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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED4D3B it is the complementary color #12B2C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED4D3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ED4D3B shade: #F24D36, #FF5F49, #FF715C, #FF836F and #FF9582

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED4D3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ED4D3B shade: #ED4D3B, #DC3B28, #CB2915, #BA1702 and #A90500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ED4D3B shade: #ED4D3B and #ED3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ED4D3B shade: #ED4D3B, #ED7D3B, #EDAD3B, #EDDD3B and #CDED3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ED4D3B shade matches the following richer shades: #ED4D3B and #FE3F2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ED4D3B shade: #ED4D3B, #DB5B4C, #CA695E, #B9766F and #A78480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ED4D3B shade: #ED3B88, #ED3B59, #ED4D3B, #ED7C3B and #EDAC3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ED4D3B shade: #C32412, #E92B16, #ED4D3B, #F06F61 and #F49287

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ED4D3B shade: #ED4D3B, #B7ED3B and #3B70ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ED4D3B shade: #ED4D3B, #3BED4D and #4D3BED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ED4D3B shade: #ED4D3B, #B7ED3B, #3BDBED and #703BED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ED4D3B shade: #ED4D3B, #82ED3B, #3BDBED and #A63BED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

Complementary color

CMYK 91 / 9 / 0 / 23

HEX #12B2C4

RGB 18 178 196

HSL 186.07, 0.83%, 0.42%

LAB 66.49, -30.41, -19.71

 

CMYK 0 / 68 / 78 / 5

HEX #F24D36

RGB 242 77 54

HSL 7.34, 0.88%, 0.58%

LAB 56.54, 61.84, 48.52

 

CMYK 0 / 63 / 71 / 0

HEX #FF5F49

RGB 255 95 73

HSL 7.25, 1%, 0.64%

LAB 61.59, 59.64, 44.68

 

CMYK 0 / 56 / 64 / 0

HEX #FF715C

RGB 255 113 92

HSL 7.73, 1%, 0.68%

LAB 64.84, 52.69, 38.26

 

CMYK 0 / 49 / 56 / 0

HEX #FF836F

RGB 255 131 111

HSL 8.33, 1%, 0.72%

LAB 68.49, 45.35, 32.47

 

CMYK 0 / 42 / 49 / 0

HEX #FF9582

RGB 255 149 130

HSL 9.12, 1%, 0.75%

LAB 72.47, 37.86, 27.31

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 0 / 73 / 82 / 14

HEX #DC3B28

RGB 220 59 40

HSL 6.33, 0.72%, 0.51%

LAB 50.09, 60.99, 47.92

 

CMYK 0 / 80 / 90 / 20

HEX #CB2915

RGB 203 41 21

HSL 6.59, 0.81%, 0.44%

LAB 44.71, 61.03, 50.79

 

CMYK 0 / 88 / 99 / 27

HEX #BA1702

RGB 186 23 2

HSL 6.85, 0.98%, 0.37%

LAB 39.68, 60.2, 52.66

 

CMYK 0 / 97 / 100 / 34

HEX #A90500

RGB 169 5 0

HSL 1.78, 1%, 0.33%

LAB 35.09, 58.24, 49.29

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 0 / 75 / 75 / 7

HEX #ED3B3B

RGB 237 59 59

HSL 0, 0.83%, 0.58%

LAB 53.44, 66.7, 42.31

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 0 / 47 / 75 / 7

HEX #ED7D3B

RGB 237 125 59

HSL 22.25, 0.83%, 0.58%

LAB 64.15, 38.5, 53.61

 

CMYK 0 / 27 / 75 / 7

HEX #EDAD3B

RGB 237 173 59

HSL 38.43, 0.83%, 0.58%

LAB 74.96, 13.34, 64.32

 

CMYK 0 / 7 / 75 / 7

HEX #EDDD3B

RGB 237 221 59

HSL 54.61, 0.83%, 0.58%

LAB 87.01, -11.39, 75.69

 

CMYK 14 / 0 / 75 / 7

HEX #CDED3B

RGB 205 237 59

HSL 70.79, 0.83%, 0.58%

LAB 88.86, -32.18, 76.52

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 0 / 75 / 83 / 0

HEX #FE3F2A

RGB 254 63 42

HSL 5.94, 0.99%, 0.58%

LAB 56.87, 69.93, 55.46

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 0 / 58 / 65 / 14

HEX #DB5B4C

RGB 219 91 76

HSL 6.29, 0.67%, 0.58%

LAB 55.14, 49.2, 34

 

CMYK 0 / 48 / 53 / 21

HEX #CA695E

RGB 202 105 94

HSL 6.11, 0.5%, 0.58%

LAB 55.55, 37.34, 23.73

 

CMYK 0 / 36 / 40 / 27

HEX #B9766F

RGB 185 118 111

HSL 5.68, 0.35%, 0.58%

LAB 56.5, 25.46, 14.83

 

CMYK 0 / 21 / 23 / 35

HEX #A78480

RGB 167 132 128

HSL 6.15, 0.18%, 0.58%

LAB 58.3, 12.77, 7.26

 

CMYK 0 / 75 / 43 / 7

HEX #ED3B88

RGB 237 59 136

HSL 334.04, 0.83%, 0.58%

LAB 54.98, 71.64, -0.99

 

CMYK 0 / 75 / 62 / 7

HEX #ED3B59

RGB 237 59 89

HSL 349.89, 0.83%, 0.58%

LAB 53.87, 68.11, 25.52

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 0 / 48 / 75 / 7

HEX #ED7C3B

RGB 237 124 59

HSL 21.91, 0.83%, 0.58%

LAB 63.95, 39.01, 53.4

 

CMYK 0 / 27 / 75 / 7

HEX #EDAC3B

RGB 237 172 59

HSL 38.09, 0.83%, 0.58%

LAB 74.71, 13.87, 64.09

 

CMYK 0 / 82 / 91 / 24

HEX #C32412

RGB 195 36 18

HSL 6.1, 0.83%, 0.42%

LAB 42.62, 60, 49.77

 

CMYK 0 / 82 / 91 / 9

HEX #E92B16

RGB 233 43 22

HSL 5.97, 0.83%, 0.5%

LAB 50.81, 69.06, 57.43

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 0 / 54 / 60 / 6

HEX #F06F61

RGB 240 111 97

HSL 5.87, 0.83%, 0.66%

LAB 62.3, 48.63, 31.85

 

CMYK 0 / 40 / 45 / 4

HEX #F49287

RGB 244 146 135

HSL 6.06, 0.83%, 0.74%

LAB 70.55, 35.76, 21.74

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 23 / 0 / 75 / 7

HEX #B7ED3B

RGB 183 237 59

HSL 78.2, 0.83%, 0.58%

LAB 87.46, -40.71, 74.71

 

CMYK 75 / 53 / 0 / 7

HEX #3B70ED

RGB 59 112 237

HSL 222.13, 0.83%, 0.58%

LAB 50.25, 25.47, -68.11

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 75 / 0 / 68 / 7

HEX #3BED4D

RGB 59 237 77

HSL 126.07, 0.83%, 0.58%

LAB 82.93, -73.5, 62.39

 

CMYK 68 / 75 / 0 / 7

HEX #4D3BED

RGB 77 59 237

HSL 246.07, 0.83%, 0.58%

LAB 39.28, 58.69, -86.04

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 23 / 0 / 75 / 7

HEX #B7ED3B

RGB 183 237 59

HSL 78.2, 0.83%, 0.58%

LAB 87.46, -40.71, 74.71

 

CMYK 75 / 8 / 0 / 7

HEX #3BDBED

RGB 59 219 237

HSL 186.07, 0.83%, 0.58%

LAB 80.58, -34.17, -20.51

 

CMYK 53 / 75 / 0 / 7

HEX #703BED

RGB 112 59 237

HSL 257.87, 0.83%, 0.58%

LAB 42.29, 62.72, -80.97

 

CMYK 0 / 68 / 75 / 7

HEX #ED4D3B

RGB 237 77 59

HSL 6.07, 0.83%, 0.58%

LAB 55.71, 60.42, 44.78

 

CMYK 45 / 0 / 75 / 7

HEX #82ED3B

RGB 130 237 59

HSL 96.07, 0.83%, 0.58%

LAB 84.81, -58.95, 71.25

 

CMYK 75 / 8 / 0 / 7

HEX #3BDBED

RGB 59 219 237

HSL 186.07, 0.83%, 0.58%

LAB 80.58, -34.17, -20.51

 

CMYK 30 / 75 / 0 / 7

HEX #A63BED

RGB 166 59 237

HSL 276.07, 0.83%, 0.58%

LAB 48.7, 71.04, -70.23

 

Description

Color code: HEX #ED4D3B | qconv.com Color code: HEX #ED4D3B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 77 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 77 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 75 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 75% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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