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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECE01F it is the complementary color #131FE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECE01F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ECE01F: #F1E01A, #FFF22D, #FFFF40, #FFFF53 and #FFFF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECE01F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ECE01F: #ECE01F, #DBCE0C, #CABC00, #B9AA00 and #A89800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

Complementary color

CMYK 92 / 86 / 0 / 12

HEX #131FE0

RGB 19 31 224

HSL 236.49, 0.84%, 0.48%

LAB 30.64, 64.35, -93.04

 

CMYK 0 / 7 / 89 / 5

HEX #F1E01A

RGB 241 224 26

HSL 55.26, 0.88%, 0.52%

LAB 88.01, -12.1, 84.61

 

CMYK 0 / 5 / 82 / 0

HEX #FFF22D

RGB 255 242 45

HSL 56.29, 1%, 0.59%

LAB 93.86, -14.68, 86.11

 

CMYK 0 / 0 / 75 / 0

HEX #FFFF40

RGB 255 255 64

HSL 60, 1%, 0.63%

LAB 97.29, -20.34, 84.11

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 0 / 6 / 95 / 14

HEX #DBCE0C

RGB 219 206 12

HSL 56.23, 0.9%, 0.45%

LAB 81.42, -12.67, 80.6

 

CMYK 0 / 7 / 100 / 21

HEX #CABC00

RGB 202 188 0

HSL 55.84, 1%, 0.4%

LAB 75.15, -11.04, 76.53

 

CMYK 0 / 8 / 100 / 27

HEX #B9AA00

RGB 185 170 0

HSL 55.14, 1%, 0.36%

LAB 68.8, -9.24, 71.26

 

CMYK 0 / 10 / 100 / 34

HEX #A89800

RGB 168 152 0

HSL 54.29, 1%, 0.33%

LAB 62.32, -7.39, 65.9

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 9 / 0 / 88 / 8

HEX #D6EB1D

RGB 214 235 29

HSL 66.12, 0.84%, 0.52%

LAB 88.83, -28.58, 83.88

 

CMYK 23 / 0 / 88 / 8

HEX #B4EB1D

RGB 180 235 29

HSL 76.02, 0.84%, 0.52%

LAB 86.61, -42.03, 81.15

 

CMYK 38 / 0 / 88 / 8

HEX #92EB1D

RGB 146 235 29

HSL 85.92, 0.84%, 0.52%

LAB 84.8, -54.3, 78.91

 

CMYK 52 / 0 / 88 / 8

HEX #70EB1D

RGB 112 235 29

HSL 95.83, 0.84%, 0.52%

LAB 83.42, -64.72, 77.19

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 0 / 6 / 88 / 87

HEX #201E04

RGB 32 30 4

HSL 55.71, 0.78%, 0.07%

LAB 10.88, -3.39, 14.5

 

CMYK 0 / 5 / 87 / 67

HEX #534F0B

RGB 83 79 11

HSL 56.67, 0.77%, 0.18%

LAB 32.82, -6.77, 37.13

 

CMYK 0 / 5 / 87 / 47

HEX #867F12

RGB 134 127 18

HSL 56.38, 0.76%, 0.3%

LAB 52.16, -9.2, 53.54

 

CMYK 0 / 5 / 87 / 27

HEX #B9B018

RGB 185 176 24

HSL 56.65, 0.77%, 0.41%

LAB 70.48, -12, 69.06

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 88 / 0 / 76 / 8

HEX #1DEB39

RGB 29 235 57

HSL 128.16, 0.84%, 0.52%

LAB 81.82, -77.65, 68.16

 

CMYK 41 / 88 / 0 / 8

HEX #8B1DEB

RGB 139 29 235

HSL 272.04, 0.84%, 0.52%

LAB 41.79, 75.81, -80.54

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 88 / 0 / 6 / 8

HEX #1DEBDD

RGB 29 235 221

HSL 175.92, 0.84%, 0.52%

LAB 84.43, -48.27, -6.29

 

CMYK 6 / 88 / 0 / 8

HEX #DD1DEB

RGB 221 29 235

HSL 295.92, 0.84%, 0.52%

LAB 54.29, 87.45, -59.66

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 88 / 0 / 76 / 8

HEX #1DEB39

RGB 29 235 57

HSL 128.16, 0.84%, 0.52%

LAB 81.82, -77.65, 68.16

 

CMYK 88 / 82 / 0 / 8

HEX #1D2BEB

RGB 29 43 235

HSL 235.92, 0.84%, 0.52%

LAB 33.96, 62.84, -93.79

 

CMYK 0 / 88 / 12 / 8

HEX #EB1DCF

RGB 235 29 207

HSL 308.16, 0.84%, 0.52%

LAB 55.12, 85.91, -42.31

 

CMYK 0 / 5 / 87 / 7

HEX #ECE01F

RGB 236 224 31

HSL 56.49, 0.84%, 0.52%

LAB 87.6, -14.11, 83.25

 

CMYK 88 / 0 / 50 / 8

HEX #1DEB76

RGB 29 235 118

HSL 145.92, 0.84%, 0.52%

LAB 82.37, -70.88, 43.73

 

CMYK 88 / 82 / 0 / 8

HEX #1D2BEB

RGB 29 43 235

HSL 235.92, 0.84%, 0.52%

LAB 33.96, 62.84, -93.79

 

CMYK 0 / 88 / 38 / 8

HEX #EB1D92

RGB 235 29 146

HSL 325.92, 0.84%, 0.52%

LAB 52.53, 78.97, -10.63

 

Description

Color code: HEX #ECE01F | qconv.com Color code: HEX #ECE01F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 224 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 224 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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