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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECCCE5 it is the complementary color #13331A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECCCE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECCCE5 shade: #F1CCE0, #FFDEF3, #FFF0FF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECCCE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECCCE5 shade: #ECCCE5, #DBBAD2, #CAA8BF, #B996AC and #A88499

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECCCE5 shade: #ECCBE5, #ECCBDC, #ECCBD3 and #ECCBCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECCCE5 shade: #ECCBE5, #EACBEC, #E1CBEC, #D8CBEC and #CFCBEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECCCE5 shade matches the following richer shades: #ECCBE5, #F1C5E8, #F7BFEB and #FDBAEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECCCE5 shade: #ECCBE5, #E6D1E1, #E0D6DE, #DADCDB and #D5E2D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECCCE5 shade: #E1CBEC, #EACBEC, #ECCBE5, #ECCBDC and #ECCBD3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECCCE5 shade: #D58FC6, #E1ADD5, #ECCBE5, #F7E9F4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECCCE5 shade: #ECCCE5, #ECD9CB and #CBECE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECCCE5 shade: #ECCCE5, #E5ECCB and #CBE5EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECCCE5 shade: #ECCCE5, #ECD9CB, #CBECD2 and #CBDEEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECCCE5 shade: #ECCCE5, #ECE2CB, #CBECD2 and #CBD4EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 3 / 7

HEX #ECCCE5

RGB 236 204 229

HSL 313.13, 0.46%, 0.86%

LAB 85.34, 15.43, -8.19

 

Complementary color

CMYK 63 / 0 / 49 / 80

HEX #13331A

RGB 19 51 26

HSL 133.13, 0.46%, 0.14%

LAB 18.28, -18.58, 12.37

 

CMYK 0 / 15 / 7 / 5

HEX #F1CCE0

RGB 241 204 224

HSL 327.57, 0.57%, 0.87%

LAB 85.64, 16.26, -5.04

 

CMYK 0 / 13 / 5 / 0

HEX #FFDEF3

RGB 255 222 243

HSL 321.82, 1%, 0.94%

LAB 91.67, 14.84, -6.02

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 14 / 3 / 7

HEX #ECCCE5

RGB 236 204 229

HSL 313.13, 0.46%, 0.86%

LAB 85.34, 15.43, -8.19

 

CMYK 0 / 15 / 4 / 14

HEX #DBBAD2

RGB 219 186 210

HSL 316.36, 0.31%, 0.79%

LAB 78.94, 15.84, -7.66

 

CMYK 0 / 17 / 5 / 21

HEX #CAA8BF

RGB 202 168 191

HSL 319.41, 0.24%, 0.73%

LAB 72.44, 16.29, -7.11

 

CMYK 0 / 19 / 7 / 27

HEX #B996AC

RGB 185 150 172

HSL 322.29, 0.2%, 0.66%

LAB 65.83, 16.78, -6.53

 

CMYK 0 / 21 / 9 / 34

HEX #A88499

RGB 168 132 153

HSL 325, 0.17%, 0.59%

LAB 59.09, 17.32, -5.93

 

CMYK 0 / 14 / 3 / 7

HEX #ECCBE5

RGB 236 203 229

HSL 312.73, 0.46%, 0.86%

LAB 85.1, 15.96, -8.55

 

CMYK 0 / 14 / 7 / 7

HEX #ECCBDC

RGB 236 203 220

HSL 329.09, 0.46%, 0.86%

LAB 84.85, 14.39, -4.13

 

CMYK 0 / 14 / 11 / 7

HEX #ECCBD3

RGB 236 203 211

HSL 345.45, 0.46%, 0.86%

LAB 84.61, 12.88, 0.32

 

CMYK 0 / 14 / 14 / 7

HEX #ECCBCB

RGB 236 203 203

HSL 0, 0.46%, 0.86%

LAB 84.41, 11.58, 4.29

 

CMYK 0 / 14 / 3 / 7

HEX #ECCBE5

RGB 236 203 229

HSL 312.73, 0.46%, 0.86%

LAB 85.1, 15.96, -8.55

 

CMYK 1 / 14 / 0 / 7

HEX #EACBEC

RGB 234 203 236

HSL 296.36, 0.46%, 0.86%

LAB 85.13, 16.55, -12.24

 

CMYK 5 / 14 / 0 / 7

HEX #E1CBEC

RGB 225 203 236

HSL 280, 0.46%, 0.86%

LAB 84.37, 13.58, -13.46

 

CMYK 8 / 14 / 0 / 7

HEX #D8CBEC

RGB 216 203 236

HSL 263.64, 0.46%, 0.86%

LAB 83.64, 10.64, -14.63

 

CMYK 12 / 14 / 0 / 7

HEX #CFCBEC

RGB 207 203 236

HSL 247.27, 0.46%, 0.86%

LAB 82.93, 7.74, -15.76

 

CMYK 0 / 14 / 3 / 7

HEX #ECCBE5

RGB 236 203 229

HSL 312.73, 0.46%, 0.86%

LAB 85.1, 15.96, -8.55

 

CMYK 0 / 18 / 4 / 5

HEX #F1C5E8

RGB 241 197 232

HSL 312.27, 0.61%, 0.86%

LAB 84.2, 21.35, -11.43

 

CMYK 0 / 23 / 5 / 3

HEX #F7BFEB

RGB 247 191 235

HSL 312.86, 0.78%, 0.86%

LAB 83.46, 27.05, -14.08

 

CMYK 0 / 26 / 6 / 1

HEX #FDBAEE

RGB 253 186 238

HSL 313.43, 0.94%, 0.86%

LAB 83.01, 32.19, -16.31

 

CMYK 0 / 14 / 3 / 7

HEX #ECCBE5

RGB 236 203 229

HSL 312.73, 0.46%, 0.86%

LAB 85.1, 15.96, -8.55

 

CMYK 0 / 9 / 2 / 10

HEX #E6D1E1

RGB 230 209 225

HSL 314.29, 0.3%, 0.86%

LAB 85.94, 10.04, -5.24

 

CMYK 0 / 4 / 1 / 12

HEX #E0D6DE

RGB 224 214 222

HSL 312, 0.14%, 0.86%

LAB 86.61, 4.84, -2.71

 

CMYK 1 / 0 / 0 / 14

HEX #DADCDB

RGB 218 220 219

HSL 150, 0.03%, 0.86%

LAB 87.59, -0.85, 0.24

 

CMYK 6 / 0 / 4 / 11

HEX #D5E2D8

RGB 213 226 216

HSL 133.85, 0.18%, 0.86%

LAB 88.68, -6.17, 3.38

 

CMYK 5 / 14 / 0 / 7

HEX #E1CBEC

RGB 225 203 236

HSL 280, 0.46%, 0.86%

LAB 84.37, 13.58, -13.46

 

CMYK 1 / 14 / 0 / 7

HEX #EACBEC

RGB 234 203 236

HSL 296.36, 0.46%, 0.86%

LAB 85.13, 16.55, -12.24

 

CMYK 0 / 14 / 3 / 7

HEX #ECCBE5

RGB 236 203 229

HSL 312.73, 0.46%, 0.86%

LAB 85.1, 15.96, -8.55

 

CMYK 0 / 14 / 7 / 7

HEX #ECCBDC

RGB 236 203 220

HSL 329.09, 0.46%, 0.86%

LAB 84.85, 14.39, -4.13

 

CMYK 0 / 14 / 11 / 7

HEX #ECCBD3

RGB 236 203 211

HSL 345.45, 0.46%, 0.86%

LAB 84.61, 12.88, 0.32

 

CMYK 0 / 33 / 7 / 16

HEX #D58FC6

RGB 213 143 198

HSL 312.86, 0.45%, 0.7%

LAB 67.92, 34.92, -17.65

 

CMYK 0 / 23 / 5 / 12

HEX #E1ADD5

RGB 225 173 213

HSL 313.85, 0.46%, 0.78%

LAB 76.5, 25.42, -12.87

 

CMYK 0 / 14 / 3 / 7

HEX #ECCBE5

RGB 236 203 229

HSL 312.73, 0.46%, 0.86%

LAB 85.1, 15.96, -8.55

 

CMYK 0 / 6 / 1 / 3

HEX #F7E9F4

RGB 247 233 244

HSL 312.86, 0.47%, 0.94%

LAB 93.7, 6.63, -3.63

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 14 / 3 / 7

HEX #ECCCE5

RGB 236 204 229

HSL 313.13, 0.46%, 0.86%

LAB 85.34, 15.43, -8.19

 

CMYK 0 / 8 / 14 / 7

HEX #ECD9CB

RGB 236 217 203

HSL 25.45, 0.46%, 0.86%

LAB 87.86, 4.27, 9.25

 

CMYK 14 / 0 / 3 / 7

HEX #CBECE6

RGB 203 236 230

HSL 169.09, 0.46%, 0.86%

LAB 90.96, -11.87, -0.72

 

CMYK 0 / 14 / 3 / 7

HEX #ECCCE5

RGB 236 204 229

HSL 313.13, 0.46%, 0.86%

LAB 85.34, 15.43, -8.19

 

CMYK 3 / 0 / 14 / 7

HEX #E5ECCB

RGB 229 236 203

HSL 72.73, 0.46%, 0.86%

LAB 92.11, -7.93, 15.22

 

CMYK 14 / 3 / 0 / 7

HEX #CBE5EC

RGB 203 229 236

HSL 192.73, 0.46%, 0.86%

LAB 89.3, -7.13, -6.31

 

CMYK 0 / 14 / 3 / 7

HEX #ECCCE5

RGB 236 204 229

HSL 313.13, 0.46%, 0.86%

LAB 85.34, 15.43, -8.19

 

CMYK 0 / 8 / 14 / 7

HEX #ECD9CB

RGB 236 217 203

HSL 25.45, 0.46%, 0.86%

LAB 87.86, 4.27, 9.25

 

CMYK 14 / 0 / 11 / 7

HEX #CBECD2

RGB 203 236 210

HSL 132.73, 0.46%, 0.86%

LAB 90.48, -15.62, 9.01

 

CMYK 14 / 6 / 0 / 7

HEX #CBDEEC

RGB 203 222 236

HSL 205.45, 0.46%, 0.86%

LAB 87.48, -3.53, -8.99

 

CMYK 0 / 14 / 3 / 7

HEX #ECCCE5

RGB 236 204 229

HSL 313.13, 0.46%, 0.86%

LAB 85.34, 15.43, -8.19

 

CMYK 0 / 4 / 14 / 7

HEX #ECE2CB

RGB 236 226 203

HSL 41.82, 0.46%, 0.86%

LAB 90.11, -0.37, 12.45

 

CMYK 14 / 0 / 11 / 7

HEX #CBECD2

RGB 203 236 210

HSL 132.73, 0.46%, 0.86%

LAB 90.48, -15.62, 9.01

 

CMYK 14 / 10 / 0 / 7

HEX #CBD4EC

RGB 203 212 236

HSL 223.64, 0.46%, 0.86%

LAB 84.91, 1.69, -12.82

 

Description

Color code: HEX #ECCCE5 | qconv.com Color code: HEX #ECCCE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 204 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 204 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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