.63%

LAB 71.23, 34.67, 58.43

 

CMYK 0 / 35 / 67 / 0

HEX #FFA555

RGB 255 165 85

HSL 28.24, 1%, 0.67%

LAB 75.34, 26.28, 54.08

 

CMYK 0 / 28 / 59 / 0

HEX #FFB768

RGB 255 183 104

HSL 31.39, 1%, 0.7%

LAB 79.69, 18.08, 49.91

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 0 / 58 / 94 / 14

HEX #DC5D0E

RGB 220 93 14

HSL 23.01, 0.88%, 0.46%

LAB 55.15, 46.54, 61.58

 

CMYK 0 / 63 / 100 / 20

HEX #CB4B00

RGB 203 75 0

HSL 22.17, 1%, 0.4%

LAB 49.17, 48.38, 59.66

 

CMYK 0 / 69 / 100 / 27

HEX #BA3900

RGB 186 57 0

HSL 18.39, 1%, 0.36%

LAB 43.31, 50.01, 55.01

 

CMYK 0 / 77 / 100 / 34

HEX #A92700

RGB 169 39 0

HSL 13.85, 1%, 0.33%

LAB 37.64, 51, 50.49

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 0 / 41 / 86 / 7

HEX #ED8D21

RGB 237 141 33

HSL 31.76, 0.85%, 0.53%

LAB 67.4, 29.42, 66.62

 

CMYK 0 / 26 / 86 / 7

HEX #EDAF21

RGB 237 175 33

HSL 41.76, 0.85%, 0.53%

LAB 75.31, 11.47, 73.01

 

CMYK 0 / 12 / 86 / 7

HEX #EDD121

RGB 237 209 33

HSL 51.76, 0.85%, 0.53%

LAB 83.82, -6.15, 79.86

 

CMYK 3 / 0 / 86 / 7

HEX #E6ED21

RGB 230 237 33

HSL 62.06, 0.85%, 0.53%

LAB 90.55, -22.88, 85.06

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 0 / 55 / 85 / 87

HEX #210F05

RGB 33 15 5

HSL 21.43, 0.74%, 0.07%

LAB 6.11, 7.49, 7.23

 

CMYK 0 / 54 / 86 / 67

HEX #54270C

RGB 84 39 12

HSL 22.5, 0.75%, 0.19%

LAB 21.44, 18.8, 26.06

 

CMYK 0 / 53 / 86 / 47

HEX #873F13

RGB 135 63 19

HSL 22.76, 0.75%, 0.3%

LAB 35.5, 28.04, 39.02

 

CMYK 0 / 53 / 86 / 27

HEX #BA571A

RGB 186 87 26

HSL 22.88, 0.75%, 0.42%

LAB 48.67, 36.58, 50.66

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 49 / 0 / 86 / 7

HEX #79ED21

RGB 121 237 33

HSL 94.12, 0.85%, 0.53%

LAB 84.35, -62.78, 77.37

 

CMYK 86 / 83 / 0 / 7

HEX #2128ED

RGB 33 40 237

HSL 237.94, 0.85%, 0.53%

LAB 33.89, 64.85, -95.04

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 86 / 0 / 55 / 7

HEX #21ED6B

RGB 33 237 107

HSL 141.76, 0.85%, 0.53%

LAB 82.89, -72.83, 49.52

 

CMYK 55 / 86 / 0 / 7

HEX #6B21ED

RGB 107 33 237

HSL 261.76, 0.85%, 0.53%

LAB 38.42, 71.91, -87.35

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 49 / 0 / 86 / 7

HEX #79ED21

RGB 121 237 33

HSL 94.12, 0.85%, 0.53%

LAB 84.35, -62.78, 77.37

 

CMYK 86 / 32 / 0 / 7

HEX #21A2ED

RGB 33 162 237

HSL 202.06, 0.85%, 0.53%

LAB 63.57, -7.02, -46.84

 

CMYK 38 / 86 / 0 / 7

HEX #9421ED

RGB 148 33 237

HSL 273.82, 0.85%, 0.53%

LAB 43.5, 76.38, -78.81

 

CMYK 0 / 53 / 86 / 7

HEX #ED6F21

RGB 237 111 33

HSL 22.94, 0.85%, 0.53%

LAB 61.21, 44.65, 61.61

 

CMYK 75 / 0 / 86 / 7

HEX #3CED21

RGB 60 237 33

HSL 112.06, 0.85%, 0.53%

LAB 82.72, -76.16, 75.32

 

CMYK 86 / 32 / 0 / 7

HEX #21A2ED

RGB 33 162 237

HSL 202.06, 0.85%, 0.53%

LAB 63.57, -7.02, -46.84

 

CMYK 12 / 86 / 0 / 7

HEX #D121ED

RGB 209 33 237

HSL 291.76, 0.85%, 0.53%

LAB 52.68, 85.17, -63.47

 

Description

Color code: HEX #ED6F21 | qconv.com Color code: HEX #ED6F21 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 111 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 111 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 86 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 86% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

38% - El Alejandro Carrill...
Link: http://elalejandrocarrillo.xyz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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